Faintheart

I have read a lot of negative reviews about this film but some people are just hard to please I devied much pleasure for a film made on a modest budget so I consider it excellent value I watched at home on lock down with both my ankles giving me scyatica pain and it was pleasureable enough to forget that pain

I saw Faintheart on a flight from Hong Kong to Sydney and loved it so much, I watched it three times and wanted the flight to go on longer (and I loathe flying!). It was beautifully scripted, guffaw-out-loud funny and very touching at the same time. There wasn't a weak performance or an extraneous line in the entire screenplay, the hero's character development was believable and the baddies were satisfyingly vanquished. The sub-plot involving male, female (and juvenile) Trekkies was absolutely hysterical. If you liked Brassed Off, you'll love this. (Note to female EastEnders fans - you won't believe how Joe, the schizophrenic teenager whose barmaid mum had an affair with Phil Mitchell, has grown up (Paul Nicholls)!)

Faintheart (the character) is a Viking reenactor (as opposed to a Bravehearted Scot) who, despite having married and sired a son already in middle school, has never quite matured enough to be able to separate his real and fantasy lives. As a consequence, his wife has separated from him; and the film concerns his search for a pathway back into her heart. (Hey, "Richard", what's with the eyeliner?)

As the first Yank to review this film, it's not clear to me why, at a key re-enactment, the audience would cheer for the Vikings over the Normans, unless the Vikings were merely the "home team" at the site of the event, or unless the Brits, after nearly a millennium, still resent the Norman invasion. (Historically, the Vikings launched raids on England, but it took the Vikings who had settled Normandy to later conquer England. According to geneticists, however, due to DNA similarities across sources, the percentage of today's population with Norman blood is indeterminate.)

Faintheart (the movie) is an unusual setting for the standard RomCom. The execution is well-done, but unexceptional. The acting is good all around, but one is continually impressed with the juvenile leads. Faintheart's son, Martin (Joseph Hamilton, in his first credited film here), looks like a reincarnated teenage Jodie Foster, with the covered-left-eye haircut. Martin's girlfriend, Emily, is played by Chloe Hesar, an accomplished TV actress, apparently appearing in her first big screen effort.

Faintheart is recommended for an easy-going one hundred or so minutes of undemanding entertainment.

Those looking for a whimsical British comedy will not find it here. Instead, "Faintheart" takes the kitchen-sink approach to a tale about a middle-aged man who can't get over his obsession with childish things. These include his bedraggled early 1970s appearance, his ancient decal-covered VW bus and his passion for playing a Viking in a series of battle reenactments with his similarly socially retarded buddies. Along the way, he loses his wife and child over his childish behavior. The plot has him slowly deciding to grow up and win back his love and young son, who is greatly embarrassed by his Peter Pan-like dad. Nothing all that special here, but worth a look. The ending is clumsily handled, but in truth it fits with this neo-realist fantasy. Oddly enough, the son is the spitting image of a young Jodie Foster. He's also the best actor in what was his very first movie.

This is the second British comedy I've seen recently that I'd never heard of until a friend recommended it to me (the other one is "Blow Dry"). I'm completely perplexed. The filmmakers went to all this trouble to get a brilliant script and cast with matching performances and then what? - they forgot to tell the UK audience that it exist?! Also, it was never marketed outside the UK (although it seems to have had a Swedish premiere according to IMDb Pro), no doubt losing millions in the process!

It's really, really disheartening to all filmmakers everywhere to think that you can get everything right and still get it so wrong. If anyone knows the inside story on what happened (and to "Blow Dry" for that matter) then please let me know.

In the meantime, this goes straight into my private hoard of great comedies that I keep locked in my study, away from prying eyes, for those rainy days! :-)