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This is definitely a worth watching murder mystery thriller. The thrilling tone is maintained right from the beginning till the end.
At first, some initial scenes may give an impression that the movie would become goofy as it progresses. But it doesn't. It maintains the amount of seriousness and logic one expects out of such movies.
There is absolutely no digression from the main story. No songs. No super star heroism. No melodrama.
The plot is one hell of a one. Keeps us really engaged.
Coming to acting, Kunchacko Boban did his part of a psychologist neatly. Then there is a stellar performance from Unnimaya Gopan. There are other excellent performances which cannot be told without it being spoilers.
Music really elevates the scenes and thrills to another level. The camera work was good even though it could have been made better. The editing was very good.
If there are flaws, they are all minor ones. Even though the story/plot is clearly the winner here, some parts in the beginning of the second act made the plot go slow. But it soon gets compensated as the movie goes forward. It can also be said that the last few scenes had some minor problems with logic. But it doesn't really compromise on the thrills and suspense.
Another minor problem was the character of Sreenath Bhasi. He comes as a young techie. The character is one in which Bhasi has got typecasted. His presence was mainly to give some comic relief. Such a character's presence cannot actually be justified. But it doesn't really affect the whole movie. Just a minor flaw. Maybe they didn't have the confidence to make the film without any comic relief.
The dialogues at some points felt a bit artificial. But for the most part they were good.
All these minor problems are just nitpicking. If you want to see a murder mystery thriller movie with a very good plot, you definitely need to see this.
At first, some initial scenes may give an impression that the movie would become goofy as it progresses. But it doesn't. It maintains the amount of seriousness and logic one expects out of such movies.
There is absolutely no digression from the main story. No songs. No super star heroism. No melodrama.
The plot is one hell of a one. Keeps us really engaged.
Coming to acting, Kunchacko Boban did his part of a psychologist neatly. Then there is a stellar performance from Unnimaya Gopan. There are other excellent performances which cannot be told without it being spoilers.
Music really elevates the scenes and thrills to another level. The camera work was good even though it could have been made better. The editing was very good.
If there are flaws, they are all minor ones. Even though the story/plot is clearly the winner here, some parts in the beginning of the second act made the plot go slow. But it soon gets compensated as the movie goes forward. It can also be said that the last few scenes had some minor problems with logic. But it doesn't really compromise on the thrills and suspense.
Another minor problem was the character of Sreenath Bhasi. He comes as a young techie. The character is one in which Bhasi has got typecasted. His presence was mainly to give some comic relief. Such a character's presence cannot actually be justified. But it doesn't really affect the whole movie. Just a minor flaw. Maybe they didn't have the confidence to make the film without any comic relief.
The dialogues at some points felt a bit artificial. But for the most part they were good.
All these minor problems are just nitpicking. If you want to see a murder mystery thriller movie with a very good plot, you definitely need to see this.
- Thrishoolin
- 10 de jan. de 2020
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- chlorophyllus
- 20 de jan. de 2020
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After a long time (read 'after Drishyam'), Malayalam film industry has produced yet another gem of a crime thriller. The story is about an aspirong criminologist who gets involved with the police in catching a serial killer who goes about killing policemen one by one. It is also said to be inspired by true events.
Right from the first shot itself, the director wastes no time in putting the characters & plot into motion. With each passing scene, you're drawn deeper into the mystery of the killers, who they & what do they want. The pacing is immensely good, the dialogues are realistic & crisp, the editing is superb & the background score is chilling enough. The visuals are powerful & borderline spooky at times. All the actors are in fine form & convince us enough to invest all our attention into the plot. In the first half, there literally isn't one single moment where you're not thinking 'What's next?'. Credit goes to the script writers for writing a gripping plot that keeps you engaged throughout the movie. The mystery unravels well & is quite satisfactory in the end.
The movie isn't without its cons. The regular usage of the term 'psychology' in the movie isn't validated as the director chooses not to explore much in that direction in the second half. This causes discrepancies in the thought process in the first half amd second half of the movie. Also, the second half gets a tad bit dragged because it carries the burden of revealing all the answers to the questions it raises in the first half. Apart from this, the movie is an excellent crime thriller & a MUST WATCH
Right from the first shot itself, the director wastes no time in putting the characters & plot into motion. With each passing scene, you're drawn deeper into the mystery of the killers, who they & what do they want. The pacing is immensely good, the dialogues are realistic & crisp, the editing is superb & the background score is chilling enough. The visuals are powerful & borderline spooky at times. All the actors are in fine form & convince us enough to invest all our attention into the plot. In the first half, there literally isn't one single moment where you're not thinking 'What's next?'. Credit goes to the script writers for writing a gripping plot that keeps you engaged throughout the movie. The mystery unravels well & is quite satisfactory in the end.
The movie isn't without its cons. The regular usage of the term 'psychology' in the movie isn't validated as the director chooses not to explore much in that direction in the second half. This causes discrepancies in the thought process in the first half amd second half of the movie. Also, the second half gets a tad bit dragged because it carries the burden of revealing all the answers to the questions it raises in the first half. Apart from this, the movie is an excellent crime thriller & a MUST WATCH
- rohitmenonyt
- 28 de abr. de 2020
- Link permanente
This is indeed an immersive seat edger and a major game changer for Malayalam movies. From now on, probably most of the investigation/killer movies are going to be benchmarked based on this one. Pretty much everything about this movie, right from casting till direction is overly impressive. The sound design and music gets my special attention since it created a "never before" feel among Malayalam or maybe even other Indian language movies.
This is the end product of a quintessential amalgamation of all the individual and minute building blocks that makes a movie. Wonderful!
This is the end product of a quintessential amalgamation of all the individual and minute building blocks that makes a movie. Wonderful!
- nitheeshas91
- 7 de mai. de 2020
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Anjaam Pathiraa is a Malayalam crime thriller that stands out for its intelligent screenplay, atmospheric visuals, and compelling performances. It's a film that keeps you on the edge of your seat, with twists and turns that will keep you guessing until the very end.
The film revolves around Anwar Ali Khan, a cynical police officer, who is tasked with investigating a series of gruesome murders. The killer, known as the 'Mathavani', leaves behind a chilling signature, making the case increasingly complex.
The film excels in character development. Anwar Ali Khan's character arc is a highlight of the film. Anwar, with his complex personality and cynical outlook, is a fascinating protagonist. His transformation from a cynical, world-weary detective to a determined investigator is both compelling and believable. The film delves deep into his psyche, exploring the toll the case takes on him. The supporting cast, including the talented Sreenath Bhasi, adds depth to the story.
The film's cinematography is a character in itself. The dimly lit streets of Kochi and the eerie undertones contribute significantly to the suspenseful atmosphere. The use of shadows and close-ups adds to the tension and creates a claustrophobic feel. Even in the daylight scenes, there's a sense of impending doom, thanks to the careful use of lighting.
The screenplay is meticulously crafted with well-placed red herrings and unexpected twists. The film avoids relying on cheap thrills and instead focuses on building a tense and psychologically charged narrative.
The music in Anjaam Pathiraa is a subtle yet powerful force. It complements the visuals perfectly, building tension and enhancing the emotional impact of the scenes. It's a perfect blend of suspenseful and atmospheric, adding depth to the overall experience. The film's sound design is equally impressive. The use of silence and subtle sound effects is employed effectively to heighten the tension.
The identity of the Mathavani is a shocking revelation. The film skillfully misdirects the audience, making it difficult to predict the killer's identity. The character's motivations, while disturbing, are presented in a way that makes them understandable, adding a layer of complexity to the narrative.
The film's climax is both shocking and satisfying. The revelation of the killer's identity is a masterstroke, and the final confrontation is intense and gripping.
In conclusion, Anjaam Pathiraa is more than just a crime thriller. It's a film that challenges the audience to think critically about the characters and the world they inhabit. The film's intelligent screenplay, coupled with strong performances, makes it a standout in the Malayalam film industry.
The film revolves around Anwar Ali Khan, a cynical police officer, who is tasked with investigating a series of gruesome murders. The killer, known as the 'Mathavani', leaves behind a chilling signature, making the case increasingly complex.
The film excels in character development. Anwar Ali Khan's character arc is a highlight of the film. Anwar, with his complex personality and cynical outlook, is a fascinating protagonist. His transformation from a cynical, world-weary detective to a determined investigator is both compelling and believable. The film delves deep into his psyche, exploring the toll the case takes on him. The supporting cast, including the talented Sreenath Bhasi, adds depth to the story.
The film's cinematography is a character in itself. The dimly lit streets of Kochi and the eerie undertones contribute significantly to the suspenseful atmosphere. The use of shadows and close-ups adds to the tension and creates a claustrophobic feel. Even in the daylight scenes, there's a sense of impending doom, thanks to the careful use of lighting.
The screenplay is meticulously crafted with well-placed red herrings and unexpected twists. The film avoids relying on cheap thrills and instead focuses on building a tense and psychologically charged narrative.
The music in Anjaam Pathiraa is a subtle yet powerful force. It complements the visuals perfectly, building tension and enhancing the emotional impact of the scenes. It's a perfect blend of suspenseful and atmospheric, adding depth to the overall experience. The film's sound design is equally impressive. The use of silence and subtle sound effects is employed effectively to heighten the tension.
The identity of the Mathavani is a shocking revelation. The film skillfully misdirects the audience, making it difficult to predict the killer's identity. The character's motivations, while disturbing, are presented in a way that makes them understandable, adding a layer of complexity to the narrative.
The film's climax is both shocking and satisfying. The revelation of the killer's identity is a masterstroke, and the final confrontation is intense and gripping.
In conclusion, Anjaam Pathiraa is more than just a crime thriller. It's a film that challenges the audience to think critically about the characters and the world they inhabit. The film's intelligent screenplay, coupled with strong performances, makes it a standout in the Malayalam film industry.
- chiragrathod09
- 5 de ago. de 2024
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Watched 3 times The credit goes to casting, acting,Scripting ,music,Direction,camera and editing equally. Everything was perfect .All together my score 97/100. Everything was perfect This one is not like the other stereotype thrillers.
I have 2 request only. Everyone should watch the movie in theaters and please don't try to spoil.
- aaronbobby
- 13 de jan. de 2020
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The tense atmosphere of Anjaam Pathiraa (Fifth Midnight), thanks to the brilliant background score by Sushin Shyam and the overall production setup, is what makes it a gripping thriller worth enjoying while sitting at the edge of your seat without having the luxury to pay a visit to the washroom. Because if you choose to do so (or to get the popcorn), the intended impact will be lost. Midhun Manuel Thomas must have envisioned it that way as he wrote a mystery about a possible killer and police procedural involving the killings. More than the underlying themes that are related to crime, it is the procedural involving cops and other investigative elements (where Kunchacko Boban plays a criminologist) that keep you hooked, and makes this mystery thriller a unique affair for Mollywood consumers. There's enough going on here and with a crisp acting performance and sufficient attention to details, I can easily call Anjaam Pathiraa one of the best films to come out this year. We don't get such thrillers often. If you have the ability to pass certain forgivable issues with the plot, the dialogue delivery, and occasional mishaps involving placement and timing of humour, this is going to be a treat. TN.
- nairtejas
- 28 de jan. de 2020
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The director that we knew and loved from the Aadu series makes a roaring comeback with Anjaam Pathiraa, a murder mystery thriller that keeps you hooked throughout. Midhun Manuel Thomas deftly combines a haunting background score with smart visuals and an in-form Kunjacko Boban to gradually build suspense and intrigue, delivering the best Malayalam crime thriller I have seen since Memories and Drishyam.
Although there are significant plot holes towards the end, the well written characters and their back stories leave you wanting for more. Loved the subtle homages to Hannibal Lecter and to the Creep series in the second half.
An engaging thriller and surely the first big hit of 2020!
Although there are significant plot holes towards the end, the well written characters and their back stories leave you wanting for more. Loved the subtle homages to Hannibal Lecter and to the Creep series in the second half.
An engaging thriller and surely the first big hit of 2020!
- nidhunmoviebuff
- 18 de jan. de 2020
- Link permanente
Yes, you read it right. This is a beautiful thriller. I thank Midhun Manuel Thomas for this splendid experience.
This is one of the best scripts in Mollywood without a doubt and arguably the best thriller in several years, since Drishyam probably.
The story follows the way most serial killer movies go, but the discoveries that the investigators go through would keep us glued to the screens, without compromising on the tension level.
The detailing in this story, even in art direction (example: in the final scene, viewers who noticed would understand) is wonderfully done. Issues are there of course but which movie doesn't, and it's a common thing in thrillers. But i can say with certainty that most loopholes one would find would be solved by some analysis of scenes or with further viewing, like how it happened to me. Midhun has tried his best to include everything as possible in the runtime of less than 2 and a half hours.
That's another best part of the movie - the editing. You would find no unnecessary cuts, no flash or additional fluff that had plagued Indian thrillers for year. There's no unnecessary scene in the movie which deviates from the main plot. It sticks to the point till the end, which is a great thing for the audience.
Performances are awesome. Be it the lead Kunjacko Boban who has delivered a brilliant performance as the obsessive psychologist who comes to terms with the reality of investigations, or be it the minor characters that appear in the latter half - everyone has given their best.
Cinematography is good. Use of red lighting in several scenes was clever. The background score may remind you of several other movies, but was very well placed throughout the movie.
What a start to the decade! I watched it second time just for the experience and for confirming several things. Would definitely recommend to everyone, as it definitely doesn't disappoint.
This is one of the best scripts in Mollywood without a doubt and arguably the best thriller in several years, since Drishyam probably.
The story follows the way most serial killer movies go, but the discoveries that the investigators go through would keep us glued to the screens, without compromising on the tension level.
The detailing in this story, even in art direction (example: in the final scene, viewers who noticed would understand) is wonderfully done. Issues are there of course but which movie doesn't, and it's a common thing in thrillers. But i can say with certainty that most loopholes one would find would be solved by some analysis of scenes or with further viewing, like how it happened to me. Midhun has tried his best to include everything as possible in the runtime of less than 2 and a half hours.
That's another best part of the movie - the editing. You would find no unnecessary cuts, no flash or additional fluff that had plagued Indian thrillers for year. There's no unnecessary scene in the movie which deviates from the main plot. It sticks to the point till the end, which is a great thing for the audience.
Performances are awesome. Be it the lead Kunjacko Boban who has delivered a brilliant performance as the obsessive psychologist who comes to terms with the reality of investigations, or be it the minor characters that appear in the latter half - everyone has given their best.
Cinematography is good. Use of red lighting in several scenes was clever. The background score may remind you of several other movies, but was very well placed throughout the movie.
What a start to the decade! I watched it second time just for the experience and for confirming several things. Would definitely recommend to everyone, as it definitely doesn't disappoint.
- followthedamntrain
- 12 de jan. de 2020
- Link permanente
Anjaam Pathiraa is sometimes engaging. There are a few edge of the seat moments. Sreenath Bhasi was fun. Kunchako Boban barely holds it together. Not an excellent perfomance. The movie often tries to be different. It tries to keep distance from conventional hero vs serial killer patterns and the clichéd "now it's personal" twist (?) thanks to writer, director Midhun Manual Thomas. But the third act of the movie is not at all satisfying. All the hype the first and second acts built collapses miserably. In a nutshell, Anjaam Pathiraa is a good attempt. But it's just an okayish movie. Malayalam industry will need to wait more to get an excellent serial killer movie.
- rahulr_imdb
- 9 de jan. de 2020
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You Should Never Miss TheTheatre Experience ...
A Must Watch Thriller...
A Great Malayalam Movie Ever
Direction And Cinematography are Superb...
- ipsharooque
- 10 de jan. de 2020
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I couldn't find much difference for this movie compared to normal crime thrillers except for a few.So I cannot say,that the movie was fantastic.And it was dragging a little bit towards the end.But anyways, very few parts must be appreciated.Else,this movie was nothing less than a normal crime thriller.
- ranikgeorge
- 14 de jan. de 2020
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No intelligent deductions. Using a 'hacker' for filling the plot holes. What's the use of having a 'psychologist' for hero ? He was just getting all his answers from the 'hacker'. Not even one scene was intelligently written. Average at the best !
- naveenmdopa
- 26 de abr. de 2020
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After a long time i have experianced a masterpiece movie and i recomend every one of you to go and watch it. I am sure you will not regret please mark my words
- sangeerthsangi
- 12 de jan. de 2020
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It's a remarkable crime thriller like never before. The cat and mouse game is well portrayed from start to end without losing its intensity even for a minute, the movie is really gripping. Many people have been correlating this to Ratsasan, I have to say towards the end it's one step ahead of it. Just don't miss this, especially crime-thriller fans. I don't wanna say much about this movie, u should experience in cinema.
- nishasuperboy
- 20 de jan. de 2020
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Anjaam Pathira Perfectly casted, fantastic team work movie.The killer who challenges the entire department,Anwar Husain looking for clues and phyco deviating more and more day by day.The killer with a motive, pattern, past, reason for his brutal murders.Fast paced movie good climax fantastic movie.The main traits that we should know is shyju Khalid camera,midhun direction,sushin syam music made the movie ANJAAM PATIRA A DREADFUL PATIRA.....
- alansenmon
- 13 de jan. de 2020
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Trust me with this, it's the best crime thriller ever in Malayalam after the CBI series. Midhun showed a completely different way from his previous works. Truly admirable. Cinematography, Actors, Music, Editing, every component contributed marvellously to it's victory. Hands off to Anjam Pathira team.
- aemagicaluniverse
- 10 de jan. de 2020
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I am marvelled at South's ability to churn out quality thrillers one after another. Anjaam Pathira (The Fifth Midnight) is the latest Malayalam film to be a part of this bandwagon.
The story is about a shadowy serial killer who targets Cops!!! After a string of gruesome killings, Kochi Police DCP Catherine (Unnimaya) upon the advice of ACP Anil (Jinu) ropes in criminal psychologist Anwar Hussain (Kunchako) to help them crack the case. Together they begin the hunt for the perpetrator who employs brutal and unique methods for committing the murders.
I have always believed grit is the most vital component of a thriller. The moment you lose the tempo, the story is bound to lose the edge. This is where the movie scores brilliantly. Writer Director Midhun Manuel Thomas renders a taut tale where we come across ghastly crimes, compelling scenes and sharp twists & turns at every crucial juncture. This engaging treatment which doesn't allow the tone to slack off is the movie's strongest asset. Yes there are flaws. There are certain minute details which call for an explanation (the figurine story, the burning incident hypothesis). English dialogues appeared a bit contrived. There are a few cliches which could have been avoided.
But Anjaam Pathira overall remains a riveting tale of suspense where the right elements are combined in apt proportions. There are horrific crimes, startling revelations and a good backstory. One can't help drawing a parallel to the Tamil movie Ratsasan (The Devil). While Ratsasan had a more interesting plot development, Anjaam Pathira's ending is better fleshed out.
You will love it.
The story is about a shadowy serial killer who targets Cops!!! After a string of gruesome killings, Kochi Police DCP Catherine (Unnimaya) upon the advice of ACP Anil (Jinu) ropes in criminal psychologist Anwar Hussain (Kunchako) to help them crack the case. Together they begin the hunt for the perpetrator who employs brutal and unique methods for committing the murders.
I have always believed grit is the most vital component of a thriller. The moment you lose the tempo, the story is bound to lose the edge. This is where the movie scores brilliantly. Writer Director Midhun Manuel Thomas renders a taut tale where we come across ghastly crimes, compelling scenes and sharp twists & turns at every crucial juncture. This engaging treatment which doesn't allow the tone to slack off is the movie's strongest asset. Yes there are flaws. There are certain minute details which call for an explanation (the figurine story, the burning incident hypothesis). English dialogues appeared a bit contrived. There are a few cliches which could have been avoided.
But Anjaam Pathira overall remains a riveting tale of suspense where the right elements are combined in apt proportions. There are horrific crimes, startling revelations and a good backstory. One can't help drawing a parallel to the Tamil movie Ratsasan (The Devil). While Ratsasan had a more interesting plot development, Anjaam Pathira's ending is better fleshed out.
You will love it.
- banerjeenirmalya
- 10 de mai. de 2020
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Watch without any expectations it ll fullfill u.. But don't expect more bcoz of over rating
- sabarishsaba-57436
- 6 de mai. de 2020
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- Misss25
- 22 de jan. de 2022
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- clint-10606
- 7 de fev. de 2020
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- Anjaam Pathira is a serial killer thriller movie. TLDR it's a decent thriller movie to watch. It's a good thriller movie released in Malayalam.
- First half was good with thrilling scenes and second half was decent.
- Direction and cinematography is good.
- Coming to negatives, there are some loopholes in the movie. Story is not that great with many cliche's.
- Acting is ok. The actor who played the serial killer is a good actor, but I felt he was a miscast for this role.
- Final Verdict - A decent serial killer thriller movie.
- sujith789_reviews
- 10 de abr. de 2020
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- rajivchandhran
- 6 de fev. de 2020
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Thouroghly enjoyed this movie, considering the fact that some of the puny loopholes can be ignored.
- pilldha
- 25 de jan. de 2020
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A movie perfectly made with serious mystery and a perfect crime thriller. Where the antagonist is an anti hero. Brilliant screen play and story writing. The dots are well connected and the movie is gripping. A movie where the a antagonist is the main character despite having reveling him after interval. The first half build the mysterious environment and circumstances and in second half the puzzle got more complected and at last the dots are connected. Bgm can be improved like Ratsasan. It should have released in ott like Netflix Amazon prime or hotstar. Movie can't reached to major audience..
- ankitchinara-54764
- 17 de jul. de 2024
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