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I have read the book, and this film adaptation seems to me to be something average, I didn't get much pleasure from viewing this film, somehow it looks too formal, sometimes illogical, as if some pieces of the film are missing. My recommendation is to watch the Japanese version, in my opinion it is a real masterpiece, that touches the soul.

2008's emotional bladder infection Twilight was created as a direct result of TV series Buffy the Vampire Slayer. Sarah Michelle Gellar was punished for her part in this with lead roles in both The Grudge and Scooby-Doo franchises. Now, freshly repentant and having reconciled with the film industry, she has returned to grace with an admirable performance in Emily Young's Veronika Decides to Die.

Based on the Paulo Coelho novel of the same name (in English anyway) Veronika Decides to Die is the story of a successful young woman, Veronika (played by Gellar) who tries to kill herself after deciding she is on a path towards a future she doesn't want. Unfortunately for her she fails and falls into a coma for several weeks, before being shipped to a mental institution where she is told damage incurred during the suicide bid will kill her within weeks.

Coelho's book focused on Veronika's freedom from constriction and her voyage of self-discovery as she came to terms with her imminent death and the freedom from responsibility that brought about. Young's film takes a more simplistic view and concentrates heavily on her love affair with Edward (Jonathan Tucker), a handsome young inmate who was struck silent after being involved a car accident. He is brooding and has pale skin. You don't see him outside during the day very much. He likes standing in the corner of darkened rooms. He's a wonderful artist.

Aside from similarities to her previous work, Gellar puts in a very strong performance as Veronika, although a confident supporting cast headed by Tucker as Edward and David Thewlis as the institution head Dr Blake help pull the film together during some of the duller moments.

As a serious exploration of anomie and the lack of control felt by many modern city-dwellers over their own lives, or a look at how removing the fear of death from our daily thoughts frees us, Veronika falls flat on its face. As a quirky little tale of love in a mental institution, it excels.

So I finally watched Veronika Decides To Die. Brilliant! I expected an 'okay' film after seeing some of the reviews from where it came out, but I honestly loved it. I have not been this moved by a film in a long time. Having not read the novel from which it is based on, I am sure the film stayed true to the essence and theme of the novel. It is a slow film, sometimes too slow for the 'mainstream' audience, but I was never bored. I have seen films with messages like this before, but somehow Veronika Decides To Die felt authentic, maybe because there has not been a film like this in a very long time. The writing is strong, giving Veronika and the supporting characters real backstory and depth. The director, Emily Young, should direct more than she does. She knows how to really command a scene. There were some flaws, for example the parents felt too one-dimensional, probably because of their small amount of screen time, and the actors that played them were not that great. However, in the acting department, they were the only flaws. Tremendous acting in this film! The star of the film, Sarah Michelle Gellar, really captures an inside look into her character's mind. I feel Gellar is strongly underrated as an actress, but I have always felt that she knows how to play subtle very well. The only other performance besides this where she really fleshed out her acting skills was in the disappointing The Air I Breathe, and the reason she was ignored was probably because the film was less-than-spectacular. However, here she gives her best performance, a tour-de-force performance that is quiet and subtle in the way she approaches the material. I was very impressed, because never did I think she was capable of making a performance this strong and subtle, however good I always knew she was. Melissa Leo and Erika Christensen also deliver first-rate performances. Christensen is charming and amusing, while Leo is powerful (no surprise since she was nominated for an Oscar last year). David Thewlis and Jonathan Tucker are also great, but to a lesser extent. The cinematography was beautiful. The camera-work gives the film a realistic feel to it, and there are some very beautiful images in the film. I have also heard complaining about the ending. I LOVED IT! It really made me happy seeing that this film actually had an optimistic and happy ending, one where Veronika's life is still moving on.

Overall, I could not have been more pleased with Veronika Decides To Die. There is not a reason why anyone should not see this film, unless they are too 'bored'. This film also holds one of the greater themes about life- live it to the fullest, because you never know when you may not even have the option to.

Everyone has different perception and here is mine. I wouldn't say that this movie was very bad or boring. It was not believable in my opinion. If you decide to commit suicide in your own home, you make sure the doors are locked and nobody is going to visit you in the next few days. In this film she did not even pass out before someone was already banging on her door and how did they come in? Let alone how did they find out? From the email she sent in response to an advertisement? From that on things were becoming even less realistic. A nut house that looks like a retreat for super rich. Not sure why her parents were even brought into the story. The sudden transformation from hating life to loving it was unsubstantiated. A guy? A silent guy who was sitting on a tree suddenly made her realize that life is worth living? Quite a stretch after she was cynical about guys and marriage and family life in general. The performances were okay. I did not watch any of her other movies prior to this one simply because they are not the movies I watch.The final scenes, after the escape, were dull, pretentious and unrealistic. This film just confirmed that I stick to foreign movies, which almost never disappoint me. Force Majeure is the latest one I enjoyed.

This is a story about a suicidal girl. At first I was enjoying it because I could relate to it. Veronika is institutionalized for wanting to commit suicide. Inside she rebels and tries to reject everyone around her. She plays the piano and this attracts a resident that is usually very solitary. With her music, she seems to reach something inside of him that might help bring him out of his shell. By feeling needed by someone else, we can all see value in our own lives and we can stop living for what we can do for ourselves, but what we can do for others and we can start to see our value and maybe what some of our talents are capable of. Veronika seems to come to these realizations as she explores reaching out to this male resident.

Not even Thewlis can save this trash. It had potential, but ended up being a ridiculous watercolour romance. It's been described as dark and understated. It's not. It's light, obvious schmaltz. There's no attempt at any realism, and it's an insult to anyone remotely familiar with the workings of a psychiatric unit. It promises themes of suicide and mental health but shows no understanding of either, merely using them as a cheap vehicle for clumsy, clichéd, feel-good garbage. In addition, the protagonist has no redeeming qualities, or even enough personality for the viewer to care about. The music is distractingly awful, as is most of the acting and direction. It's cheesy as all hell. Even if you have another century to live, do not waste a precious 94 minutes of it on this.

In New York, the middle-class Veronika Deklava (Sarah Michelle Gellar) is a twenty and something year-old beautiful woman with a good job and a nice apartment. However, the feeling of emptiness of her pessimist view of life leads her to commit suicide with an overdose of pills. She fails in her intent and two weeks later she leaves the coma and awakes in a psychiatric institution directed by the unorthodox Dr. Blake (David Thewlis). She is informed that her OD injured her heart provoking an aneurysm and she has only a few weeks of life. Along the days, Veronika gets closer to the catatonic Edward (Jonathan Tucker), who was left in the institution many years ago. They feel attracted for each other and Veronika discovers the meaning of life again; they escape from the institution and decide to enjoy the miracle of each new day together.

The dramatic "Veronika Decides to Die" is based on the best-seller of Brazilian writer Paulo Coelho and has a magnificent performance of Sarah Michelle Gellar in the role of a suicidal young woman. Her complex character becomes aware of the simple things that make life so wonderful only after finding the meaning of love. The screenplay has great lines and discusses good points like the definition of insanity or the meaning of life. The cinematography and the stylish music score are very beautiful. My vote is eight.

Title (Brazil): "Veronika Decide Morrer" ("Veronika Decides to Die")

"Don't confuse insanity with the loss of control." Veronika (Geller) is tired of living and decides to die. She takes a cocktail of alcohol and pills. When she wakes up in the hospital she is told that even though she didn't die she damaged her heart to the point of where she could still die anytime. Faced with having to wait longer in an institution she thinks this is worse. She begins to have an effect on other residents there and realizes things aren't as bad as she thought. This is a movie that starts off strong, drags a little in the middle but the ending is perfect and that is really what makes the movie. I don't want to give anything away, but if you start to get bored stick with the movie, you will not regret it. Geller is very good in this, and while the movie deals with suicide it never feels overly melodramatic or cheesy. It had tinges of Girl, Interrupted which I liked. This probably won't win any awards or be considered a classic but it is well worth your time and money. Overall, an OK movie with a perfect ending. I give it a B.

Based on the novel of the same name by Paulo Coelho, it is a 2009 dramatic film starring Sarah Michelle Gellar, Jonathan Tucker, Melissa Leo, David Thewlis and Erika Christensen and directed by Emily Young.

In the original version of the novel, the film takes place in New York, although the story takes place in Ljubljana, Slovenia.

The movie, which was shot with a budget of 9 million dollars, made 1.7 million dollars in ticket revenue worldwide.

Although the adapted film is uninspired compared to the main source work, it is definitely a mediocre and watchable production when evaluated independently.

Well this movie almost passed by without me ever noticing it by the lack of publicity at least in my country where the book is known by everyone....(weird, isn't it?). I don't read much so I can't really "decide" when and if the book is better then the movie ( there's a lot of that kind of discussion with several movies and I usually tend to stay away ) but this is my favorite book of all time so obviously i'm suspicious to talk about it. On top of that I don't like Sarah.It was a poor cast choise, so it's two points behind for the movie; also the film skips some very important pieces and moments in the character(s)development. Everything happens way to fast... Still, it's a little life lesson and tries to prove that love can cure everything(?).

The question is, how much do you care? And it's of course about the awareness of life, but also the awareness of others peoples misery. How much sympathy do you have in you. Can you care for Sarah Michelle G. character? Do you still see Buffy, when you watch her act on screen? Is the ending worth you while? Is this movie too preachy? What could have been done to improve it?

Those are all valid questions and I don't have answers for all of them (mainly because some can only be answered personally). The acting is really good though, it's the tone of the movie that seemed a bit off. For a movie that is about caring it does feel a bit to distant too. The theme handled here is good and worthwhile, but could have been handled in a better fashion.

If anyone believes that going into a mental institution is about a private mansion on the Hudson, a Yamaha grand piano to play whenever (one in- tune, for that matter) and common rooms adorned with nice lamps, forget it. As for open, empty outdoor swimming pools and unsupervised indoor, full ones, well!

My worry is that anyone who does feel an affinity for this film's subject matter because they are indeed, themselves, suicidal, will feel that candy-flossed, contrived and convoluted hokums such as this will make them feel a bit better - or a little more comfortable, will only keep that thought for no longer than the 90 minutes this film goes on for.

Michelle Gellar's performance is good but what a sheer waste of David Thewlis's talents, one of England's finest character actors, for taking his part, as the dodgy Doc.

I have to admit, I was put off from the start with the usual Radiohead 'music of misery' scenario and I never really gave it a chance from then on. I could see some attractive sentiment and well-meaning toward the end but the route taken was belittling, patronising and almost dangerous.

For years I had a soft spot for the novel 'Veronika Decides To Die', perhaps because Coelho approached the subject material with verve, originality, sensitivity and the understanding that comes only from having lived through something similar.

When I heard of the movie, I was hoping it was going to be handled with the same deft of hand the author had used with the original incarnation of the work. I was worried that a movie of this novel would be haphazard, overtly-dramatic and, frankly, a botched effort. So when Sarah Michelle Gellar became attached to the project I was seriously relieved. Here's an actor who is so under-rated, Gellar has a considerable talent: the ability to transcend genres as an actor and succeed at it. Why she has remained so under-rated in her industry I honestly can't understand.

Her interpretation of Veronika Deklava in Veronika Decides To Die, I'm sure will be defined as being the role of Gellar's career thus far. Gellar makes this movie. Most actors have previously taken similar roles and gone for the overtly-melancholic, Hollywood-style "despair" and self-loathing, making it fraught with unreal overtly emotional behaviour that anyone who has suffered severe depression/mental-illness can tell you is usually not accurate. What Gellar does here is employ subtly, strength and honesty. Her interpretation of Veronika's despair smacks of someone who knows what she's dealing with, or at least has studied the realism of such suffering with consideration: in real life, severe depressives almost always strive to hide their despair from most of those around them. Veronika does this in the novel, and Sarah Michelle Gellar uses her talents to do it with her approach to her role in the film, and the result is an astonishing performance from her.

Gellar's Veronika is somehow far more real and affecting a character than anything thrown out in the last twenty years (e.g: Girl, Interrupted/One Flew Over the Cuckoo's Nest and to lesser degrees movies such as Thirteen, House of Sand & Fog, The Hours...). The movie is slow, but never does it bore, or seem sluggish. I sat rapt with attention, moved to tears and frequently wishing the movie were going at a slower pace due to the astonishing performance of Gellar & indeed the rest of the cast. If you look at the novel itself: this is about Veronika, and how she effects those around her, and this is what the movie focuses on and does so almost flawlessly.

A previous reviewer described Gellar's acting here as a tour-de-force performance, commanding the screen with a subtly, sensitive touch, fraught with mixed emotion, confusion & strength. The rest of the cast are equally on top form, Erika Christensen is sad yet charming, Jonathan Tucker and particularly Melissa Leo are great and highly memorable in their supporting roles.

Not for one second did I think Gellar's Veronika was "void of emotion", on the contrary it's a performance filled with clearly conflicting emotions, broiling beneath the surface, always just a moment away from bubbling to the fore yet nearly always controlled- it's clearly a thought out, hard-worked at performance and having been in Veronika's position, having felt those emotions myself, I can see it in Gellar's performance. Her acting skills get a full workout here, she excels herself and has, I think, raised the bar for other actors in portraying hopelessness, disillusion and mental illness on screen in a way that perhaps only Bjork did in a similar way with her quietly charming but clearly sad, disillusioned yet hopeful portrayal of Selma in Dancer in the Dark.

Alright things are missing in the movie that may have helped, but what they did here was concentrate on the core idea: Veronika. They took it in the right direction and truly, this film shines because of it. The outstanding, subtly & strength of (all) the acting, the beautiful cinematography, the perfectly suited soundtrack and a refreshingly intelligent, honed script have made Veronika Decides To Die not only one of my personal favourite films, but also undoubtedly one of the best movies I have seen in several years. See it, if not for your love of the novel, but for the performances, you will be rewarded.

It has no doubt set the bar for future movies dealing with similar subject material, it shows you can make films about depression and suicide without the irritating emotional circuses previously done in the industry. Coelho, no doubt is very proud- and I'm sure relieved! Sadly I think though it is certainly Oscar worthy stuff on display, I'm not sure due to its rather scattered release, the fact it is independent and unlikely to get as broad a release and publicity as is needed for Oscar contenders generally, it would be tragic if all the bloody great acting on show here does not get its deserved recognition. If I had not already been a major fan of Sarah Michelle Gellar's work before, I certainly would have been after this.

See it!

5 May 2015. There's not a lot of movies that really reveal the more grim prospect of early death and its impact on human life. Veronika offers another look at residential mental institutions but with a particularly heart wrenching but inspiring look at them. Sandra Bullock offered up 28 Days (2000) with her comedy-drama version of an alcoholic in denial, a mainly mainstream and entertaining look at mental illness. There's a rather quick but powerful look in Helen (2009). Angelina Jolie presented Girl, Interrupted (1999) with strong drama and mainstream popularity.

Yet its with Sarah Michelle Gellar, we find a more biting and bittersweet look at mental health, recovery, and inspiration in her performance as well as the plot outline that offers a more refined tone and a less glossy look at mental health. This intriguing movie turns not on its dramatics, but on the more subtle theme of mental illness and simple yet layered efforts at human interaction and mental growth.

This movie was not what I thought when I read descriptions of it- which leads me to believe this is why this film got so many bad reviews.

This movie is a romance/drama about cherishing life. I think there are movies out there that have a similar takeaway but did it better. Nevertheless, this film is still touching and heartwarming. This was not the "psychological thriller" I anticipated and I'm ok with that! There is a twist or two in the film but nothing unpredictable.

I enjoyed the film for what it was and the story it told, but I probably wouldn't watch it again. I imagine it has a big impact for those who have struggled with suicide themselves or a friend/family member who has. Worth a watch if you enjoy romantic dramas!

This movie could have been done much better and way more interesting. I was so bored throughout the movie I ended up forwarding most of it to reach the end.

I have read the book a long time ago and when I found out that the movie was released, I was very excited and expected it to be a good one, but it was very disappointing actually.

I also noticed that most of the scenes were too long. I believe that the movie would have turned out better if more stress was put on Veronika's life before she "decides to die" to get us a little attached, and therefore puzzled to why she took that decision when she had it all.

The ending was extremely boring too... I also watched it on fast forward..LOL!