Avaliações de usuários

What is it about Belgian Directors? They manage to make films which are about working-class people, full of hard knocks and everyday misery... and yet, not only is there a joie de vivre between the lines, but sweetness and fun. The Misfortunates reminds me very much of the kind of films by the Frères Dardenne...La Promesse, Le Fils... sort of like Ken Loach, but without the total grimness of his vision.

The story is told from the point of view of a young man remembering his time as a thirteen-year-old... at the point where he is taken away from his family because of the degrading environment. I'm not going to go into a description of the film... simply to say that in all the films mentioned above, what shines out especially are the incredibly realistic performances...you totally forget that these are actors, and you learn something about the way "the other half lives", which may horrify you or disgust you, but somewhere in all that, their humanity wins you over. I find this to be a particularly Belgian trait...I can't think of any serious French films that have this capacity for realism, grittiness and humanity. And the ability to make you like something about all the characters, no matter how objectionable they might be for the most part. And of course, these days, there is nothing comparable coming from America, where everything is formulaic. (The closest I've seen to this kind of realism recently in American film is Winters Bone... which comes close but is too manufactured to work on a deeper level.)

The Misfortunates is not to be missed.

I saw this last month at the 2010 Palm Springs International Film Festival where the film's director Felix van Groeningen attended my screening to take an audience Q&A following the film. Adapted from the Dimitri Verhulst novel by van Groeningen and Christopher Dirickx this is the story of young Gunter Strobe (Kenneth Vanbaeden) being brought up by his single and alcoholic father Marcel (Koen de Graeve) after his mother walked out on them. They live at grandma Strobe's (Gilda de Bal) house along with Gunter's hard partying uncles Petrol (Wouter Hendrickx), Beefcake (Johan Heldenbergh) and Koen (Bert Haelvort). the white trash family is so out of control that it's amazing that social services haven't taken Gunter out of this environment a long time ago, although they have threatened to. It's grandma Strobe with the only sensibility and sense of stability and guidance that keeps Gunter in the home but she has reached the point of exasperation in her the behavior of her sons. Valentijn Dhaenens plays the older Gunter looking back at his his childhood years and giving gratitude to his grandmother. this is an excellent cast. I only wish the grandmother's character was more developed and their was more of an on screen presence of her and also a little more of Gunter's mother and her marriage years to Marcel. The character of uncle Koen is underdeveloped as well. Many might find this film about a distasteful family distasteful as well but there is a lot to like in this relatively slow film and lots of dark comedy and genuine tragedy. This was Belgium's official submission to the 82nd Academy Awards for Best foreign Language film. It's van Groeningen's third film and the third time is a charm and I like this film. I'll look forward to more from the young director and more with a bigger budget hopefully. I loved the Roy Orbison scene. I would recommend this and give it an 8.5 out of 10.

When you think of Belgium, many things might pop to your mind, but certainly not this harsh comedy-drama about the dysfunction that tops all disfunctions. The Strobbes, working (although almost nobody is working),class family consists of 4 loutish sons, stoic mother and the 13-year old son of one of the brothers, with more potential than all of them together. And there is almost nothing else but excessive drinking, and all the things that come with it. Cruelty, violence, hangover and such a waste of both lives and space. This is harsh picture of a family, that doesn't know how else to connect but through getting smashed. The scene that stands out is incredibly hard to watch. When the boys father comes from rehab for a weekend, healthier and stronger, his brothers slowly draw him back to the pit he tried to escape. Strange and disturbing movie, but I have a feeling one that you don't forget soon.

I attended the North American Premiere of "The Misfortunates" at the 2009 Toronto International Film Festival. Director Felix van Groeningen introduced the film with a few caveats about the drunkenness and debauchery to come. He was correct. The film is filled with humor and pathos, presenting some painfully brutal characterizations of life in Belgium for a 13-year-old boy living in a house of alcoholics. Equal parts comedy and tragedy, "The Misfortunates" can be painful to watch at times but the payoff is worth it. Shot cinema verité style, the artful use of color and texture combined with copious amounts of bawdy humor make this film an audience favorite.

I saw this movie yesterday. I was drawn to it because it won the golden Amphora at the "Festival de Quend du film grolandais", an independent movie festival. Seeing the film poster with naked hairy guys cycling, I knew that I would have some fun but how far will they go? In fact, the movie alternates quite hilarious scenes with drunk people with more dramatic sequences. With this consideration, the movie is finally closer to English dramedies that are used to show working class characters and, finally, whatever strange they are, you feel some sympathy for those guys. It's quite comforting to see people who don't care about the others (or perhaps even about anything) but you also see that there are consequences. For sure, this movie is not about preventing the audience from drinking or about giving any lesson. Following the story of Gunther, you just follow the day to day life of a hillbilly family with its ups and downs (a little more ups in the movie). Like they say in "Les cahiers du cinema", Felix van Groeningen makes you love and care for these model people in the same manner as John Cassavetes was able to do. In a nutshell, go and see it (except if you are a feminist of course).

... you can always count on tears, blood, placenta and spilt beer.

Having said this, this film uses all of them to good effect. This brutal confrontation with the Flanders of Pieter Brueghel and Jacques Brel, is not without its pathetic and touching moments. It reminded me a lot of Quebec's "C.R.A.Z.Y" in its enthusiasms for its subject but with, of course, much more squalor.

The actors are all convincing and attractive in their own way and the direction is transparent and unobtrusive. The viewer should be warned that the opus is generously peppered with scenes of fornication, sometimes public, pissing, sometimes public, defecation, sometimes public, vomiting, sometimes public, public male nudity and transvestism, not to mention lots and lots of binge drinking.

I liked the anecdote in the "making of" documentary telling how one of the father's fake moustaches was fashioned from the male actors' and crew's pubic hair. It seemed fitting somehow.

This is a damn good film. I think it sort of goes from being a very low-brow comedy into an interesting examination of a very dysfunctional family and how that shapes Gunther's own life as an adult. The thing about the movie is that under all the "ugliness" the Strobbes display through their behavior, the film is certainly very heartfelt and honest about how it portrays its characters. Sure they may be ugly, unlikable, drunkards, gamblers...but they feel like a real family and that's what the film gets across greatly. They do feel like a very close and tight-knit family and you get to see their ups and downs, mostly downs really, and how they relate to each other. So it's a very well-written film, it's also well-acted but there's something about the film, it's not really a flaw, but somehow the film is content with just being very good, it never feels great. There's some inspired stuff here but it's never great and I'm not sure what the reason is for that. But at least it's still a damn good film about a fascinating family.

I know one shouldn't mix reviews with personal experiences, but when watching this film I couldn't help but constantly remember an anecdote that happened to me one New Year's morning in Brussels: trying to cure my party hangover with some friends in a bar, we observed a guy trying to cross the street with a crate of beer. Now the streets were all frozen over and the king had advised in his New Year's address to stay at home. Plus the roads in Brussels are caved in by traffic. So the weight of the crate kept the guy sliding towards the middle of the street. He could make it to either side without, but not with the crate. Nevertheless, he kept trying for over an hour to pull, shove or otherwise move the crate from where it was stuck - until he found the ingenious solution: He drank six bottles of beer on the spot, thereby sufficiently reducing the weight to pull the crate over - only that he got so drunk and spaced out in the process that he slipped and broke all of the bottles, so his whole effort came to naught.

This little story has nothing and everything to do with 'Misfortunates' which is chock full of incidents like this one. And as abundant films about losers and social misfits may be in Belgian/ Dutch cinema (like Aaltra, The Sexual Life of Belgians, Flodders, Spetters), this one takes the cake in every respect: the autobiographical story is perfectly adapted and wonderfully played. Its provides tons of utterly irrelevant, but amusing add-ons like when the Strubbes invite themselves over to an exiled Iranian couple to force them into watching a Roy Orbison concert because their TV's been repossessed. Like in my little story, one cannot help but somewhat admire the persistence of the Strubbe family to make their lives as dysfunctional as humanly possible, while one cannot ignore the destructiveness of it all.

If you like painfully real social dramedy, this one is for you; if your threshold for witnessing the lower recesses of human behavior isn't very high, you're likely to find 'Misfortunates' an extremely tasteless affair.

The movie is not too bad but stays clearly behind the book of Dimitri Verhulst. It depicts however quite strongly the destiny of the people that are born in less favored place - destiny that you do not escape easily and that is somehow claimed for its future generation. It happens here that this poor area is a small countryside village in Flanders, with its own code and its 'folklore' with a Belgium humour touch. Nonetheless, such a background message could have been issued as well in a parisian suburb or in a "developing" country. The way out does not change as well: education and self-esteem.

Delivers what it promises. Enjoyed and went through various emotions while watching it. Good day at the movie-watching business.

Known in France as La Merditude des choses, this is a film I've been hunting for ages and finally tracked down on a chilly summer day.

It's the story of a kid grown up, recounting his childhood in a small Belgian village with a dysfunctional family, sometimes filled with hope and joy, more often steeped in social misery and violence.

It's the kind of film that pulls a smile out of you, only to snatch it back before long. There's a bit of Strip-tease or Groland in this romanticized yet raw portrayal of broken, rough-around-the-edges characters who grapple with love and alcoholism, meltdowns and solidarity, all caught in their vices while trying to survive a monotony that's slowly killing them.

You laugh, sometimes. There are scenes so bizarre-like a nude bike race, a betting shop session with a kid that ends in a conga line with two dwarf barmaids, or a booze-fueled Tour de France with deliberately dizzying camera work. But every one of these moments hides something deeply, achingly sad.

It's as if Koen Mortier's Skunk softened up just enough to hook up with an old Kervern and Délépine flick. The story centers on this man who somehow escaped his circumstances and narrates his origins with a mix of disgust and nostalgia, aware that he was built on shaky foundations, yet equally clear-eyed about his present, which he views with almost the same lens. That realization might be the saddest part of the whole thing. The sordid, seen through innocent, childlike eyes, may not be worse than the banality of adulthood. Both chip away at the soul, but the nostalgia of the former makes it easier to hold onto.

It's a depressing film with beautiful things inside. Alcoholism is depicted raw and intense, the most brotherly moments are also the most fleeting, reflecting a life nobody really chose but has to live anyway, elevated by a literary narration that adds depth and insight to this mess-a child's view of the underside of a medal he never even got to win.

Superbly acted, smartly paced, striking a balance between darkness and levity, text and visuals, it's a fantastic surprise that'll stick with me for a while. Plus, it taught me some raunchy Dutch drinking songs I can't wait to belt out at three sheets to the wind on my next trip to Utrecht.