AVALIAÇÃO DA IMDb
6,7/10
7,3 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA thriller about a Copenhagen cop who moves to a small town after having a nervous breakdown.A thriller about a Copenhagen cop who moves to a small town after having a nervous breakdown.A thriller about a Copenhagen cop who moves to a small town after having a nervous breakdown.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 19 vitórias e 12 indicações no total
Sune Q. Geertsen
- 'Øko' Tage
- (as Sune Geertsen)
Taina Anneli R. Berg
- Lone 'TP'
- (as Taina Anneli Berg)
Puk Scharbau
- Hannes Stemme
- (narração)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This was one of my top 5 films at the 33rd Cleveland International Film Festival.
In the introductory narrative we are told that "all the events are true". A short story is told of how a cow was stuck in the bog, dug out 6 months later and gave birth to a two-headed calf (one human, one bovine). This sad animal causes distress to the town and is put back into the bog.
Well. We may not know where this is going, but it's sure to be interesting.
Robert (Jakob Cedergren) has a troubled past in Copenhagen and is re-assigned to a remote Danish town, where he is quickly embroiled in its odd business. Does Jorgen (Kim Bodnia), the local force to be reckoned with, actually beat his wife Ingerlise (Lene Maria Christensen)? Is that why their daughter takes her dolly for a walk in the evening, with the squeaky wheel heard by all in the village? Why is the bicycle shop deserted, but the music blaring?
And what is in the bog?
The theme of the small town that runs by its own rules is well presented here. No one wants to get the "big city" involved. Abuse is known but ignored. The Marshall fits in in that everyone seems to have a secret in this town. A twisted ethic exists in just what needs to be done, whether the Marshall is supposed to punch out a pre-teen shoplifter (if he doesn't, Dad Jorgen will), you are supposed to say "mohn" instead of the usual Danish word for hello, the doctor supplies narcotics to the hairdresser/call-girl, and your clothes need to be put on the line to dry in a just-so order. And what do you do about the abused wife, who may just be playing her version of crazy with the newest Marshall?
The various plot twists, the machinations of the local card-playing cabal looking for a new fourth, the (lovely) cat who says "mohn": all provide fit companions to the Bog. The Bog is metaphor here as a place where secrets reside, the past sometimes remains hidden and the future lies in wait. The bog is as much a character as the townspeople and the townspeople are the bog.
The film alternates between disquieting views of the flat fields and frenetic twists (big and small) in the plot. I could not imagine a single scene being left out. Lovely and tense, this Euro-Noir film is well acted and well filmed; a good bet for those who like quirky and creepy.
In the introductory narrative we are told that "all the events are true". A short story is told of how a cow was stuck in the bog, dug out 6 months later and gave birth to a two-headed calf (one human, one bovine). This sad animal causes distress to the town and is put back into the bog.
Well. We may not know where this is going, but it's sure to be interesting.
Robert (Jakob Cedergren) has a troubled past in Copenhagen and is re-assigned to a remote Danish town, where he is quickly embroiled in its odd business. Does Jorgen (Kim Bodnia), the local force to be reckoned with, actually beat his wife Ingerlise (Lene Maria Christensen)? Is that why their daughter takes her dolly for a walk in the evening, with the squeaky wheel heard by all in the village? Why is the bicycle shop deserted, but the music blaring?
And what is in the bog?
The theme of the small town that runs by its own rules is well presented here. No one wants to get the "big city" involved. Abuse is known but ignored. The Marshall fits in in that everyone seems to have a secret in this town. A twisted ethic exists in just what needs to be done, whether the Marshall is supposed to punch out a pre-teen shoplifter (if he doesn't, Dad Jorgen will), you are supposed to say "mohn" instead of the usual Danish word for hello, the doctor supplies narcotics to the hairdresser/call-girl, and your clothes need to be put on the line to dry in a just-so order. And what do you do about the abused wife, who may just be playing her version of crazy with the newest Marshall?
The various plot twists, the machinations of the local card-playing cabal looking for a new fourth, the (lovely) cat who says "mohn": all provide fit companions to the Bog. The Bog is metaphor here as a place where secrets reside, the past sometimes remains hidden and the future lies in wait. The bog is as much a character as the townspeople and the townspeople are the bog.
The film alternates between disquieting views of the flat fields and frenetic twists (big and small) in the plot. I could not imagine a single scene being left out. Lovely and tense, this Euro-Noir film is well acted and well filmed; a good bet for those who like quirky and creepy.
Terribly Happy is a stylish Danish noir based on actual events. It's a classic "fish out of water" story. Robert (Jakob Cedergren ),a police officer is sent from Copenhagen to a small Danish village as its new Marshall. He soon finds that the village people have their own set of rules and laws and are not ready to accept outside interference with their coda of justice. Although at first Robert tries to play everything by the book, he is soon drawn deeply into the villagers' web of deceit and corruption.
The director Henrik Ruben Genz creates a very bleak atmosphere set against the Danish countryside. The film is full of black humor, reminiscent of Coen Brothers, specially Fargo. The casting is particularly good, with Kim Bodnia outstanding as a wife beating lout. Terribly Happy is tightly directed and is gripping from start to finish. Recommended.
The director Henrik Ruben Genz creates a very bleak atmosphere set against the Danish countryside. The film is full of black humor, reminiscent of Coen Brothers, specially Fargo. The casting is particularly good, with Kim Bodnia outstanding as a wife beating lout. Terribly Happy is tightly directed and is gripping from start to finish. Recommended.
It is happening again. A film is a hit and Hollywood remakes it. Watch the original before they do that.
Henrik Ruben Genz directs this film (and will direct the remake) that has been compared to a Coen brothers film. The synopsis is simple - Hot Fuzz in Danish, but a noir, not a comedy, even though it is funny at times.
Jakob Cedergren was great as the cop sent to a small town for his transgressions, and who got himself into a bigger mess with Lene Maria Christensen. She was also extremely good, as was her husband, played by Kim Bodnia.
What a great ending!
Henrik Ruben Genz directs this film (and will direct the remake) that has been compared to a Coen brothers film. The synopsis is simple - Hot Fuzz in Danish, but a noir, not a comedy, even though it is funny at times.
Jakob Cedergren was great as the cop sent to a small town for his transgressions, and who got himself into a bigger mess with Lene Maria Christensen. She was also extremely good, as was her husband, played by Kim Bodnia.
What a great ending!
I recently saw this at the 2009 Palm Springs International Film Festival. from writer/director Henrik Ruben Genze based on the novel by Erling Jepsen is a dark and quirky crime story set in a small rural Danish village where everybody knows everything about everyone and they live and die by their own unique code of justice. Robert (Jakob Cedergren) is a cop from the city who has been reassigned as the town marshall because of a mental breakdown he suffered and he has to stay in the demotion until he can work his way back onto the force back in the the city. He immediately discovers the odd and unwelcome clannish ways of border town community and meets Ingerlise (Lena Maria Christiansen), the abused wife of the town bully Jorgen (Kim Bodnia). This is a psychological thriller with suspense and dark comedy woven together in a story that is almost Stephen King-like. The moody cinematography from Jorgen Johansson is excellent and the film moves at a slow pace but never drags down and keeps your interest throughout. I would give this an 8.5 out of 10 and recommend it.
Just weird. A great cast but a truly strange story which makes even the Coen bros films seem normal. Whilst I'm a big fan of Kim Bosnia's I don't think this was his finest hour and I wouldn't watch it again
Você sabia?
- CuriosidadesThe US DVD release contains, as a special feature, a brief clip from an interview with director Henrik Ruben Genz and novel author Erling Jepsen, who are childhood friends. At the start of the interview, Jepsen starts to playfully smack Genz' face, but hits him harder than he wanted and breaks Genz' lip, drawing blood. Genz goes backstage, supposedly to stop the bleeding, but in fact goes home and never returns, leaving Jepsen to do the appearance alone.
- Erros de gravaçãoIn the closing credits the song "You Always Hurt the One You Love" is listed as "You Always Hurt the One Your Love" instead.
- ConexõesFeatured in Deadline: Episode dated 22 October 2008 (2008)
- Trilhas sonorasGefühl aus Eis
Written by Manfred Grüber/Jo Schreiber/Eric Zion/Alex Klier
Principais escolhas
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- How long is Terribly Happy?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 170.943
- Fim de semana de estreia nos EUA e Canadá
- US$ 11.650
- 7 de fev. de 2010
- Faturamento bruto mundial
- US$ 2.828.984
- Tempo de duração1 hora 39 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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