Bill & Ted: Encare a Música

I loved the Bill and Ted movies, especially Bogus Journey. But this was a disaster.

You can feel the cringe all over this, from the undeveloped script, the callbacks, the woke Hollyweird stuff, and that cheese finale.

Alex Winter did sooo much better than Keanu Reeves in this one. Which was surprising.

William Sadler was amazing as Death, again. The scenes with the princesses also played very well.

The daughters and all the new side characters didn't work. The robot might have worked if the rest of the film played better.

I would have given this 1 star if it wasn't for Alex Winter. The future versions of Bill were golden. British Bill was so creepy and Old Bill's face will keep me laughing for a couple more days. You can tell he worked so much harder than everyone else involved.

We have to face facts, the reason there are so many sequels and remakes of movies from the 80s and 90s is because Hollywood peaked then. The 2000's marked the beginning of the decline, which has been rapidly descending in the last few years. Despite this decline and despite the mediocre Force Awakens style influences in the script, the charm and humour... and of course the nostalgia saves this from being unwatchable, which is high praise. Zazz as the robot steals the show along with the woman from Flight of the Concordes but I mostly left feeling a little sad that this movie wasn't made in the 90s and sad that Keane Reeves may not actually be immortal.

It's "ok".

That's all you really need to know. It's ok, and it does its job. This film was never going to top the first two, becasue they are a product of their time, and you can never re-create that, but Bill & Ted Face The Music is a decent enough send off for the characters.

It is a bit sad though that it is just "ok". The film does have a certain cheapness to its look and feel, and Keanu was sounding a bit tired if I'm honest. It retreads some ground, but not as much as you would think, and there are genuine laughs in here for sure. Dean Parisot's directing is solid, but a bit lacklustre in places, and I think they should have got Peter Hewitt back from Bogus Journey. It's not awful by any means, but I think it lacks a bit of magic (which was probably the 80s/90s).

A special mention must go to Alex Winter who does a great job here. He IS Bill S. Preston, and he has his old mannerisms down to a tee which was very familiar and very comforting.

In a way, the film made me a bit sad. Bogus Journey tied up the story quite well, but there was always a bit of the door open to do more if they wanted, and now that it's done it was a kind of uneventful. 1994-ish would have been a perfect time to do a third film, because as upsetting as it is, Bill and Ted with all their "Wows" and "Dudes", are The past.

However, they are MY past, and from MY generation, so I was very happy to see them once last time, and despite all the nitpciks, I had fun with the film.

All that's left to say is the best message in any film ever:

Be excellent to each other...

... and party on!!!

First of all, hear me out but as a musician I gotta say that the song they played at the wedding was actually pretty cool, highly creative and it had layers upon layers of sonic dissonance that brought note resolution to a new step in each direction using non-conventional tools. I could not believe it was written as a throw away joke.

Now, about the movie. That it could've been better? Yes, it most definitely could've. Specially if they had picked up from the events from Bogus Journey. But alas, that movie was written as a finale and not planned to have a sequel.

The gender swap of little Bill and little Ted was troublesome at first, but given the most excellent and honest performances by the two actresses mimicking their movie dads, it was quickly forgiven.

That being said, that I wished it would've been better written with higher character development and a bolder comedy standard? Most definitely.

That I enjoyed it? Yes, I kinda did but I think it was because I wasn't expecting much due to the state those long term sequels are working nowadays. Would I recommend it? No, not really. The movie is non, non, non-bogus, but it's also non-Excellent.

Either way, remember the lesson from the first two and Be Excellent to each other.

When I saw there was a new B&T movie I thought these old men playing those same characters was bound to be terrible, but then I saw all these film critics saying that the movie actually turned out quite well. I wish I'd seen the movie they saw, because this one was pretty bad.

There are a few good things in Face the Music. The plot is a typically intricate B&T time-loop paradox, as the protagonists travel forward in time in search of their masterpiece while their carbon-copy daughters travel backwards in search of help, leading to a surprisingly clever but completely ridiculous finale. And Brigette Lundy-Paine is wonderful as Billie, perfectly capturing Keanu Reeve's physicality.

On the other hand, during the entire movie there were only 4 or 5 times when I actually laughed. Not belly laughs, just little ones. The movie is simply not funny. I'm not even sure it's *trying* to be funny.

At one point in the movie Dave Groh came up and I asked my girlfriend, "who's Dave Groh." She said for her that question was the funniest thing that happened during the movie.

Face the Music is kind of likable and a little sweet, and the story kept me generally engaged. But it's simply a comedy virtually devoid of humor, so I can't recommend it. But if they make a Billy & Thea sequel I might consider watching if they also get some different writers.