O jovem guerreiro Son Goku parte em uma missão, correndo contra o tempo e o vingativo Rei Piccolo, para coletar um conjunto de sete esferas mágicas que concederão ao seu portador poder ilimi... Ler tudoO jovem guerreiro Son Goku parte em uma missão, correndo contra o tempo e o vingativo Rei Piccolo, para coletar um conjunto de sete esferas mágicas que concederão ao seu portador poder ilimitado.O jovem guerreiro Son Goku parte em uma missão, correndo contra o tempo e o vingativo Rei Piccolo, para coletar um conjunto de sete esferas mágicas que concederão ao seu portador poder ilimitado.
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Eriko Tamura
- Mai
- (as Eriko)
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Avaliações em destaque
This movie is just plain disappointing to say the least. I don't care if this is an adaptation of Dragonball. The only reason why I gave it a 3 out of 10 rating was for the special effects and production value which were semi-decent. I don't understand what was wrong with the original storyline that needed to be changed and messed with. It's the original storyline that made fans love Dragonball in the first place. "If it ain't broke don't fix it." I think this movie would do a lot better if they stuck with the original story and had better casting. The real fans would flood the theaters to watch it which would bring hype to the movie for new viewers that don't know about Dragonball, kind of like how Watchmen did. Street Fighter was horrible and they expect to do a sequel to it, this movie was a travesty...I guess next up will be Thundercats and Voltron for Hollywood to mess up for me. Thank you Hollywood for ruining my childhood memories.
As bad as Inspector Gadget and The Last Airbender are, they look like masterpieces compared to Dragonball Evolution. The TV series was very, very good, the movie was half-baked and bland. The only good thing was James Marsters, while he mayn't look exactly like Piccolo he at least tries to capture the essence of the character. Just a shame he isn't in enough of the movie to elevate it even more.
Why do I say that Dragonball Evolution is a contender for the worst live-action film for an animated TV series? The scenery and costumes are nice to look at, but the cinematography does nothing for me, the editing is shoddy and the lighting is dull. The special effects don't impress either, they do distract rather than enhance and it doesn't help that some of them are half-baked.
The film is also too rushed, and in all honesty I was left bored by the end, nothing really interesting in my view happens. The story is juvenile and predictable, the dialogue is terrible either being cheesy or due to the delivery very rarely ringing true and the direction is bland. The acting is nothing to smile about, Goku and Yamuka especially are complete disasters and show a complete lack of acting ability. Not only that, the characters here are treated in the most banal way possible and are difficult to like as a result.
Overall, a very poor movie. 1/10 Bethany Cox
Why do I say that Dragonball Evolution is a contender for the worst live-action film for an animated TV series? The scenery and costumes are nice to look at, but the cinematography does nothing for me, the editing is shoddy and the lighting is dull. The special effects don't impress either, they do distract rather than enhance and it doesn't help that some of them are half-baked.
The film is also too rushed, and in all honesty I was left bored by the end, nothing really interesting in my view happens. The story is juvenile and predictable, the dialogue is terrible either being cheesy or due to the delivery very rarely ringing true and the direction is bland. The acting is nothing to smile about, Goku and Yamuka especially are complete disasters and show a complete lack of acting ability. Not only that, the characters here are treated in the most banal way possible and are difficult to like as a result.
Overall, a very poor movie. 1/10 Bethany Cox
This Movie plain and simple insults our intelligence, I mean I'm no Geek, but tham they were way off!, this should not even be called dragonball, because of stupid 20th Century Fox, now dragonball is ruined, if someone wanted to make a better movie with the real story that Akira Toriyama made, they made so many changes and mistakes that the dragonball that we know is gone forever, on Watchmen they made some changes but only so the essence of the show could be shown on film, but Dragonball is dead they killed it, I'm sorry Akira Toriyama they ruined your work and about every Anime , and dbz fan out there, like my Grandfather just to say "there's cheese all over that movie" It is illogical to spend the money on copyrights if you're not even going to use the story.
Zac Bertschy of Anime News Network, originally disgusted at Otaku decrying the film via leaked set shots and trailers even before the movie was released, gave the movie an overall F grade, admitting that "The fans were right." Criticizing the films lack of explaining plot elements to its hackmead storyline and lackluster effort by the actors, he suggested that the film "Might be fun when you're hammered and surrounded by friends. Or suicidal, and need something to push you over the edge."
Zac Bertschy of Anime News Network, originally disgusted at Otaku decrying the film via leaked set shots and trailers even before the movie was released, gave the movie an overall F grade, admitting that "The fans were right." Criticizing the films lack of explaining plot elements to its hackmead storyline and lackluster effort by the actors, he suggested that the film "Might be fun when you're hammered and surrounded by friends. Or suicidal, and need something to push you over the edge."
Hollywood plundering Japanese pop culture isn't something new. From "Americanizing" television series for the kids from Power Rangers to Ultraman, and adapting famed characters from Japanese film, games and manga to frequent disastrous effect, it still wouldn't stop the studios from going after one property after another. This time round it's the long running Dragonball series, because the assumption is that the built-in fan base would translate to instant dollars at the box office. Not.
You have to give the filmmakers a little bit of credit though, being either foolhardy, or just plain ballsy. It's a given that they cannot condense and distill the rich content into a surprisingly less than 90 minute movie, and live in the hopes of producing a sequel, or to generate a franchise (i.e. don't leave the cinema hall when the end credits start to roll). But what they successfully do, is to super-summarize the entire mythos by throwing out everything except the main gist of the entire manga, making it extremely simplistic in poor lazy-man standards in adaptation.
For the uninitiated, the film would serve as a quick launchpad to the original manga. For those with a wee bit of knowledge of what it's about (like myself), the film just treads along the same lines and doesn't offer you new information. For the fanboys, I guess you'll only get some kicks at seeing some of your favorite characters come alive, only that they look more Caucasian, and have a head full of hair when they're not supposed to (someone forgot to insist that in the contract?) That's all you're gonna get. Period.
As far as film-making and story-telling techniques go, you can see cliché after cliché being thrown at you, with the poorly and cheaply rendered special effects offering no consolation. Justin Chatwin's Goku is your typical teenager who possesses innate potential yet to be realized, and in his frustration he gets treated by peers as a loser geek. He lives with his grandpa Gohan (Randall Duk Kim in stereotypical know-it-all like in Kung Pu Panda), and develops a crush on school hottie Chi Chi (Jamie Chung). Goku's calling in life is to prevent an apocalypse from happening with the return of chief cardboard baddie Lord Piccolo (an instant shoo-in as one of the worst cinematic villains, ever!) and his temporary sidekick Mai (Eriko Tamura) who attempt to collect 7 dragonballs to fulfill an ancient myth. And of course Goku needs a Fellowship, in the form of irritating tech-wizard Bulma (Emmy Rossum last seen in the sinker Poseidon), mercenary Yum Cha (Joon Park who probably copied Rain's uninspiring cinematic turn in Speed Racer to a T) and Chow Yun-Fat the biggest name of them all here trying his darnest best to act cute as Master Roshi, who imparts skills in double quick time to Goku.
Speaking of time, or the lack thereof, everything is compressed. From two weeks to two days and the day of the blood moon shielding the yellow sun (OK so I made that up), everything moves at so fast a pace, that all you get are cheesy lines of dialog, and an excuse to paste some action sequences together. And James Wong certainly can't direct action (despite being at the helm of Jet Li's The One, which was of course bland and bad), opting to pay homage to Zack Snyder's slow-mo technique, and midway changing the style to having the camera being too close to the action, in the dark, coupled with quick MTV cuts that you don't get to see a thing.
And the rush job just doesn't stop at the narrative or the action. Special effects wise, they look really cheap, and I wonder whether Producer Stephen Chow would roll his eyes at what would be extremely pale when put side by side with his Kung Fu Hustle done many years ago. Ayumi Hamasaki's contribution of the theme song Rule sounded really bad as well (I may get flak from her fans), and I guess having some Asian participation doesn't legitimize what is essentially a poorly done movie. Not even Chow Yun-Fat's star status could save this, and you wonder what figured when this is the movie that he gave up Red Cliff for.
This is basically a movie that only children below the age of 5 will enjoy tremendously, despite having to see 6 half-balls, contributed courtesy of the 3 lead female characters, being continuously flashed on screen, thanks to some neck plunging wardrobe (where's that malfunction when you need one?) Totally bland and really uninteresting, I would suggest sticking to the manga instead.
You have to give the filmmakers a little bit of credit though, being either foolhardy, or just plain ballsy. It's a given that they cannot condense and distill the rich content into a surprisingly less than 90 minute movie, and live in the hopes of producing a sequel, or to generate a franchise (i.e. don't leave the cinema hall when the end credits start to roll). But what they successfully do, is to super-summarize the entire mythos by throwing out everything except the main gist of the entire manga, making it extremely simplistic in poor lazy-man standards in adaptation.
For the uninitiated, the film would serve as a quick launchpad to the original manga. For those with a wee bit of knowledge of what it's about (like myself), the film just treads along the same lines and doesn't offer you new information. For the fanboys, I guess you'll only get some kicks at seeing some of your favorite characters come alive, only that they look more Caucasian, and have a head full of hair when they're not supposed to (someone forgot to insist that in the contract?) That's all you're gonna get. Period.
As far as film-making and story-telling techniques go, you can see cliché after cliché being thrown at you, with the poorly and cheaply rendered special effects offering no consolation. Justin Chatwin's Goku is your typical teenager who possesses innate potential yet to be realized, and in his frustration he gets treated by peers as a loser geek. He lives with his grandpa Gohan (Randall Duk Kim in stereotypical know-it-all like in Kung Pu Panda), and develops a crush on school hottie Chi Chi (Jamie Chung). Goku's calling in life is to prevent an apocalypse from happening with the return of chief cardboard baddie Lord Piccolo (an instant shoo-in as one of the worst cinematic villains, ever!) and his temporary sidekick Mai (Eriko Tamura) who attempt to collect 7 dragonballs to fulfill an ancient myth. And of course Goku needs a Fellowship, in the form of irritating tech-wizard Bulma (Emmy Rossum last seen in the sinker Poseidon), mercenary Yum Cha (Joon Park who probably copied Rain's uninspiring cinematic turn in Speed Racer to a T) and Chow Yun-Fat the biggest name of them all here trying his darnest best to act cute as Master Roshi, who imparts skills in double quick time to Goku.
Speaking of time, or the lack thereof, everything is compressed. From two weeks to two days and the day of the blood moon shielding the yellow sun (OK so I made that up), everything moves at so fast a pace, that all you get are cheesy lines of dialog, and an excuse to paste some action sequences together. And James Wong certainly can't direct action (despite being at the helm of Jet Li's The One, which was of course bland and bad), opting to pay homage to Zack Snyder's slow-mo technique, and midway changing the style to having the camera being too close to the action, in the dark, coupled with quick MTV cuts that you don't get to see a thing.
And the rush job just doesn't stop at the narrative or the action. Special effects wise, they look really cheap, and I wonder whether Producer Stephen Chow would roll his eyes at what would be extremely pale when put side by side with his Kung Fu Hustle done many years ago. Ayumi Hamasaki's contribution of the theme song Rule sounded really bad as well (I may get flak from her fans), and I guess having some Asian participation doesn't legitimize what is essentially a poorly done movie. Not even Chow Yun-Fat's star status could save this, and you wonder what figured when this is the movie that he gave up Red Cliff for.
This is basically a movie that only children below the age of 5 will enjoy tremendously, despite having to see 6 half-balls, contributed courtesy of the 3 lead female characters, being continuously flashed on screen, thanks to some neck plunging wardrobe (where's that malfunction when you need one?) Totally bland and really uninteresting, I would suggest sticking to the manga instead.
Let me just start off by saying that there are no redeeming qualities to this movie at all. The multi-million dollar budget has amounted to a teen drama mixed with power rangers. The final product is insulting, to say the least.
The creators of this horrible, horrible adaption should take a good long think about what they have done and why they should have just followed the source material instead of taken it for granted. Do they really think that the entire Dragonball fan-base is this stupid? Akira Toriyama probably has a noose around his neck right about now.
To finish this off: The acting is atrocious, the butt-rock scattered through the soundtrack will make you want to punch the guy running the theater in the face, and the story is basically the manga's, but cut up, put into a blender, stuffed into sausage skins, and stitched back together with an American flag tied around it.
If you want your Dragonball fix, just buy dvds of the show instead, skip the movie, and if you don't skip it, then at least don't pay for this thing. I heard that a sequel is already in the works, and we don't need a trilogy, that would be three of these movies too many.
The creators of this horrible, horrible adaption should take a good long think about what they have done and why they should have just followed the source material instead of taken it for granted. Do they really think that the entire Dragonball fan-base is this stupid? Akira Toriyama probably has a noose around his neck right about now.
To finish this off: The acting is atrocious, the butt-rock scattered through the soundtrack will make you want to punch the guy running the theater in the face, and the story is basically the manga's, but cut up, put into a blender, stuffed into sausage skins, and stitched back together with an American flag tied around it.
If you want your Dragonball fix, just buy dvds of the show instead, skip the movie, and if you don't skip it, then at least don't pay for this thing. I heard that a sequel is already in the works, and we don't need a trilogy, that would be three of these movies too many.
Você sabia?
- Curiosidades"Dragon Ball" creator Akira Toriyama was initially supportive of the announcement of a live action adaptation and asked fans to treat the film as a different interpretation of his work, but after watching the film he was so horrified at this adaptation of his work that he decided to revive the series with the animated film Dragon Ball Z: A Batalha dos Deuses (2013). He later revealed that he wasn't allowed to have any creative input on the film and all of his suggestions were rejected.
- Erros de gravaçãoPiccolo can destroy a house with telekinesis, but he can't lift the Dragonball that falls off the stone mount back up to him at the end scene of the movie.
- Cenas durante ou pós-créditosSPOILER: There is a scene in the closing credits: Piccolo is revealed to have survived, and is in the care of the woman he spared in his first scene.
- Versões alternativasThe UK release was cut, this film was originally shown to the BBFC in an unfinished version. The BBFC advised the distributor that the film was likely to receive a 12A classification but that the requested PG classification could be obtained by making changes to a number of scenes. In particular the BBFC suggested that gun threat to, and violence against, a woman should be reduced; a close-up and slow-motion impact shot in kick to face should be removed; a leaping kick to face in a fight scene should be removed; dismembering of fantasy creatures in fight scene should be made largely indistinct; the 'horror' effects in the transformation of the hero into a creature should be reduced; and the focus on throttling of a character should also be reduced. When the finished version of the film was submitted, amongst other limited changes, all these reductions had been made satisfactorily and the film was classified PG.
- ConexõesEdited from Alien vs. Predador 2 (2007)
- Trilhas sonorasRule
Lyrics by Ayumi Hamasaki
Music by Miki Watanabe
Performed by Ayumi Hamasaki
Arranged by Hal
Produced by Max Matsuura
Courtesy of Avex Entertainment Inc.
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- Dragon ball evolución
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- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 9.362.785
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.756.488
- 12 de abr. de 2009
- Faturamento bruto mundial
- US$ 55.720.772
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