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FROM WITHIN – TRASH IT ( D ) From within is one of those movies which makes you think, who wrote it and why? And who put money on it? Who agree to direct that Awful Script and then who agree to act in it? And most important question of all, why the Hell I watched it in 1st place! Well my reason was Thomas Dekker, I think he is decent and sensible actor but after tanking his show (Sarah Conner Chronicles), he doesn't have much choice except doing anything comes along. The biggest surprise is that the movie won awards at Solstice Film Festival for best movie, actor and actress. What a joke I think they didn't have some thing better then this to win! Anyways Elizabeth Rice, Thomas Dekker and Kelly Blatz did fine jobs regardless of a dreadful script! Overall Dreadful Experience!

In Grovetown, there is a series of suicides after the suicide of an outcast teenager Sean (Shiloh Fernandez). His brother Aidan (Thomas Dekker) waits for the return of his cousin Sadie (Margo Harshman) to the family house for the funeral. When Dylan (Kelly Blatz), who is the fanatic Christian son of the reverend, beats up on Aidan, the undesirable youngster is helped by Dylan's girlfriend Lindsey (Elizabeth Rice) that drives him home. They talk about Dylan's mother Candace Spindle that had a grimoire to worship her pagan gods in a creek and was blamed by the god-fearing locals of murdering a man; then she died in a suspicious fire. Lindsey and Aidan befriend each other and sooner she finds that Sean has cursed the town with his own sacrifice unleashing an evil force that is leading the inhabitants to commit suicide. When Lindsey is chased by her evil image, Aidan decides to help her to stop the curse; but the price to be paid is high.

Last week I bought "From Within" on DVD without any reference, and I had low expectations with this movie. Fortunately I was wrong and I was surprised with this great horror movie. In this original story, the Christians are evil with their fanaticism, self-proclaiming "soldiers of the Lord" and capable of dreadful murders in the name of God. Further, the conclusion with no redemption is unusual in American movies that prefer commercial endings instead. The sweet and gorgeous Elizabeth Rice has an amazing performance and shows a perfect chemistry with Thomas Dekker. The unknown director Phedon Papamichael shows a promising debut, supported by a good screenplay and a cast with great potential. My vote is eight.

Title (Brazil): Not Available

Imagine if the award-winning cinematographer of the 2007 epic "3:10 to Yuma" decided to direct his own film. With over 40 titles under his belt, Phedon Papamichael is one of the industry's icons. Well, imagine no more. In the Brad Keene-penned "From Within," which had its World Premiere here at the 2008 Tribeca Film Festival, Papamichael takes his considerable expertise behind the camera and crafts an auspicious directorial debut in the Hitchcock tradition.

Something is amiss in Grovetown. The suicide in the opening scene triggers a mystery which will bring teenagers Lindsay (Elizabeth Rice) and Aiden (Thomas Dekker) together in a quest for the truth, both about the occurrences as well as themselves.

The performances of Thomas Dekker ("Heroes," "Terminator: The Sarah Connor Chronicles") and Elizabeth Rice ("Mad Men") are at the heart of the movie and it's their believability which makes this film so emotional and poignant. Dekker's frightening gaze and enigmatic demeanor never lets up, in perfect contrast to Rice's innocence and vulnerability. Veteran Adam Goldberg (Roy), Rumer Willis (Natalie), and Kelly Blatz (Dylan) are also standouts.

"From Within" is technically brilliant. The use of single-point lighting and color palette of blues and grays in interior scenes are especially effective in enhancing the shadowy nature of the story, with sunset shots that would likely have been scuttled in a typical Hollywood movie. Here, the dim light works to the film's advantage. The sound effects, along with the Jason Cooper and Oliver Kraus score, also play a particularly distinct role here and are a major plus. As in any film of this genre, visual effects are key and they are top-notch. Most of all, though, the camera-work is simply breathtaking. Shot in widescreen 2.35:1 aspect ratio, the chilling locations and copious use of POV shots enhance the Hitchcockian feel of "From Within" -- no surprise given the director's background.

Although the film's first act leans toward horror, it soon becomes apparent that "From Within" is a story-driven psychological thriller more than anything and doesn't need to rely on blood and gore, although there's enough to please fans of the genre. The film's many twists and turns will hold audiences' interest right up to the closing credits. A creepy tale with a strong message about religious extremism and tolerance make "From Within" more than just another gorefest. From Within is a solid thriller with enough suspense to keep the viewer guessing until the end.

Although this type of film has been done many times before there is always room for good writing, acting, camera work and directing. Hey, if one is going to enjoy a modest budget horror flick one must get past the fact the takes-place-in-a-town-with-weird-residents plus the supernatural-aspects-to-be-taken-for-granted are simply ingrained in the process. This setting and genre must either be accepted and enjoyed or ignored altogether.

That said, the acting is FROM WITHIN is exceptional. The teens (and they actually look like teenagers instead of dressed up 30-year-olds) are neither sullen nor over the top but anxious, indecisive, vulnerable; i.e., like real teenagers. Miss Rice in particular delivers her lines in convincing fashion. The two young male leads could easily slide into stereotypes but...well...don't. The adults, e.g., the sheriff and the preacher, aren't overbearing elders. All the adults, in fact, actually interact with the teens, whereas in many movies like this one there is the teen world (Read: real and emotional) and the adult world (Read: static and authoritative).

The supernatural aspect, while never believable, is thankfully modest in inception and use. If the final scenes are not edge-of-your-seat they hold your interest as to what's going to happen. Cool "twist" at the very end too. What's a 56-year-old movie snob watching something like this for? Hey, I'm entitled to some fun too. Most things like this are lucky to last 20 minutes on my screen. FROM WITHIN went the full micro-wave popcorn ninety minutes.

A small town is plagued by an outbreak of apparent suicides. As the death toll rises, in increasingly grisly fashion, it becomes clear that something other than simple self-annihilation could be going on.

FROM WITHIN is a supernatural tale of past sins and retribution. It plays like a really good X-FILES episode. The idea of a curse that acts like a contagion has been done before (in RINGU, THE RING, etc.), but it remains an intriguing concept.

While the characters are all serviceable, and casting Adam Goldberg against type as a volatile redneck is a nice touch, it's the overall creepiness that makes this fear fable work...