Vidas Que Se Cruzam

Guillermo Arriaga was the writer for Inarritu's films (Amores Perros, 21 Grams, Babel) and directs here for the first time on a major film project. "The Burning Plain" plays out over thirteen years, although all the action is squeezed into two segments at each end of the time span. The film relates how an extra-marital affair has repercussions which echo through the following years. The chain of events is initiated when Gina, a housewife and mother, embarks on a romance with Nick, a Mexican with a family of his own. After a gas tank explosion kills the lovers while they make love in a remote desert trailer, Gina's traumatized teenage daughter Mariana becomes friends with Nick's son Santiago.

Arriaga focuses on the mother, daughter and grand-daughter as the story unfolds. He uses four actresses for their roles - two being required for the teenage Mariana and her 30-something persona - and all of them (Kim Basinger, Charlize Theron, Jennifer Lawrence and Tessa la) give exceptional performances. When Mariana first sees evidence of her mother's infidelity, she remains silent and carries the burden alone. The breach between them widens as she investigations and confirms her suspicions - and the youthful beauty of her face transforms into a mask as she conceals knowledge which could destroy her family. Arriaga portrays her dilemma with a delicacy that amplifies the girl's pain - showing the silent spread of the poison, its contagion first claiming the mother-daughter relationship, and then creating new ripples of damage which will ultimately infect the next generation.

The narrative is tighter than Arriaga's work with Inarritu - it illustrates how one transgression can set in motion the engine of fate. He relies on classic cinematic techniques rather than Inarritu's flashier ones - but as in his previous work, Arriaga breaks up the story's chronological flow by chopping back and forth between two time segments. One can't help wondering if it was necessary here, since the story possesses such a strong arc. However, this is just a quibble - "The Burning Plain" results in something close to a masterpiece which shares themes found in the work of Shakespeare, Thomas Hardy and Dostoevsky.

This is the first feature directing experience for Guillermo Arriaga. Already an established writer (Amores Perros, Babel, The Three Burials of Melquiades Estrada), Arriaga promisingly directs his own script in this movie. The movie follows the characteristic feature of Arriaga's script: fragmented stories, sometimes happening simultaneously, and sometimes happening at different time periods. The editing is intriguing, prompting you to try and seek connections between the different stories. The performances are amazing (especially Charlize Theron and Kim Basinger's). The landscape choices and the cinematography are beautiful. The Burning Plain is a poignant story about desperation, betrayal, trauma, revenge, guilt and self-hatred, with the stories of three female characters and different "plains" burningly interwoven to deliver a moving depiction of these themes... Highly recommended!

The writer Guillermo Arriaga, much famed for his trilogy of films with director Alejandro Gonzalez Inarritu, namely Amores Perros, 21 grams and Babel, steps behind the camera and debuts his own directing skills with 'The Burning Plain' a multi-layered affair that at its core tries to explore how we deal with guilt. If you didn't like the style of the afore mentioned films then chances are you wont get on with this either. The story is told in interweaving flashbacks and over different time periods and does require some work on the part of the viewer. But with plot pieces trickled out like a breadcrumb trail right up to the end, a great but subtle score and some breathtaking scenery it grips you as you slowly piece it all together. Added to that there are the two brilliant central performances from Charlize Theron and Kim Basinger, as the damaged mother and daughter and a supporting cast that in their various roles are also superb especially Jennifer Lawrence who rightly won an award at the Venice Film Festival. The cinematography is great and the colours are so warm you can almost feel the Mexican heat coming out of the screen. The direction while not quite as good as Inarritu proves that Arriaga was indeed paying attention and the overall feel is eerily similar. The only downside is that it does leave certain characters stories unfinished but that really is just a minor quibble in what is a very emotionally charged and challenging film.

The pace of the film (probably due to poor editing) is inconsistent. The first half of the film is engrossing, but the second half can be easily predicted. A lot of scenes of the second half can be edited out. Apart from the poor editing, the story itself and the way the story was told are intriguing. The film is women centric and portrays many issues concerning women: breast cancer, housework/chores, mother-daughter relationship, postnatal depression etc.. Charlize Theron suits the leading role particularly after her outstanding performance in the film Monster. But there again exists inconsistency of her appearance in the film (probably due to make-up/lighting filming) - sometimes she appears younger and sometimes older. It's understandable as the director's debut, but I think the director needs to work harder in order to coherently deliver an engaging and technically sound film.

The movie reminded me of Babel, which is not that crazy since Arriaga wrote and directed Babel together with Alejandro González Iñárritu. (I only found this out after I saw The Burning Plain). Whereas I thought Babel was good but not superb, I absolutely loved The Burning Plain. just like Babel, The Burning Plain doesn't do chronology and I love the way Arriaga uses the lack of a chronological time-line to put you on a sidetrack time and time again. Of course I suspected things but I completely missed one of the biggest twists. Past and present are so mixed up that it isn't until quite far into the movie that you realise how all the characters are connected. And in this connection you'll find the big difference between the two movies. Whereas Babel shows the stories of people that are only connected by coincidence, The Burning Plain goes much further than that. When, almost in the end, you find out what really happened you cannot but acknowledge the genius of the person who wrote the story and the stylish way the movie was directed.

Once the 'big twist' is revealed it was like an 'aha-Erlebnis'. From beginning until ending you are wondering about the connections between the characters. "What does Sylvia have to do with Mariana and Santiago, or with Gina and Nick"? When eventually you find out, it is like a puzzle with the last piece falling in place. The result is a beautiful picture with a sad undertone, but not one I would have wanted to miss.