Sweet River

Here we have a drama film that includes a supernatural subplot which, unfortunately, doesn't lend as much to the film as it could have. It's a pity because I think it could have had the potential to be a genuinely spooky movie, but the real message within is a story about grief and loss, not things that go bump in the night. I watched till the end hoping for dramatic revelations or a great twist that made it worth the effort, but I was disappointed.

'Sweet River', like the best ghost stories, is suffused with grief and mystery.

A woman moves to a small Australian riverfront sugarcane town to seek answers about the disappearance of her small son, only to find a community of grieving parents who, having lost their children to a number of tragedies, believe they are still with them. At the same time a mystery haunts the town, echoing across the canefields at night - particularly a field that stands as a memorial for the children lost and has never been harvested.

'Sweet River' is first and foremost a human drama about an outsider probing the secrets of a town - when the townsfolk don't want her to - so that she can find her son and finally allow him, and herself, to rest. The cane towers and shifts as both a backdrop and a character. It is foreboding and visceral - both the town's lifeblood and the keeper of its secrets. A river and a forest full of omens.

Beautifully acted and photographed, this film weaves a tightly knotted plot that it unravels in expertly measured beats as midway, the ghost story hinted in its opening sequence begins to take hold while the frustrations begin to mount upon Hannah as she gets closer to the truth.

Perhaps the resolution is just ever so slightly too neat (this is being very picky) and the emotional wrap-up a touch too swift to be as satisfying as the rest of the story demands. The opening sequence, like the exaggerated trailer, is also a little at odds with the tone of the rest of the film. Nevertheless, this is an accomplished, subtle, slow burn, adult ghost story that should have had the chance to find a bigger audience than it has.

One for viewers looking for something along the lines of 'The Orphanage', 'The Others', 'February (The Balckcoat's Daughter)' and 'The Devil's Backbone' rather than J-Horror and 'Children of the Corn', as the trailer would have you expect.

A decent-enough film, that you can pass a few hours with.

If you're looking for a non-stop, rollercoaster of a horror movie...this ain't it!

It's a very slow burner, with probably the worst group of child actors you'll see this year. Everything else though, is great!

The movie follows a great idea, and could have been great for Australian cinema, however poor scripting and editing leaves the viewer totally baffled at times as to what is going on and how each scene adds to the story attempting to be told.

The writing of this film lets it down. It's like a car that keeps trying to get up the hill but never gets there. It feels like a first draft script that needed to get pushed to a higher level, which is a shame, because you can tell everyone did their best with what they had.