Vindication Swim

This is a beautifully shot true biopic about the struggles of Mercedes Gleitze trying to prove, in a male dominate world, that she did in fact swim the English Channel.

It is shot in black and white but also in colour for all the water scenes. No green screens were used and all the swimming action is done by the actress herself. The film was written, filmed and directed by Elliot Hasler who remarkably has had no formal training in film making.

It is well worth a visit to a local cinema to see and will take you on an emotional roller coaster of a ride as you cheer on Mercedes to succeed seemingly joining the crowds of onlookers cheering her on near the end.

It just shows you a film doesn't have to be a large Hollywood block buster of a film to be just as enjoyable and Vindication Swim shows you just what the best of independent films can be. Don't miss it.

Excellent, moving story which has been captured in a way that highlighted the struggles that Mercedes had as a woman in a male dominated time.

Beautifully filmed which is even more remarkable when you find out it was written and filmed by such a young Director (Elliot Hasler) as an indie film with a limited budget. Despite this, the film stands up on its own and more than comparable to other 'swim' themed films made with Hollywood stars and multi-million pound budgets.

Having decided to go and see the film after watching a few of the cast and director interviewed on BBC breakfast, I thoroughly enjoyed it and the feel good factor I was left with. Would definitely recommend.

What a great film this is about an inspirational true story that seems lost to time. I had never heard of Mercedes Gleitze before, but the film does a great job of bringing you on the journey of really understanding all the challenges she faced and the emotional rollercoaster she went on. Not only did she have to deal with the actual task of swimming the channel, but to do that as a woman at that time makes it all the more impressive.

I loved the way it was shot, the very clever use of black and white scenes mixed with colour scenes when she was in the water which gives the impression she was truly free in the open waters, away from her normal life on land.

A really entertaining, cleverly written film about an amazing woman, well worth a watch.

This film has an intimacy about it that subtly wove its way through the remarkable story of Mercedes Gleitze which is all the more so as it's almost 100 years since her successful crossing of the Channel.

The period nature of the film and atmosphere created with the mix of colour and black and white cinematography was as inspired and original as Mercedes herself.

The lead was uncannily similar in looks to Mercedes and portrayed the complexity of her character with understated simplicity that neither overshadowed the story or her achievements.

Ably matched by the supporting character with whom one can only admire as well as feel great empathy.

It was a film with meaning, tension, grit, sadness and inspiration and a reminder that whist sexism and misogyny is not as prevalent now as 100 years ago females are still fighting for equality in sport and the workplace.

Long-since retired, I present commercial screenings of films at the unique former mobile theatre, Century Theatre, in Coalville, Leicestershire.

I chose to show Vindication Swim to mark my 20th anniversary and this proved to be a very popular choice!

This very high standard, low budget UK production features good performances from both sides of the camera.

Leading lady, newcomer Kirsten Callaghan delivers a delicately fine performance as Mercedes Gleitze, the first British woman to swim the English Channel in 1927, doing all her own swimming - in the Channel! A truly versatile young actress!

I was also very impressed by John Locke's performance as the sad and troubled swimming coach whose life is rejuvenated after he takes Ms Gleitze under his wing.

The pace and interest of the film never flags and, as we used to say, "you could hear a pin drop", as my audience were totally engrossed in the film, which also features some great location shooting and cinematography.

A very accomplished piece of work by the young writer/director Elliott Hasler - an excellent feature film debut.

I understand the film has already proved very successful and I now consider it to be perfect viewing for village halls and other small venues on the non-theatrical circuit. I heartily recommend it and I'm sure my own audience would fully agree with me.