A Garota do Tempo

OK, romantic comedies usually turn me off, but I really liked this movie.

It's loaded with guest appearances that come fast and furious; like Jane Lynch as a hysterically contemptuous restaurant manager; Jon Cryer as as creepy accountant set-up date; Blair Underwood as the frantic Producer; Alex Kapp Hunter and Marin Hinkle as devoted but misguided friends, but the real magic to this indie film is the performances of the title character, "sassy weather girl" Sylvia (the stunning Tricia O'Kelley), her perpetually dismayed but faithful brother Walt (Ryan Devlin), and his semi-slacker house mate Byron (Patrick J. Davis).

Writer/director Blayne Weaver (how could Jon "Duckie" Cryer keep a straight face throughout his scenes?) actually makes a romantic comedy believable and thoroughly watchable, which is quite a feat.

I loved the set design, in particular Walt's apartment, which resembles a theme park for yet-to-be-developed young adults (I can relate)...but someone was totally on by including a Seaweed poster, a totally cool Seattle band, who I'm sure were delighted to be in the prop! Tricia O'Kelley was totally lovable and played her character well. Her character straddled two worlds that were quite separate and totally different, and her involvement with her brother Walt and his buddy Byron were very believable and not too over-the-top.

My favorite scene is the one in which Sylvia comes home to her brother's apartment after a particularly distressing day, and upon seeing Walt and Byron involved in a video game, simply takes her waitresses' uniform off and waltzes over to Byron's apartment across the hall in her underwear and boots. Byron, being a 29-year-old guy, immediately follows.

I have often wondered what a movie peppered with sitcom stars (who work WAY harder than "serious" ones) would be like. Now I know. It's GREAT!

Containing stars from series like "Two And A Half Men" and "The New Adventures Of Old Christine" (and starring one of the snobby duo from the latter) this movie is better acted than most "rom-coms" that inhabit mainstream cinema today.

And while any movie that is written and directed by the same person should ring alarm bells - there are exceptions. And "Weather Girl" is definitely one of them.

It is a damn shame this movie got so little exposure in the theatres - but if it pops up on telly or you see it down at your local video-hire shop, check it out.

Okay, it's no "When Harry Met Sally" - but it will entertain you WAY more than a lot of the tosh that masquerades as cinematic entertainment these days.

I just saw this movie at a screening in Sonoma and was wonderfully surprised. I might be a bit biased because I am a fan of romantic comedies and movies in general, but this was a good movie. At times, the movie itself seems to be poking fun at romantic comedies with how it handles some situations and some of the lines.

The tag/plot from the main IMDb page gives a great overview of the plot: A Seattle weather girl freaks out on-air over her cheating boyfriend, the morning show anchor, and moves in with her little brother. This does not give the movie away. The depth of the story is not usually found in romantic comedies. There is more to this movie than girl meets boy. All of the casting is wonderful. The only issue I had was with Byron and Walt, for some reason I thought the actors should have been switched. By the end of the movie I disregarded this because both of them develop into their roles.

This is one of those movies that is great if you are a movie lover (and some TV) because there are so many great actors in it. Almost every scene there is another actor/actress where you think to yourself 'where have I seen them before?' or 'oh, I love them'. I do have to agree with another reviewer on here that the movie is a little dark, not film noir dark but actually screen dark. I am guessing that is the theater I saw it in (a classic old one that is not set up for digital projection). I gave it a 9/10 because I have only seen it once. I reserve 10/10 for after the second viewing, if I still feel the same way about it it gets another star.

This is a cute if slightly edgy romantic comedy. I think we all want to root for Sylvia. And Tricia O'Kelley is pleasant enough, when she is not going nuts.

Fans of "The Mick" or even "It's Always Sunny in Philadelphia" might be disappointed that Kaitlin Olson has such a small role, or that she's not nearly as likable here as she is in those shows. Sherry is either too perky, too boring (when she and Dale apologize for their co-worker's rant), too terrified or too nuts. The fact is the role of Sylvia seems to have been written for Olson. O'Kelley's delivery in many scenes appears very much like Mickey on "The Mick", including some personality quirks. I'm thinking particularly about what could be described as a stammer. O'Kelley is prettier, but it is Olson's personality that she seems to be giving us.

Mark Harmon gives us both conceited perfect anchor, a common stereotype, and a somewhat appealing character who we're really not supposed to like. I know he's respected, but I'm not sure he is in a role worthy of his talent.

I don't know who Patrick Adams is. I guess we're supposed to like him. I do find myself rooting for him but I'm not sure why.

Jane Lynch isn't as evil as her award-winning Sue Sylvester, but she's bad enough. Meaning good enough.

I don't know the names of Sylvia's potential bosses, but several of them really stand out. Great performances, for the material.

It's worth seeing.

I saw this at the LA Film Festival in Westwood. I can see this film having a very successful life on Netflix after it's theatrical run. While it is an easy romantic comedy with the usual emotional chaos and (occasionally) predictable but very entertaining story-line, this film is executed beautifully. The dialog is snappy, funny and has that contemporary indie feel like Juno. Within the romantic comedy genre it's right up there with the greats, but made on a much smaller budget. I'm sure the Director will stick around after this. Did well at Slamdance.

Wonderful set design, strong performances and the comedic timing of a pro, the audience laughed hard at all the right spots. The lead was perfectly cast and even the cliché ridden romantic male lead (the dude, looking like he's still in college) came across as lovable.

It doesn't take many risks because it doesn't need to. Good judgment on behalf of the team lead by Blayne Weaver has lead to a successful, well made comedy.

I would recommend this movie. Good comedy.