Luther: Never Too Much

Had a chance to see this at the Freep Film Festival in Detroit! It was so great! Of course the music was on another level like Mr. Vandross! I learned some more about him. Especially the fact that he went to school at Western Michigan University in Kalamazoo. He didn't like and left. My daughter said see I told you! She goes to WMU. It had laughter, the audience loved it, because you felt like you were at a family reunion.

He is missed! I saw him when I was 17 years old in Indy. It was him Cheryl Linn, Ashford and Simpson and Ready for the World! They all put on a great show! I am glad I did!

Watched this at the 2024 Sundance Film Festival.

Luther Vandross is a musician that isn't talked much amongst people and Vandross has an interesting history with music, identity and his career. While this documentary does have it's faults on some pacing and structure, the documentary has a good heart that explores Luther's music career, personal life, sexual orientation, and experiences with strong direction, good sense of emotions, and a good heart to the core.

There are many interesting aspects about Luther's life and career that were well-explored throughout the movie and it was interesting to learn about aspects I wasn't familiar with. Revolving around his music, sexual identity and some of the issues he has faced, it was a good documentary about a talented musician who wasn't as well-known to the public, yet has an interesting background.

I am a filmmaker and a student of film, aside from the story being crafted well, it was what any Luther fan could ask for. I have been a fan of his work for as long as I can remember and to see him being honored this way was beautiful. It was a rollercoaster of emotions from glee to sorrow, beginning to end. There were so many great takeaways from the film; one of the biggest was hearing so much of the story told by him. You could feel the love he had for others and the joy he brought radiating through the screen. I cannot wait for the chance to purchase this film, I hope it's available to view again soon.

It's been nearly two decades since Luther Vandross' early death at 54, but this overdue 2025 documentary from Dawn Porter is most welcome at this moment because it places clear focus on both the successes and struggles of the great crooner and songwriter. Porter covers the full spectrum of his career from his appearances on the first season of "Sesame Street" as part of the vocal group, Listen My Brother, all the way to his last and most personal chart hit, "Dance With My Father". In the three-plus decades in between, his mellifluous tenor was heard consistently on a series of hit recordings at the same time he worked as producer, songwriter, and collaborator with the most legendary divas. Drastic weight fluctuations, diabetes, and his closeted private life also get attention but not excessively so. Incorporating interviews with colleagues and confidants, this is a well-paced and researched chronology of a genuine talent frequently underrated but not forgotten.

Using a wide array of archive and some fairly honest and potent interviews, this documentary presents us with a short biopic of rather an enigmatic gent. Initially, his dulcet tones earned him a decent enough living doing lucrative commercials and providing backing vocals until a session with David Bowie started his career on a largely unhindered upwards trajectory. His associations with Aretha Franklin, Bette Midler and Roberta Flack, his total - almost perfectionist - commitment to his art and his cheeky sense of humour all contributed further to a success that transcended not just US racial boundaries, but also physical international ones too. I wasn't really that aware of his music, but watching this does effectively illustrate just how many songs he was behind - writing and/or performing, that are more familiar than I'd expected. This also wasn't a messy man. He wasn't in and out of the papers with stories of his life, his lifestyle, his drinking or drug taking - he actually comes across as a remarkably stable man in many ways, even if his solution to problems he faced was to reach for the fried chicken bucket or the ice cream spoon. Happily, we don't really focus too much on the personal life. Perhaps because his own comments of "mind your own **** business" are echoed by the film's contributors who knew him and who chose not to add fuel to any fires burning about his sexuality. It's a celebration of his music that broadens awareness for folk like me who didn't realise the scope of his skills, and it is a fitting and spangly tribute for those who did.