Srta. Austen Lamenta

Jane Austen's (16 December 1775 – 18 July 1817) last few years, gorgeously filmed and directed, just as it would be one of her own creations, with the difference that her novels end with 'happy endings', like love and marriage, whilst Austen died at 42 unmarried and depending on her family. One does wonder why Austen, whose very witty and vibrant (though social-critical) books are about women and the necessity of marriage for a social and financial security at her time, never married!?!

This movie is apparently very closely based on the few remaining letters between Jane, her sister Cassandra and her favourite niece Fanny; an assumption of those very intimate and loving letters, a sort of a hypothesis that Jane chose not to marry of her own, by refusing several marriage proposals to be able to write and for her 'freedom'. It is a very emancipated and 21st Century feminist friendly theory. Some hard- core Austen historians still insist though, that Jane never married because, in her very youth, she refused a marriage proposal from a very rich yet ugly, old and dull man...Mr Bigg...and then she was never asked again...for her no Mr. Darcy came along.

Therefore, biographically not fully bullet-proofed but historical events are accurate.

Love the many quotes incorporated in the movie!

I've never heard of Olivia Williams but I must say she earned all my admiration and will look out for her past and future works! Great actress!

If you like BBC period dramas or even Jane Austen's novels adaptations, then you most certainly will enjoy this; a great family-movie which will inspire the interested Teenager to read Jane Austen novels...(so I hope!)

If you've read her novels and love the world she creates, you will understand them so much better after seeing this BBC production. Beautifully directed and acted, it captures the person she was, witty, sensitive, a romantic at heart and yet ever so practical - even cynical in realising a good marriage is the only way a woman could lead a comfortable life. But never, not once, does the movie seem staid, or boring. It is effervescent, delicately handled and poignant. Fans of Jane Austen will love the unobtrusive inclusion of quotations from her books, the references to her most loved characters and the irony of her never finding a Mr Darcy in her own life. It moved me deeply.

film about a legend, it is a serious work. her life is more than a picture. her work is more than portrait of a world. because the heart of pages, existence is the sacrifice. it is answer to many ordinaries questions. and beginning to a trip in essence of a society not more different by ours. basic virtue - excellent performance. the second - air of a time - mixture between honey and ash. so, if it is not accurate image about Jane Austen, it is realistic. seductive. and a real show of nuances. the regrets - only flowers of a way to understand life. a kind of lesson , idealistic, of course, but very important as subject of reflection. it is a necessary film in the middle of Jane Austen adaptations. because makes her human been more than a character writing about others characters.

I SO wanted to absolutely love this movie. I did. Don't get me wrong -- it got a lot right. It was on Masterpiece Theater, for heaven's sake, and the script generally tried to stay closer to the few facts we have about Austen's life. It had decent direction and adept, credible Brits portraying Jane and her family. And yet, there was one huge flaw that I just couldn't ignore. Miss Austen Regrets would have us believe that Jane had several offers of marriage during her lifetime but knowingly and deliberately chose to remain single and focus on her work. This is a 20th to 21st century conceit awkwardly imposed on a 19th century situation.

The few facts we have show that Jane received only one marriage proposal during her life, and that was from someone with an irritating personality. Harris Bigg-Wither was described by Jane's niece Caroline Austen and by one of his own descendants, Reginald Bigg-Wither, as unattractive at best: he was plain, if not homely, stuttered, aggressive in conversation, and almost completely tactless. Those objectionable qualities, despite his comfortable financial position, would have put off many women, then *or* now. Had he had a more pleasing personality, Harris might have tried first for a fiancée from a more prosperous family instead of proposing to Jane.

Moreover, Jane had known Harris since childhood and probably knew full well what she'd be getting into if she decided to marry him. To endure Bigg-Wither every so often at social occasions was one thing, but to marry him and have to endure that personality day in and day out would have been quite another. The simplest explanation is that Austen initially agreed to his proposal in order to be less of a burden to and/or provide for her family, but she knew him too well not to immediately regret her decision the next morning -- and thus she reneged on her acceptance in less than a day, and remained single. She probably considered that the lesser of two evils.

The truth, then, is *not* that Jane Austen turned down acceptable proposals and made a conscious decision to put her writing first and stay independent, particularly given that she *never was* financially independent, but rather that no handsome, sweet-tempered, intelligent man, with or without means, ever asked her. She may have had such men as friends or acquaintances, but none of them ever proposed. If one had, remaining single would have been a much harder decision -- but that's moot, because such a man never did ask. Period. And that's a rude truth she had to suffer for all her adult life. It's not a truth that Miss Austen Regrets chose to address, however, and that is the film's greatest failing.

I won't bother comparing Miss Austen Regrets to Becoming Jane. I will simply say: skip the latter and turn to the former if truly interested in the life of Jane Austen and not the fictional speculation. One is BBC and the other Hollywood. Enough said.

The only possible criticism of Miss Austen Regrets is how it starts off at such a startlingly quick pace, so much so that if the credits hadn't run I would have thought I'd come in on a good third of the production already gone. Allthe speculation of Jane Austen never having been in love, or having a chance at marriage (especially an advantageous one) is dashed in the first few minutes. From there the audience is left to wonder at the title--is it a what or who she regrets?

The biopic focuses on Jane Austen's latter years, and uses her relationship with her niece Fanny as a means of exploring her past relationships. We come to see financial security was of paramount concern to her, yet that concern was not so much for her sake as it was for her family's. We also see that her freedom to write being more important to her than love. Yet, it is all speculation. It isn't really clear that she had regrets at all. She exuded a satisfaction, so the title is a bit misleading.

What this new biopic brings out is the independence Jane enjoyed, and how much she enjoyed writing. The acting is commendable, the factual details admirable, and the rendering of the time satisfactory (although Jane's outfits swung from either being rather matronly to almost brazen). An enjoyable addition to Austen offerings. Yet, maybe it's time to leave off on the conjectures and meddling in her love life and focus on the brilliance of her writing--no speculation there.