AVALIAÇÃO DA IMDb
7,1/10
41 mil
SUA AVALIAÇÃO
Em Washington, DC, um repórter enfrenta uma possível pena de prisão por denunciar um agente da CIA e recusar-se a revelar sua fonte.Em Washington, DC, um repórter enfrenta uma possível pena de prisão por denunciar um agente da CIA e recusar-se a revelar sua fonte.Em Washington, DC, um repórter enfrenta uma possível pena de prisão por denunciar um agente da CIA e recusar-se a revelar sua fonte.
- Direção
- Roteirista
- Artistas
- Prêmios
- 2 vitórias e 2 indicações no total
Angelica Page
- Molly Meyers
- (as Angelica Torn)
Avaliações em destaque
FIRST... Let us FOCUS on the Title's Content and Context!
From the very onset, via a blink of an eye assassination attempt on the U. S. President, TRUTH gets a headlock on your psyche and doesn't let go. It manages to be both extremely entertaining and thought-provoking, tackling perhaps one of the most important issues facing Americans in the 21st century: Balancing the First Amendment Right of journalists to protect the confidentiality of their sources against the government's right to guarantee Ntional Security during wartime!!! And it manages to do so in a very unpretentious way, without any of the In-Your-Face preaching so often found in films dealing with this topic.
KUDOS to Rod Luries taut and low-key direction coaxing a remarkable ensemble performance from a truly stellar cast!
Kate Becksinsale shines as an unshakeable journalist who refuses to buckle under constantly mounting Federal pressure to coerce her into revealing her source. Vera Farmiga (who never caught my attention before) delivers a solid performance as the outted CIA agent at the center of a firestorm. For Matt Dillon fans, an interesting note: His performance as the Special Prosecutor hand-picked by the President to find the Traitor Tout Suite is a laudable departure from his usual tough-guy/low-life roles!.
Rounding out this genuinely outstanding cast are, Angela Basset, Alan Alda, Edie Falco and David Schwimmer. There is one final element to mention that adds a potent punch to TRUTH, but any details would be a SP**LER, so....when you see it, you WILL know!!!
(9********* Stars) ENJOY! / DISFURTELA!
Any comments, questions or observations, in English o en Español, are most welcome!
From the very onset, via a blink of an eye assassination attempt on the U. S. President, TRUTH gets a headlock on your psyche and doesn't let go. It manages to be both extremely entertaining and thought-provoking, tackling perhaps one of the most important issues facing Americans in the 21st century: Balancing the First Amendment Right of journalists to protect the confidentiality of their sources against the government's right to guarantee Ntional Security during wartime!!! And it manages to do so in a very unpretentious way, without any of the In-Your-Face preaching so often found in films dealing with this topic.
KUDOS to Rod Luries taut and low-key direction coaxing a remarkable ensemble performance from a truly stellar cast!
Kate Becksinsale shines as an unshakeable journalist who refuses to buckle under constantly mounting Federal pressure to coerce her into revealing her source. Vera Farmiga (who never caught my attention before) delivers a solid performance as the outted CIA agent at the center of a firestorm. For Matt Dillon fans, an interesting note: His performance as the Special Prosecutor hand-picked by the President to find the Traitor Tout Suite is a laudable departure from his usual tough-guy/low-life roles!.
Rounding out this genuinely outstanding cast are, Angela Basset, Alan Alda, Edie Falco and David Schwimmer. There is one final element to mention that adds a potent punch to TRUTH, but any details would be a SP**LER, so....when you see it, you WILL know!!!
(9********* Stars) ENJOY! / DISFURTELA!
Any comments, questions or observations, in English o en Español, are most welcome!
Very nice movie, a bit slow. Kate Beckinsale refuses to not look completely edible even when she has jail scenes, while Vera Farmiga looks just as good as to make one think it will be a movie about a cat fight. But it is far from it. I think the best acted role in this movie belongs to Matt Dillon, though.
The film portrays the trials (pun intended) of an American journalist who is jailed and then imprisoned for withholding the source of her article. Why? Because it involved matters of national security. Is national security more important than truth and integrity? The movie tries to explain why it is not by detailing how deep this is inscribed in the U.S. legislation. Basically, you can say whatever you want, just not what they don't want you to say.
Kate Beckinsale does a very good role, a bit airy and a bit brave. "A water walker", someone calls her character in the film. Best description ever :) David Schwimmer manages to be annoying in this one, as well.
Bottom line: a must see movie, however keep in mind that even if it based on the true story of Valerie Plame, it is very loosely so. Yet, without being American, my guess is that the legislation portrayed in the film exists and any reporter could and would go through the main character's ordeal if having enough backbone.
The film portrays the trials (pun intended) of an American journalist who is jailed and then imprisoned for withholding the source of her article. Why? Because it involved matters of national security. Is national security more important than truth and integrity? The movie tries to explain why it is not by detailing how deep this is inscribed in the U.S. legislation. Basically, you can say whatever you want, just not what they don't want you to say.
Kate Beckinsale does a very good role, a bit airy and a bit brave. "A water walker", someone calls her character in the film. Best description ever :) David Schwimmer manages to be annoying in this one, as well.
Bottom line: a must see movie, however keep in mind that even if it based on the true story of Valerie Plame, it is very loosely so. Yet, without being American, my guess is that the legislation portrayed in the film exists and any reporter could and would go through the main character's ordeal if having enough backbone.
This rates up very high on my scale as one of the better movies of 2008. Its not written as though a high and mighty political messenger wrote it, yet you do not have to look to deep to find the meaning. The star studded cast of Matt Dillon, Alan Alda and Kate Bechinsale brings out the qualities that was needed to make this type of film truly majestic.
The intense vigor of how the prosecuting attorney played by Matt Dillon, (which I first thought was going to be way out of character for him, but he pulled it off so effectively that he now has a new fan), actually attacks our protagonist is so real and matter of fact.
Being based on a true story helps in the matter of believability and the injustice of our justice system.
8/10
The intense vigor of how the prosecuting attorney played by Matt Dillon, (which I first thought was going to be way out of character for him, but he pulled it off so effectively that he now has a new fan), actually attacks our protagonist is so real and matter of fact.
Being based on a true story helps in the matter of believability and the injustice of our justice system.
8/10
After a Presidential assassination attempt, he orders an attack against Venezuela. Columnist Rachel Armstrong (Kate Beckinsale) writes that the President ignored CIA operative Erica Van Doren (Vera Farmiga) when ordering the attack. The media descends on Erica and her life is turned upside down. The government moves to force Rachel to name her secret source. She refuses and is jailed for contempt.
Of course, it's a ripped-from-the-headlines kind of story. They make sure to say that this is fictional. Writer/director Rod Lurie does a reasonable job but this has a bit too much TV movie feel. Maybe he should have not copied so much from the headlines. There are big enough actors involved but it needs big cinematic flourishes. I won't give any spoilers, but I do love the big reveal at the end.
Of course, it's a ripped-from-the-headlines kind of story. They make sure to say that this is fictional. Writer/director Rod Lurie does a reasonable job but this has a bit too much TV movie feel. Maybe he should have not copied so much from the headlines. There are big enough actors involved but it needs big cinematic flourishes. I won't give any spoilers, but I do love the big reveal at the end.
I first heard about this film because of Matt Dillon, one of my favourite actors. He is the second billing in this film, right behind Kate Beckinsale, also starring Vera Farmiga, Alan Alda, Angela Bassett, and David Schwimmer.
The film is about Rachel Armstrong, a reporter (Beckinsale) who has written the story of her life: a military coup by the United States on a South American country was a lie, a Watergate, an operation that could get a president impeached. One CIA agent (Farmiga) had been there before the attack and had reported that there was no need to attack. They attacked anyway, and through a number of sources, Armstrong succeeds in finding the story. When the paper hits, the government realizes that they must find out the original source of Armstrong. Hired to find out this story is Patton Dupois (Matt Dillon), who goes after Armstrong with a ruthless but aloof determination. She is held in contempt of court when she refuses to reveal her source, and she is put in jail. Armstrong's boss (Bassett) and her lawyer (Alda) urges her to keep up the stand she has taken, while her husband (Schwimmer) is angry that she has done this. She herself must cope with the consequences of taking on the government, and the pressure just lays on throughout the story.
Beckinsale keeps the story going easily with her brilliant performance. The story is of course, focused on her, and the effect of imprisonment and interrogation can be seen on her face when she sees her son through the glass of visiting hours, or when Dupois questions her in court. Matt Dillon is also a brilliant actor, and I hope the two of them get nominated this year. However, while Dillon deserves it, I think Alda will end up with the nomination, who is both witty and cynical throughout the court battles.
The film's true strength comes from the fact that it is not a true Hollywood film. There is a tone about it that is certainly not like a usual story like this. The characters are dark, but also with redeeming qualities. Schwimmer's character of the husband does hurtful things, but out of weakness rather than malice. Dillon's character is ruthless in his prosecution, but in truth, he is just doing his job well. Even Beckinsale's character is not the underdog hero that this film could have been about. Thankfully, this movie takes a different route.
It was a real enjoyment seeing this film. Dillon shines as he usually has when I've seen him, and so do Beckinsale and Farmiga. The only over-the-top character is that of Avril Aaronson, played by Noah Wyle, and is thankfully overshadowed by the good performances of those who carry the film.
The film is about Rachel Armstrong, a reporter (Beckinsale) who has written the story of her life: a military coup by the United States on a South American country was a lie, a Watergate, an operation that could get a president impeached. One CIA agent (Farmiga) had been there before the attack and had reported that there was no need to attack. They attacked anyway, and through a number of sources, Armstrong succeeds in finding the story. When the paper hits, the government realizes that they must find out the original source of Armstrong. Hired to find out this story is Patton Dupois (Matt Dillon), who goes after Armstrong with a ruthless but aloof determination. She is held in contempt of court when she refuses to reveal her source, and she is put in jail. Armstrong's boss (Bassett) and her lawyer (Alda) urges her to keep up the stand she has taken, while her husband (Schwimmer) is angry that she has done this. She herself must cope with the consequences of taking on the government, and the pressure just lays on throughout the story.
Beckinsale keeps the story going easily with her brilliant performance. The story is of course, focused on her, and the effect of imprisonment and interrogation can be seen on her face when she sees her son through the glass of visiting hours, or when Dupois questions her in court. Matt Dillon is also a brilliant actor, and I hope the two of them get nominated this year. However, while Dillon deserves it, I think Alda will end up with the nomination, who is both witty and cynical throughout the court battles.
The film's true strength comes from the fact that it is not a true Hollywood film. There is a tone about it that is certainly not like a usual story like this. The characters are dark, but also with redeeming qualities. Schwimmer's character of the husband does hurtful things, but out of weakness rather than malice. Dillon's character is ruthless in his prosecution, but in truth, he is just doing his job well. Even Beckinsale's character is not the underdog hero that this film could have been about. Thankfully, this movie takes a different route.
It was a real enjoyment seeing this film. Dillon shines as he usually has when I've seen him, and so do Beckinsale and Farmiga. The only over-the-top character is that of Avril Aaronson, played by Noah Wyle, and is thankfully overshadowed by the good performances of those who carry the film.
Você sabia?
- CuriosidadesThere is a scene in the movie where Erica Van Doren (Vera Farmiga) is given a lie detector test because the CIA suspects that she leaked her own identity. Rod Lurie brought in a real life polygraphist to polygraph her for the scene. He asked her if her name was Erica Van Doren and if she worked for the CIA. After the scene was over the polygraphist called Lurie over to tell him that Farmiga beat the polygraph test because the machine said that she was telling the truth.
- Erros de gravaçãoWhen Rachel is beaten up in jail, she gets serious scars on her lower lip and her right eye. In a later scene, the scars are completely gone. In later subsequent scenes, the scars are back, and seen to be gradually healing.
- Citações
Alan Burnside: A man can live a good life, be honorable, give to charity, but in the end, the number of people who come to his funeral is generally dependent on the weather.
- ConexõesFeatured in The 14th Annual Critics' Choice Awards (2009)
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Detalhes
Bilheteria
- Orçamento
- US$ 11.500.000 (estimativa)
- Faturamento bruto mundial
- US$ 409.832
- Tempo de duração1 hora 48 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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