Vindication Swim

Excellent, moving story which has been captured in a way that highlighted the struggles that Mercedes had as a woman in a male dominated time.

Beautifully filmed which is even more remarkable when you find out it was written and filmed by such a young Director (Elliot Hasler) as an indie film with a limited budget. Despite this, the film stands up on its own and more than comparable to other 'swim' themed films made with Hollywood stars and multi-million pound budgets.

Having decided to go and see the film after watching a few of the cast and director interviewed on BBC breakfast, I thoroughly enjoyed it and the feel good factor I was left with. Would definitely recommend.

Wow. What an enthralling film from the word go. Had me wrapped in the story from the off and the attention to detail for the architecture and settings for the era was amazing. The ocean clips were chilling. Thank you for bringing Mercedes story to us. A remarkable story that covered not just Mercedes' story but told of woman's struggles and misogyny back in the day. Her strive to prove her critics and to herself beyond all difficulties and weather / tide made one feel quite humble to watch. A true triumph of a film and story telling. Kirsten and Elliott its a wonde4ful film of which you must feel very proud.

This is an independent film made on a budget. Once this is borne in mind the film maker has produced a well made film telling a human story about a young woman who achieved amazing success despite being a young woman and in a male dominated sport. I found the story moving, entertaining and educational. I came to understand the struggle involved and courage required for channel swimming. The film captured the risks and the very basic support available at the time. The cinematography is very good, and the music and period atmosphere is excellent. Yes it is not a Hollywood block buster but is has charm, its own style and is well worth watching. It is well worth seeing.

What a great film this is about an inspirational true story that seems lost to time. I had never heard of Mercedes Gleitze before, but the film does a great job of bringing you on the journey of really understanding all the challenges she faced and the emotional rollercoaster she went on. Not only did she have to deal with the actual task of swimming the channel, but to do that as a woman at that time makes it all the more impressive.

I loved the way it was shot, the very clever use of black and white scenes mixed with colour scenes when she was in the water which gives the impression she was truly free in the open waters, away from her normal life on land.

A really entertaining, cleverly written film about an amazing woman, well worth a watch.

That the film exists at all is something of a miracle. Originally planned to take a few months, the shoot extended to three years, with the swimming footage alone going from three or four planned sessions to nearer thirty. Made on a miniscule budget, the production pulled through thanks to the dedication and passion of all involved, from writer/directer Elliott Hasler through the two principal cast members Kirsten Callaghan and John Locke, to the many extras, theatre groups, town councils and others who went above and beyond.

And was it worth the effort? Yes. Although the budget restrictions show in the tightness of a few of the shots, what does fill the screen is beautifully realised; major kudos to the production design team. Costumes, vehicles, sets - everything looks marvellously authentic. And if the sea-set stuff looks real, it was - they were out there in The English Channel, in a couple of small boats for hours on end, with no body doubles.

Mercedes Gleitze had a fascinating life, of which this is only a small part, but the narrow focus works, enabling the drama of the channel crossings and attendant disputes to be teased out in just the right amount of detail. Kirsten Callaghan and John Locke make an appealing if oddly-matched pair at the centre of it all, in a story about integrity and self-belief, and the end is unexpected - and unexpectedly moving. The conclusion shouldn't work but it does, partly thanks to Daniel Clive McCallum's excellent score, but also due to restrained acting on the part of the leads, and some excellent staging. I was really quite moved, both times I saw it.