Uma Prova de Amor

In Los Angeles, the eleven year old Anna Fitzgerald (Abigail Breslin) seeks the successful lawyer Campbell Alexander (Alec Baldwin) trying to hire him to earn medical emancipation from her mother Sara (Cameron Diaz) that wants Anna to donate her kidney to her sister. She tells the lawyer the story of her family after the discovery that her older sister Kate (Sofia Vassilieva) has had leukemia; how she was conceived by in vitro fertilization to become a donor; and the medical procedures she has been submitted since she was five years old to donate to her sister. Campbell accepts to work pro bono and the obsessed Sara decides to go to court to force Anna to help her sister.

"My Sister's Keeper" has a potential story with a promising beginning. However, the screenplay entwines flashback of situations of Kate's cancer sometimes in a confused way and has a melodramatic conclusion that could be shorter. The greatest problem is the shallow and unrealistic Hollywoodian approach, reducing the strength of the powerful drama, and I believe that this theme would be better explored by an independent director in a more realistic environment. The teenager Sofia Vassilieva has an awesome performance and Cameron Diaz is also great in the role of a mother that becomes obsessed to save her daughter and forgets her family. My vote is seven.

Title (Brazil): "Uma Prova de Amor" ("A Proof of Love")

The movie was actually very well-put together, but they left out several important things that were in the novel, including the existence of a child advocate, the way the court found out about the reason for her suit, and the fact that in the novel, Anna lived at the fire station for most of the trial because her mother was the opposing council. Let's not forget the fact that they added characters --the aunt and the various other family members. They even changed the end of the story! The majority of the details remained the same, such as Campbell's condition, the name of his service dog, and most of the listed medical procedures Anna endured, but there are still depths of the story that are left out because of the narration style (they did well at the beginning, but they tried to keep it all from Anna's POV after that, and that doesn't work for this story...) This is actually one of the reasons I wasn't sure I wanted to watch the movie: Hollywood is prone to ruining good stories. The movie was wonderful, as long as you don't try to reconcile it too closely with the novel it's based on.

There are very few movies that I can't watch again and this is one of them. It's a great movie, but it is a rough one to watch. There is so many deep emotions going on within this movie, but the emotions that overwhelm you are of great sadness. Also, it's not easy to watch the suffering that she goes through in a lot of scenes with her afflicted disease. This is not an easy film to get through but it is an amazing story to see.

It won't be for everyone as it is a troubling film to see on all levels, but at the same time it gives the viewer a lot of perspective and awareness on living one's life to the fullest while we're fully healthy, and that's something to be very thankful for.

Outstanding performances all around, beautifully acted although I must say Jason Patric was a stand out performance for me. He's such a terrific actor, and I wish I saw more of him. Worth the watch if you can stomach it.

Nick Cassavetes is almost like a walking advertisement for Kleenex at this point. After such shameless melodramtic weepers like "John Q" and "The Notebook", I wasn't so keen on seeing "My Sisters Keeper", based on the book by Jodi Picoult. Yet, every once in a while, a chick flick comes along that touches the chick in every man.

Cameron Diaz plays Sara Fitgerald, who along with her husband Brian (Jason Patric), makes the decision of genetically engineering a child who will be a direct match to their leukemia-stricken 2-year-old daughter Kate. Abigail Breslin plays the engineered child at age 11. Her name is Anna, who since the age of 5, has had blood taken from her and been put thru medical procedures to help keep Kate alive. Anna loves Kate, played as a teenager by Sofia Vassileva, but when her parents want to give Kate one of Anna's kidneys, Anna finally says enough. Sure that no one is looking out for her interests, Anna hires a lawyer (Alec Baldwin) and sues for the right to her own body. Sara, a woman who has made caring for Kate her full-time job, is upset while Brian understands. Meanwhile, Kate feels guilty that her disease is tearing the family apart.

Cassavetes and co-screenwriter Nicholas Leven are dealing with a straight-up tear-jerker here but it's astonishingly free of heavyhandedness and it cuts deep with probing questions and real emotion. These are characters with feelings and concerns, torn between such complicated issues as saving a daughter by experimenting with another, sacrificing your own body even though you know it will diminish quality of life, and dealing with how a disease can burden a family. The movie uses flashbacks (such as Kate being diagnosed as a young child, her parents being given the choice of invitro, and a very young Anna disturbingly forced into operations) and forwards (Kate lying in a hospital bed, looking at a scrapbook of her family) that add dimension. As do the switching of narrators, each character getting a chance to offer their points of view and feelings about how the diagnosis, and everything after it, has effected them.

Unfortunately it's also going in a lot of different directions, and add in a dyslexic and lost-in-the-shuffle brother (Evan Ellingson), and it's sometimes hard for Cassavete's to keep track of all of them. The second act, in particular, has very little to do with the Sara-Anna conflict and the more light-hearted scenes, such as the family frolicking happily on a beach together, seem odd because you feel like there is some contentiousness between Sara and Anna that really doesn't come out til the ending courtroom scene.

However these are small problems rendered almost excusable by powerful performances. Abigail Breslin has surpassed Dakota Fanning in all-out maturity, juggling her characters fears for her own well being with the remorse of not being strong enough for her sister. And Diaz is strong-willed but obsessive, perfect as a one-track minded mother so intent on trying to keep one daughter alive that she's not even thinking about anything else. Jason Patric is the open and understanding father and Alec Baldwin is good comic relief, playing a lawyer so cocky, he sued God. And Sofia Vassileva is nothing short of powerhouse, her heartbreaking performance rising above all the cancer make-up and bloody vomitting and nosebleeds to find Kate's burdensome guilt and brave soul. And only stone-hearts won't share in her joy as she gets dressed up and goes to prom with another terminally ill boy (Thomas Dekker).

I'm not saying this movie isn't a cheap excuse to make you cry, but as far as cheap excuses go, this one is richly made. "My Sister's Keeper" is as surprising and heartfelt a piece of work as I've seen all year long, and the acting is about as good as it comes. With this and his previous, "Alpha Dog", Cassavete's signals himself as a real filmmaker as he rarely ever hits a false note. In a year filled with movies that I've seen fail at finding the humanity in their stories, this one is a keeper.

One of the most interesting movie going experiences came when toward the end of this film, the noise of someone blowing their nose filled the theater. A soft giggle then filled the theater. I hate to say that this is one of "those movies," where you know there's a chance that you might end up in tears by the end, but I'm afraid it's true. The struggle between life and death, not only for middle child Kate, but also for the whole family, is heartwarming. Cameron Diaz, takes a serious turn, somehow she seems very comfortable in this role. And Sofia Vassilieva shows both sides of cancer. The heartache and the pain, but also the beauty in how tragedy can bring families together.