Painted Skin

Ever since his early "Dragon Inn" days, Donnie Yen has had a commanding screen presence. In his more recent movies, he always plays himself - strong, violent, a believer in rough justice - and he always delivers great action scenes. He's the only reason to watch this film to the end. He makes the most of his screen time, which regrettably is not anywhere near as much as one wishes.

The film is chugging along great when about halfway through, it just abruptly runs out of plot. In order to fill the remaining time, the actors suddenly start moving and talking incredibly slowly. I thought there was something wrong with my computer. It has to be seen to be believed. Donnie Yen is the only one immune to this strange infection, but sadly, he is not permitted to carry the film by himself.

From what I can remember, the actual story was not really about love. It was just another ghost story in that famous book. Unlike those typical scary ghost movies, this movie is more about love.

The music was Hollywood like. It has been a few days since I watched it. So I can't call it fantastic or not. Actually, the whole movie felt so different than those typical Chinese movie, the color, the sceneries, etc, they look very western.

The costumes look exotic, and colorful. I didn't know that the Lizard man actually was a lizard until after I watched the DVD extra. The make-up artists could have made his face and body more lizard like. And when Xiao wei turned all white at the end of the movie, her face reminds me of the Japanese movie "Grudge". Chinese ghosts typically don't look like that according to the traditional Chinese cultures.

Zhao Wei was excellent. I have seen her in other movies. She is entirely different in this movie.

Based upon the classic literature of Liao Zai, Painted Skin is an adaptation of one of the stories that dwell on fox spirits. If you're someone expecting either a supernatural spook fest, or an amalgamation of ghosts and kung fu, you might be disappointed to find out that it's actually a romance through and through, with complicated relationships all around that you can weave a complex web of love and lust amongst the players involved.

Chen Kun plays Wang Sheng, a general whose army recently overrun the camp of a group of barbarians. In their battle, he rescues a beautiful girl from the grasp of the enemy, and brings her home out of pity and suggestive lust, given that she looks like Zhou Xun. OK, so Zhou Xun plays Xiao Wei, who unknowing to everyone else, is a fox spirit (touted always as beautiful beings in their human form) with an appetite for human hearts in order to maintain her beauty and youth.

Thus begins a tussle for General Wang's heart by both Xiao Wei and Vicky Zhao's Pei Rong, who is the dutiful and demure wife of Wang Sheng. Pei Rong is indeed wary and beginning to suspect Xiao Wei's supernatural abilities when a spate of killings surface with her arrival, but with no proof, Xiao Wei starts to sow discord between the man and wife in order to try and become the new Mrs Wang. It's quite an interesting attempt through the characters to tell of the varying degrees and types of love, one of possession in Xiao Wei's ruthless means to reach her objective, and one of sacrificing for the love and well being of the other half, as established through Pei Rong's selfless courage.

But that's not all. Throw in Donnie Yen as an ex-general Pang Yong, who also shares the hots for Pei Rong, and one time rival of Wang Sheng for her affections, a bumbling lowly ghostbuster Xia Bin (Sun Li) who is in possession of a fabled mythical weapon (opportunity to show off some special effects here, and quite a sight to behold too in its temporal usage) and denying her affections for Pang Yong, and Qi Yuwu as a lizard spirit whose infatuation with Xiao Wei ensures that she gets her fair share of food without the need to get her hands dirty. Connected the dots yet?

Fans of Donnie Yen will probably be a tad disappointed by his limited screen appearance, and for the most parts he's either playing the joker, where his jokes will likely be lost in translation, going by the English subtitles that didn't manage to truly capture the essence of his lines, and the remaining screen time having to see him execute some action, but nothing groundbreaking and not seen before. We know what Donnie Yen can do, and perhaps in seeking some form of redemption, the story has a flashback scene where he dons armor yet again (anyone remember the dismal result of An Empress And Her Warriors) and does battle in a scene which Jackie Chan has already stamped his authority on.

One could have expected the Gordon Chan is familiar with shooting decent action sequences, but you don't really get a lot of that in Painted Skin, save for some generic rooftop chase in the night, and a be all and end all finale where no punches got pulled, though it really got marred by all the tight shots that all you'd probably get to see is a blur. The narrative also got a little choppy in the mid section, and you do feel that a huge chunk of detail got summarized to keep it running generously under two hours, with subplots dropped that I suspect involved the growing affection and admiration between Pang Yong and Xia Bin, in order not to distract the audience from the main love triangle of Pang Yong, Xiao Wei and Pei Rong.

All in all, this is recommended for Zhou Xun's face off with Zhao Wei, especially with the former playing the temptress role to perfection. The last where we saw two prominent Chinese actresses square off was between Zhang Ziyi and Gong Li in Memoirs of a Geisha. Otherwise, Painted Skin held a lot of promise, but didn't deliver that level of oomph in its final product, lapsing into mediocrity throughout.

If your ideal fantasy genre contains unrelenting action and adventure, Painted Skin may not be the title for you. But, if you're looking for a beautiful dramatic romance, that is as poetic as it is entertaining, you will not be disappointed.

Written in an intelligently mature fashion, and performed with emotional poignancy, Painted Skin is quite unlike its American contrasts, with stories of battlers fought for love occasionally becoming lost in bloody violence and nudity. This Chinese feature delivers a tasteful approach, that sacrifices in your face thrills and excitement, for a gripping character driven tale of unrequited romance.

General Sheng returns home with his army after defeating barbarians infringing on his borders, bringing a beautiful young woman he rescued with him. His wife is immediately suspicious of the young woman, and becomes more so when her former paramour, Yong, a soldier turned nomad, returns to the city at the same time as gorgeous demon hunter, Xia, both firmly believing the woman is not who she claims.

There is, without a doubt, more to the mysterious woman, Xiao, than meets the eye, though any accusations are rendered preposterous in the eyes of those who appreciate her. With suspicion and paranoia mounting, Yong and Xia begin investigating, only to find themselves in the middle of a battle, plagued by conspiracy, jealously, betrayal and lust.

Although there are a number of astounding action sequences, Painted Skin is more of a cat and mouse thriller, with many of the fights taking place in conversations, where one character is always trying to outwit the other. At its heart, the film reveals that no sacrifice is too great when you love someone, both the script and the actors capturing the emotion perfectly, from the beauty of romance, to the grueling pain of loss.

Unlike in other films, where demons are purely villainous antagonists, Painted Skin makes demons and humans alike sympathetic characters, with breakable hearts, and many a vulnerability, the seductive storyline between man and demon being similar to the fourth Hellraiser. With this in mind, though a sex scene is apparent, nothing is ever seen, the tasteful directional style presenting the audience with all of the passion, but not at the expense of the actor's privacy.

With outstanding special effects that draw you further into the plot, alongside a soundtrack that mirrors the turmoil and romance exhibited in the film, Painted Skin is a perfect fantasy that you do not want to miss.

A film awash with spirits that will wonderfully entertain you without a latter feeling of intoxication! "Hua Pi" (Painted Skin) is another lavish looking Chinese film epic based upon a tale from a book. Its a non horror/scary supernatural romance with the love story taken to an amazingly sensuous high!

Donnie Yens role is not entirely of a Kung Fu action outing - as is his usual film roles - and his character is not the high point of the film. Rather he blends into the film - as one - with all the films characters and, you therefore get more of an in depth knowledge concerning each participating characters being. The sets are beautiful and all the actors/actresses play their roles brilliantly; the camera work and lighting and CGI was sublime quality almost unsurpassed!

It being a romantic love story it does not mean that its a film that only females will enjoy. Though many men will not openly admit it (due to the stupid being macho idea), a lot of men will enjoy this also. There is also enough action for those who can't enjoy/like a film unless it includes action...what a mundane and sad approach to cinema enjoyment.

Make sure to watch the sequel, "Painted Skin: The Resurrection (2012)" (aka "Hua pi 2"). Different characters, but with the same excellence of film enjoyment!