A Garota do Tempo

I attended a screening of Blayne Weaver's "Weather Girl" at the 2009 Los Angeles Film Festival. It had premiered at the Slamdance Film Festival in January and was one of those "buzz films" here.

Tricia O'Kelley stars a Seattle morning show's "sassy weather girl" who has an over-the-top, painfully funny on-air meltdown over her cheating boyfriend, the show's despicable co-anchor (the always-reliable Mark Harmon, "NCIS'" Agent Gibbs). Out of work, out of love, and homeless, she needs to pick up the pieces and start a new life. That begins with a knock on the door of her brother Walt's bachelor apartment (Ryan Devlin), where his best friend Byron (Patrick J. Adams) seems to have taken up permanent residence. Jon Cryer, Jane Lynch, and Blair Underwood are among other notables in the cast.

Although it's an indie, "Weather Girl" has the polished look of a Hollywood movie with top quality production values and cinematography that takes full advantage of its breathtaking Seattle location. But this is clearly a character-driven film where all the protagonists have their flaws and the villains simply cannot redeem themselves. There is a great deal of visual humor -- sight gags abound and facial expressions often are the jokes in themselves. The plot is somewhat formulaic, though, and we know where this is going right from the start. But even though we've seen this story before it is still entertaining and occasionally laugh out loud funny.

Writer/director Blayne Weaver, cast, and crew were present for a hilarious Q&A after the screening which rivaled the comedy in the movie.

Just a note: the picture was annoyingly dark. Generally I'd attribute this to poor projection on the part of the theater or a bad print (or digital copy) before I'd blame the post-production team. It definitely took away from my enjoyment of the film and I hope that's not the way the public will see it in the future.

This is a cute if slightly edgy romantic comedy. I think we all want to root for Sylvia. And Tricia O'Kelley is pleasant enough, when she is not going nuts.

Fans of "The Mick" or even "It's Always Sunny in Philadelphia" might be disappointed that Kaitlin Olson has such a small role, or that she's not nearly as likable here as she is in those shows. Sherry is either too perky, too boring (when she and Dale apologize for their co-worker's rant), too terrified or too nuts. The fact is the role of Sylvia seems to have been written for Olson. O'Kelley's delivery in many scenes appears very much like Mickey on "The Mick", including some personality quirks. I'm thinking particularly about what could be described as a stammer. O'Kelley is prettier, but it is Olson's personality that she seems to be giving us.

Mark Harmon gives us both conceited perfect anchor, a common stereotype, and a somewhat appealing character who we're really not supposed to like. I know he's respected, but I'm not sure he is in a role worthy of his talent.

I don't know who Patrick Adams is. I guess we're supposed to like him. I do find myself rooting for him but I'm not sure why.

Jane Lynch isn't as evil as her award-winning Sue Sylvester, but she's bad enough. Meaning good enough.

I don't know the names of Sylvia's potential bosses, but several of them really stand out. Great performances, for the material.

It's worth seeing.

OK, romantic comedies usually turn me off, but I really liked this movie.

It's loaded with guest appearances that come fast and furious; like Jane Lynch as a hysterically contemptuous restaurant manager; Jon Cryer as as creepy accountant set-up date; Blair Underwood as the frantic Producer; Alex Kapp Hunter and Marin Hinkle as devoted but misguided friends, but the real magic to this indie film is the performances of the title character, "sassy weather girl" Sylvia (the stunning Tricia O'Kelley), her perpetually dismayed but faithful brother Walt (Ryan Devlin), and his semi-slacker house mate Byron (Patrick J. Davis).

Writer/director Blayne Weaver (how could Jon "Duckie" Cryer keep a straight face throughout his scenes?) actually makes a romantic comedy believable and thoroughly watchable, which is quite a feat.

I loved the set design, in particular Walt's apartment, which resembles a theme park for yet-to-be-developed young adults (I can relate)...but someone was totally on by including a Seaweed poster, a totally cool Seattle band, who I'm sure were delighted to be in the prop! Tricia O'Kelley was totally lovable and played her character well. Her character straddled two worlds that were quite separate and totally different, and her involvement with her brother Walt and his buddy Byron were very believable and not too over-the-top.

My favorite scene is the one in which Sylvia comes home to her brother's apartment after a particularly distressing day, and upon seeing Walt and Byron involved in a video game, simply takes her waitresses' uniform off and waltzes over to Byron's apartment across the hall in her underwear and boots. Byron, being a 29-year-old guy, immediately follows.

Tricia O'Kelley is our sassy weather girl, Sylvia, except she insists she's not sassy, she just has boyfriend problems and now employment problems giving way to the numerous emotional issues which our heroine explores in this romantic comedy.

Sylvia is a fantastic romantic comedy heroine. Sure, she's slightly desperate for a boyfriend but when her job opportunities disappear, she does the responsible thing and finds a temporary solution, as a waitress. She retains just enough optimism peeking out of the many hysterical breakdowns, that watching her is a joyful experience. We have two leading men, both extremely attractive and even better, their many moments of humour are priceless. Walt (Ryan Devlin) is Sylvia's younger brother and he puts up with all her neuroses because of brotherly love. Byron (Patrick J. Adams) is Walt's best friend, he also puts up with Sylvia's many neuroses, but out of a more carnal love.

This film succeeds because young career women can relate to Sylvia's problems unlike the similar "Morning Glory" (2010), and every actor aptly delivers the comedy (unlike most big budget comedies). It's well written and knows its genre well playing up most of the formulaic elements on purpose but without any of the hackneyed details. "Weather Girl" is definitely a great romantic comedy because it's absolutely hilarious from beginning to end with just a hint of self-awareness.

I saw this movie on video without knowing anything about it and I was pleasantly surprised. Loved the actors, loved the story, loved the humor. Terrific to see a woman grappling with real life issues and even better to see a romance between an older woman and younger man without all that "cougar" baggage. Is it formulaic, of course, but it has an independent feel which makes it seem a lot fresher than bigger movies with bigger stars. The sibling relationship was an especially nice addition. I'm a huge fan of the romantic comedy genre, but so much of it is recycled and cringe-worthy. Most Hollywood rom-coms are a few good scenes amid barely watchable dreck (The Wedding Date, The Wedding Planner, 27 Dresses, How to Lose a Guy in 10 Days, the list goes on). This was totally watchable and I would strongly recommend it to anyone who likes a happy ending.