Ridley Road

Having been brought up about 500 yds from Ridley Rd, I looked forward to seeing this. Having seen the first episode, I am reminded of the wise words of Mark Twain, "The difference between truth and fiction, is that fiction has to be believable. This was not.

I am old enough to remember both Colin Jordan and Oswald Mosley, and in particular, the 1962 "visit" by the latter to Ridley Rd in 1962. This ended within minutes with Mosley receiving a police escort to get him out of the area. I'm not certain, but If that was not his last public appearance, it must have been close to it.

What I don't recall from that period, was that there was a Dalston office of Mossad operating in the area. I know that may seem harsh, but the problem I have with it, is that even as "Faction", it doesn't work for me. When it's gets as specific as naming a real place and a real date, you'd expect to see bits that you can recognise as being "based on a true story". But so far, I've seen nothing of the sort. This bears no resemblance to my recollections of Ridley Road and events in 1962.

A young Jewish girl leaves her family home for love in London, when shs gets there however her life takes a very different course.

I thought this was a terrific four part series from The BBC, a fascinating, harrowing and incredible story from Britain's history. Not a story many seem to remember.

It is beautifully made, it looks big budget, with a big cast, great sets, and some terrific fashions. I love how they mix in original footage with the new shots, it looks so good.

Pacing is one of the main strengths, it will keep you gripped, and have you on tenterhooks in equal measure.

The acting is terrific all round, Agnes O'Casey, Sam Spiro, Eddie Marsan, and of course Rory Kinnear, who shows his chilling side, don't think I've seen him play a part such as this.

I loved it, served as a warning from history, 9/10.

I don't suppose many members of the older generation in the UK remember much about the National Front party fronted by Colin Jordan, but this neat little four part series from the BBC is a timely reminder of how Nazism existed in the early 60's. Jordan seemed to attract mostly disaffected young men, and the Jewish community in the Ridley Road area decided to put up some opposition to their movement. The story follows a young Jewish girl, Viven Epstein who infiltrates the organization and steals incriminating information about National Front activities. Agnes 0'Casey seemed miscast at first, a tentative youngster missing Manchester and all that was familiar to her, but she grew into the role quite well I thought, and by the end of the series I was hooked.

To be honest, it was a trifle slow at times, but the 1960's setting of Swinging London was lovingly crafted, and production values were very high. Rory Kinnear was suitably commanding as Jordan, Eddie Marsan equally convincing as a Jewish activist. There are spells in the story where the action lags, but from the moment Vivien goes to stay at the National Front HQ the action takes off, and the bit where her cover is blown is really fascinating. The overall story was good in parts, and the ending seemed a bit of a let down; for all his activities Jordan only got nine months in jail which seems little for someone who was betraying his country. Nevertheless Red productions have produced an interesting and timely little story, and I was fascinated to learn that Dior's niece was his wife; watch out for her in the series, the actress who plays her has a blast in the role.

I think the writing and plot is weak, unconvincing and unbelievable. No problems with the set, scenery and the use of archive film of street scenes of the period are great. The performances are good too but it it ends there. The plot is thin, superficial and full of holes and appears to be lossely constructed to present set scenes.

It's like everything 60s is shoveled into this before it happened, the dressers got carried away again?. Eddie Marsan stands out, as ever, with a great performance, the others, mostly...mabye, they were just killing time till the pub opened? It's all a bit BBC with compromise writ large, which sadly, makes the story and characters suffer at the end of the day. I'd advise getting better writers and a motivated cast. The BBC used to do this stuff so well.