AVALIAÇÃO DA IMDb
7,6/10
21 mil
SUA AVALIAÇÃO
Uma mulher se esforça para interagir com sua família e encontrar seu lugar na sociedade após passar quinze anos na prisão.Uma mulher se esforça para interagir com sua família e encontrar seu lugar na sociedade após passar quinze anos na prisão.Uma mulher se esforça para interagir com sua família e encontrar seu lugar na sociedade após passar quinze anos na prisão.
- Direção
- Roteirista
- Artistas
- Ganhou 1 prêmio BAFTA
- 15 vitórias e 32 indicações no total
Kevin Lipka
- L'étudiant
- (as Kévin Lipka)
Avaliações em destaque
Claudel provides a lesson for American film makers and a lasting pleasure for the audience. The cast is evenly excellent with Kristin Scott Thomas and Elsa Zylberstein the personifications of things felt and not said to siblings. It is such a pleasure to watch actors and actresses who look like people instead of an eight by ten glossy of themselves. Serge Hazanaviciius, Laurent Grevil, Frederic Pierrot, Jean-Claude Amaud and little Lise Se'gur form a perfect framework for the two stars. With no special effects and little background music, the viewer can concentrate on the slow peeling of layer after layer of revelation. The beauty revealed at its core is the result of action, not an attempt to tie up loose ends nor a deus ex machina. Snar
Looking at Kristen Scott Thomas I thought of Julie Christie, Ingrid Bergman, Helen Mirren, Liv Ullman and a number of other actresses that managed to be transparent on the screen. Transparent in the best sense of the word, meaning we could actually see the invisible. Two sisters, a husband, two adopted Asian girls and a past, a recent past an overwhelming past painted black but with a white coat of compassion. Fame novelist turned film director Philip Claudel's debut is surprising to say the least.His assured hand and sensibility makes me want to see his next opus with a certain amount of trepidation. Scott Thomas's performance is among the very best I've seen all year.
This film has been crafted almost to perfection, the touch used is delicate and very realistic. It is interesting that such a slow pace should be so engrossing but it is. Thanks I think to the brilliant acting from everyone. Kirstin Scott Thomas stands out for such an understated performance, that when she does towards the end of the film show such deep emotion you are blown away. Her co stars do a great job keeping up with her, specifically Elsa Zylberstein playing her sister,the woman can cry on demand a face full of expression. Frederic Pierrot as the policeman, whose brilliance is only realised at the end of his part of the story. Jean Claude Arnaud as the grandfather, who without saying a word through the whole film is masterful. There could be a danger that this film is seen as a trudge through human emotion but I can assure you it is more than that. You will leave the cinema for filled and uplifted by the whole experience.
I found that this film stayed with me for a few days after I'd seen it. The film shows some strange behaviours which are resolved as the story unfolds (e.g., the initial attitude of the brother-in-law which seems both heartless towards his sister-in-law and insensitive towards his wife). The portrayal of the relationship of the sisters is well done while the development of the relationship between Scott-Thomas and Greville is beautifully drawn - in a way that only French directors manage; the smallest gestures having deep meaning. I thought the direction of the older child was nothing short of outstanding - that is how articulate 7 to 8 year old children behave. I think that this is a life-affirming film despite the obvious losses. There is both a literal and symbolic birth.
10kil-10
Just had the pleasure of seeing this movie in a cinema and I can wholeheartedly recommend it.
The movie touches several very sensitive subjects in a careful and a non-judging way; it left me thinking deeply about the rules of our society, and what happens if one falls through the raster; if what one has done does not fit into the view of the majority and one's actions are not compatible with the rules that society has given itself.
There are scenes that made me laugh, others leaving me absorbed in thought, all the while realising: this is life as it is, sometimes wonderful, sometimes brutal and sad.
The acting is brilliant in my view, the film lives from Kristin Scott Thomas and Elsa Zylberstein, both seem to be made for the characters they play while the rest of the cast, even for the smallest part, seems to have been carefully picked as well. Both actors and director describe the making of the movie as a very interesting experience, something I don't doubt at all after seeing it.
If you get a chance to see the movie, do it. It's worth it.
The movie touches several very sensitive subjects in a careful and a non-judging way; it left me thinking deeply about the rules of our society, and what happens if one falls through the raster; if what one has done does not fit into the view of the majority and one's actions are not compatible with the rules that society has given itself.
There are scenes that made me laugh, others leaving me absorbed in thought, all the while realising: this is life as it is, sometimes wonderful, sometimes brutal and sad.
The acting is brilliant in my view, the film lives from Kristin Scott Thomas and Elsa Zylberstein, both seem to be made for the characters they play while the rest of the cast, even for the smallest part, seems to have been carefully picked as well. Both actors and director describe the making of the movie as a very interesting experience, something I don't doubt at all after seeing it.
If you get a chance to see the movie, do it. It's worth it.
Você sabia?
- CuriosidadesTodas as entradas contêm spoilers
- Citações
Juliette Fontaine: The worst prison is the death of one's child. You never get out of it.
- ConexõesFeatured in 2009 Golden Globe Awards (2009)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- I've Loved You So Long
- Locações de filme
- Nancy, Meurthe-et-Moselle, França(Exterior)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 3.169.305
- Fim de semana de estreia nos EUA e Canadá
- US$ 72.205
- 26 de out. de 2008
- Faturamento bruto mundial
- US$ 22.274.095
- Tempo de duração
- 1 h 57 min(117 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente