A Onda

This movie underlines that man is a social creature. We naturally form groups, groups of friends, of people who like the same music etc. Especially when we are young, belonging to a group is important, it makes our identity, who we are -- as opposed to who everyone else is. And so the teacher in the movie uses what is naturally there, to teach his pupils about autocracy. It shows what happens when you stress that identity, when you stress the sameness, and thus also the otherness of those not belonging to the group. Eventually it shows how easy it is for one, for the group to slip, even without being aware of it. Autocracy isn't dead, it is alive and it is easy. This movie is a must see for everyone, but especially for the young.

Die Welle details how a project on autocracy gradually leads to disastrous results. Initially without enthusiasm to teach the topic, Rainer Wegner conducts an unorthodox experiment to demonstrate to his students (equally lukewarm to start with) what life would be like under fascism. Neatly structured by days, the experiment begins with simple disciplines and grows to become an exclusive cult named "the wave" with its own uniform and salute.

Similar to his 2004 film "Before the Fall" which concerns the Nazi's seduction of youth, Dennis Gansel probes the individual psychologies that bring about uncontrollable collective movement, and how personal life is transformed by it. It offers a balanced view on an organisation like "The Wave" by enquiring whether it is a crystallisation of the students' class-free utopia (at the cost of losing individuality) or a community for those in need of belonging and empowerment.

What is frightening is that many (though not all) of them voluntarily follow the conformity through reasoning. Ironically, the mob mentality engulfing the students is what they condemn formerly; even the "anarchist" Rainer finds himself intoxicated with his increasingly idolised status.

An engaging and powerful film with a sense of humour, suspension (terror arises when the light goes off during Karo's anti-Wave poster distribution), twist (Rainer's concluding speech), believable characterisation and excellent acting (Jürgen Vogel, Max Riemelt, and Frederick Lau). Inspired by a true event in California , this intelligent film merits attention particularly because of its non-preaching and humanistic treatment of a heavy subject.

The Wave rides high (pun intended) on the new wave of film makers from Germany. The movie itself is shaped like a proverbial wave, starts gently and slowly gathers momentum and before you know it it turns into a powerhouse. The movie will amuse you, frighten you, disturb you and enthrall you completely.

The movie takes a lesson in human psychology and shows how it is possible for a person with oratory skills and confidence to start a movement that turns into a revolution with frightening possibilities. It explains a lot about world history and current affairs.

Theme apart, I don't usually like to discuss any movie's story but I suppose if you're here you would've read the other reviews and summaries and would know a fair bit already. Putting it mildly, the movie deals with a classroom experiment about autocracy which has interesting positive and negative consequences.

The direction is sharp and spot on. The director is able to delve deeply into the minds of the various characters and explain their behaviour and position in the society that is created. It is all done realistically. The acting by and large is very good; however a few of the actors displayed a scope for further improvement. However this does not take away much from the movie experience. There are certain similarities with another great German film, Das Experiment, but not many.

I am certainly going to suggest this film to people I know including people who live on a staple of Hollywood blockbusters and like to keep away from festival films. So if you get the opportunity to watch it, please do.

"Die Welle" is an above average classroom drama with a political voice. Helmed by director Dennis Gansel, film is unforgiving in depicting the youth as a generation without anything to rebel about but loneliness, making them sensitive to any sort of illusion of belonging. Mostly a riveting affair, film lags in its second act as it jumps into Dawson's Creek. Film goes ashore into a memorable finale. Straight forward filming will captivate audiences, along with a pleasing cast.

Project week in a suburban high school entails them to study various forms of government and restriction. Rainer Wenger (Jürgen Vogel), an under-appreciated teacher finds a way in engaging his students. He cleverly manipulates his class to slap them out of apathy and disinterest with tiny minute changes which eventually builds up to a boil. Classroom scenes are stimulating as debates between the students are daring and engrossing – writing mention controversial topics that are usually not spoken with lethargy. Film focuses on a group of smart people, highlighting further that what's bound to happen is even more tragic and rings a bell to what can happen out of celluloid..

Inspired by a 1960's social experiment in California documenting how easy it is to influence individuals, film looses track in its middle section as it begins to refocus on the individual lives of the students. Most characters seem to be run in the mill with general high school romance trouble, which would have been interesting but brings nothing new to the table. Stories work better as a collective rather than individuals, which further add to the intended effect. Some personalities shine though: students who never had any sense of belonging are indeed looked at with much heartbreak here as this false sense of security is embraced by them, motivating them to go a step further in preserving the society.

Finale is spellbinding as even if it diverts a lot from the actual experiment, it still proves as a necessity to further establish a point. Film parallels to the effect of Third Reich within its members and climax reminds audiences of the Bruno Ganz header "Der Untergang", as it clearly parallels the extent of loyalties that may arise in such occasions. From the get go, death of a character is imminent and even with its shock value, it justifies itself as beyond a plot device.

As an ensemble, the acting here is impermeable as they all deliver solid performances. Vogel especially convey solid work as the teacher. He brings gravity and his semi-bald haircut proves ominous. It's a shame that audiences lose connection to him midway though as he suddenly becomes the background to the melodrama.

German setting of the movie elevates the film's status. It creates this palpable undercurrent, that even with a country that already identifies itself as guilty; it still cannot escape the possibility of anarchy. Even if the picture becomes stern with its themes, it still is digestible to the mainstream. Word of mouth can secure a life outside the tills.

That's what the title "Die Welle" means. A teacher makes an experiment. He wants his class to understand what autocracy means. It starts with them stopping calling him by first name. Then they have to rise while addressed. Then, there are uniforms and a special saluting. And then, it runs out of control.

The most disturbing thing is that the teacher slowly loses control over himself, until there is a disaster.

OK, does it take a week to form young people to fascists? That's not the point. How ever long it takes, the interesting answer here is that it is possible at all. Do we run that risk too? Well, if you look into yourself, you maybe won't find a fascist, but you'll probably find someone who wants to be a part of something. Whatever it is.