O Homem Invisível

I loved this movie so much. I loved Elisabeth Moss's performance if her acting didn't work then we wouldn't believe there is an invisible man but she sells it. I like the cinematography in the movie. I love the tension in each scene and they do a very good job of capturing tension throughout the whole movie. They have an absolutely stacked cast and they all do an amazing job. I think they did a pretty job at the score it really worked in the tension of the scenes and it elevated each scene and the whole movie and it flowed with each scene it never felt off at all. I only have two problems with the movie a bit of the dialogue is bad at times and there are times where the decisions that were made were not logical at all besides that I think it is pretty good. Overall I loved it and would recommend it to anyone.

The main character was beyond stupid In this whole movie Time and time again She kept not doing things That made the whole movie frustrating to watch I won't spoil anything on what those things were But this movie was painful I have no clue why it's rated so well And how people got enjoyment out of this crap

I will never tell someone not to watch something But I certainly won't say I enjoyed it

There were a few scenes that were cool And the Concept of things was intriguing But not enough to save the film

Good start oof movie with pretty good pace, at mid point a bit heavier with lots of paranoia. Nobody is believing the protagonist as the ex boyfriend is apparently invisible and isolating her psychologically & physically. A bit over fetched but still entertaining to an extend.

Leigh Whannell is not a subtle filmmaker - at least, that's what I used to think. The Saw and Insidious movies are over-the-top and shocking, which is fine, and I enjoyed Upgrade quite a bit, but I was afraid the Invisible Man would fall into the same trap of shock-value over substance. Thankfully, I was wrong.

From the opening scene, the movie sucks you in with tension and unease. Cecilia (Elizabeth Moss) is trying to escape from her abusive boyfriend while he is asleep, and with practically no dialogue or exposition, we immediately understand the situation and feel for Moss' character. She's trapped in an abusive relationship and fears for her life. It's a testament to Whannell's deliberate direction, using visual cues to give us the information we need while slowly ratcheting up the suspense. The movie is not reliant on jump scares. There are a few, but they're 100% earned and actually effective because we care about the characters. The excellent score helps add to the atmosphere, alternating between pulsating ambience and melancholy orchestral bits.

From the concise writing, likable characters, clever directing, a powerhouse lead performance, and a genuinely scary villain, The Invisible Man gets just about everything right. I suppose you could nitpick some of the logic, but that's missing the point. It's a film about gaining freedom from a toxic relationship, and Whannell knows exactly how to pace the story so that we don't spend too much time dwelling on potential plot holes. Overall, a gripping and expertly crafted psychological thriller.

Immerse yourself in a not uncommon story of a woman fighting an aggressive and violent male predator, where the assaults can come out of the blue, often do, and for little or no reason, or justification (not that there could ever be any).

An outstanding lead from Elisabeth Moss in a genuinely suspenseful piece of cinema with a refreshing perspective on a tried and tested theme.