Channing Tatum e Terrence Howard são as estrelas desta história repleta de ação e ambientada no submundo das lutas de rua, onde o que importa não é com quem você luta, mas qual o seu objetiv... Ler tudoChanning Tatum e Terrence Howard são as estrelas desta história repleta de ação e ambientada no submundo das lutas de rua, onde o que importa não é com quem você luta, mas qual o seu objetivo.Channing Tatum e Terrence Howard são as estrelas desta história repleta de ação e ambientada no submundo das lutas de rua, onde o que importa não é com quem você luta, mas qual o seu objetivo.
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Shawn MacArthur (Channing Tatum) is your typical working-class boy who is taken under the wing of an ageing con-man named Harvey (Terrence Howard) and given the opportunity to make his American dream come true by participating in various back-room bare-knuckle fights. Oh, and the stereotypical love-interest in the form Zulay (Zulay Henao) is also thrown into the mix. Now, despite this description describing various films from the last few years (never mind the last few decades), it contains three huge, jaw-shattering constraints: 1) Despite being named Fighting, the film ironically contains very little fighting or brawling in regards to its hundred-minute running time. And when we do get to see some face-bruising action, the Director seems to get incredibly giddy with the camera and what we are left with is some Paul Greengrass jerkiness that allows you to observe very little especially when the camera is thrown into the heart of the action.
2) Terrence Howard puts a little effort into his character and drags out a performance worthy of a film better than this, however Channing Tatum does not follow his lead. His stony expression and Brando-style mumbling is just plain annoying and unconvincing, yet he is the lead protagonist at the forefront of the film, and his performance drags the film down considerably.
3) Finally, Munic and Montiel's script has about as much weight as a feather and as punch as a fighter out-cold on the mat. We learn little about the characters until late into the film when there life stories seem to just be thrown around quickly to fill various plot-holes. While, the majority of the dialogue is just clichéd and cringe-worthy, most notably a scene at the end of the film that precedes the final fight sequence, which can only be described as hilariously idiotic.
Fighting is crime against cinema. It is a film which gives the audience absolutely nothing, yet takes from them their hard-earned cash in the form of their admittance fee. The only reason I can think why this film was distributed to theatres instead of being a straight-to-DVD affair, is down to the influence of having a star like Terrence Howard in the picture. Don't waste your time or money on this abomination.
The picture contains drama ,thrills , and lots of violent brawls plenty of punch , kicks, and knockouts. Acceptable performance from Channing Tatum as impulsive young becoming a professional street-fighter and battling a variety of contenders , plus Zulay Enao gives a surprisingly good acting as his gorgeous love interest and special mention to Terrence Howard as the sharpster who arranges his bare-knuckled bouts . The picture belongs to sub-genre about street combats as ¨Lionheart¨ with Jean Claude Van Damme and whose maxim representation turns out to be the classic ¨Hard times¨ by Walter Hill with Charles Bronson and James Coburn . It's a colorful but violent entertainment that results to be the second film of his director Dito Montiel. His first movie was the dramatic ¨Guide to recognizing the saints ¨and in preparation ¨The son of no one¨ also with Channing Tatum and Al Pacino . Rating : passable , only for those who like films in which fist-play are staged ad nauseam .
A bit of a poor man's Rocky, with (believe it or not) an even worse story. Delving into the seedy, underground world of bare-knuckle fighting – with no holds barred.
A new kid in town, down on his luck in the big City meets up with and becomes unlikely friends with a less than successful con man / fight promoter and his entourage of misfits and vagabonds. The fights get increasingly intense as each opponent gets bigger and stronger than the last, until the big showdown with a boyhood nemesis.
Meanwhile, as a sub-plot, the up-and-coming fighter tries to woo a club waitress by always turning up whenever she is around alas, I suppose stalking has the same effect as a bunch of roses to some people today.
This was a poorly directed film, and the characters were pretty wooden, the story was very laboured and moved very slowly.
The redeeming features were some of the fight scenes (that were a bit on the brutal side), and the "comedy" performance of the girlfriend's Mother that kept popping into the room on the most inappropriate of moments! Although the fight sequences may be of interest to some – I would say that many others would find these quite off putting.
The film tries to save itself with some plot twists, but, unfortunately – you could see these punches coming from a long way off.
Channing Tatum in the opening introduction before the film started described the plot line of the movie as being loosely based on "Midnight Cowboy" – but it is a very loose connection both in story, acting ability or finished result – and this film definitely wasn't the winner.
Every emotion was misplaced. The dialogue didn't mesh. There was no build up aside from the minor tension between Channing Tatum and Brian J. White.
The movie "cleverly titled" FIGHTING, had not a single worthwhile fight scene in it worth watching. In fact the whole time, I couldn't understand why he was getting praised as a good fighter. It's not even till the very end that you even see a fight where you feel he's got some fighting talent.
I could go into how horrible each actor was, but ultimately decided it wasn't their fault. I'm 100% convinced that the director had no idea how to coach his actors, nor how to write a good script. In fact I'm almost convinced he encouraged them to do horribly.
I felt Brian White did well. And the only other acting that I really could tolerate was the crazy old grandmother. Everything else just seemed like interacting characters were reading from separate scripts.
I used a free promo code to save $1 at RedBox to watch this movie, and I'm still disappointed I didn't get my money's worth.
Você sabia?
- CuriosidadesChanning Tatum broke his nose during one of the fight scenes.
- Erros de gravaçãoWhen Shawn arrives at the night club following his first fight, he steps out of the car clearly sporting two bruises on his face. After the scene shifts to the interior, his bruises have all disappeared.
- Citações
Shawn MacArthur: So, what, I'm gonna fight this... this guy, and then what? What happens?
Harvey Boarden: Well, we go in, you win, you get $5,000 dollars. You lose, you get nothin'.
Harvey Boarden: So we get paid tonight?
Harvey Boarden: Yes, we will get paid. You keep askin' me the same question.
- Versões alternativasUSA Blu ray release includes a Unrated version.
- ConexõesEdited into The Rotten Tomatoes Show: 17 Again/State of Play/Crank High Voltage (2009)
- Trilhas sonorasAin't No Love in the Heart of the City
Written by Michael Price and Daniel Walsh (as Dan Walsh)
Performed by Bobby Bland (as Bobby 'Blue' Bland)
Courtesy of Geffen Records
Under license from Universal Music Enterprises
Principais escolhas
- How long is Fighting?Fornecido pela Alexa
- Is "Fighting" based on a book?
- Why did Shawn get so mad at Harvey and Zulay?
- What are the differences between the PG-13 cut and the Unrated cut?
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Peleador Callejero
- Locações de filme
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- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 23.091.010
- Fim de semana de estreia nos EUA e Canadá
- US$ 11.024.370
- 26 de abr. de 2009
- Faturamento bruto mundial
- US$ 32.482.728
- Tempo de duração1 hora 45 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1