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Adicionar um enredo no seu idiomaWaris Dirie, born 1965 in Somalia, flees at thirteen when sold to be a mans fourth wife. She works as a maid at the Somalian embassy in London, then in a McDonald's where she's discovered an... Ler tudoWaris Dirie, born 1965 in Somalia, flees at thirteen when sold to be a mans fourth wife. She works as a maid at the Somalian embassy in London, then in a McDonald's where she's discovered and becomes an international top model.Waris Dirie, born 1965 in Somalia, flees at thirteen when sold to be a mans fourth wife. She works as a maid at the Somalian embassy in London, then in a McDonald's where she's discovered and becomes an international top model.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 vitórias e 3 indicações no total
Matthew Alexander Kaufman
- Fastfood Manager
- (as Matt Kaufman)
Avaliações em destaque
DESERT FLOWER is a very powerful film that introduces many viewers to the atrocities of Female Genital Mutilation, defined by the dictionary as 'FGM, also known as female genital cutting and female circumcision, is defined as all procedures that involve partial or total removal of the external female genitalia, or other injury to the female genital organs for non- medical reasons. FGM is typically carried out on girls from a few days old to puberty. It may take place in a hospital, but is usually performed, without anesthesia, by a traditional circumciser using a knife, razor, or scissors.' Though that is not the main driver of this story it certainly makes the life of Waris Dirie who wrote this autobiography recognized as someone who overcame insurmountable odds to become one the world's top models and a speaker for women's rights.
Liya Kebede stars as Waris Darie and is the perfect choice of an actress to fill this role: she is an International supermodel, actress and philanthropist, born and raised in Addis Ababa, Ethiopia. In 2003, she was the first woman of color to become the face of Estée Lauder cosmetics.
Waris Dirie (Liya Kebede) was born in Somalia and was subjected to FGM and fled across the desert to freedom form the heinous attitude toward women (Waris as a child is beautifully portrayed by Soraya Omar-Scego). She struggles though dreary jobs, eventually hooks up with Marilyn (Sally Hawkins0 who introduces her to the world of fashion via Terry Donaldson (Timothy Spall), learns how to dress and walk in heels and eventually becomes the great model we know us as today. She has love interests (Anthony Mackie) but her aim is to gain enough credibility and money to go before the WHO and speak against the mutilation that exists in many countries to this day.
Directed by Sherry Horman who adapted Dirie's autobiography for the screen with Smita Bhide, the visuals are spectacular and the manner in which the story is related is full of passion and compassion. The entire cast (including Juliet Stevenson, Meera Syal, and Craig Parkinson) is pitch perfect. But it is Liya Kebede who fills the screen not only with her beauty but also with a powerful performance of the main character. A very fine film with a heavy message.
Grady Harp
Liya Kebede stars as Waris Darie and is the perfect choice of an actress to fill this role: she is an International supermodel, actress and philanthropist, born and raised in Addis Ababa, Ethiopia. In 2003, she was the first woman of color to become the face of Estée Lauder cosmetics.
Waris Dirie (Liya Kebede) was born in Somalia and was subjected to FGM and fled across the desert to freedom form the heinous attitude toward women (Waris as a child is beautifully portrayed by Soraya Omar-Scego). She struggles though dreary jobs, eventually hooks up with Marilyn (Sally Hawkins0 who introduces her to the world of fashion via Terry Donaldson (Timothy Spall), learns how to dress and walk in heels and eventually becomes the great model we know us as today. She has love interests (Anthony Mackie) but her aim is to gain enough credibility and money to go before the WHO and speak against the mutilation that exists in many countries to this day.
Directed by Sherry Horman who adapted Dirie's autobiography for the screen with Smita Bhide, the visuals are spectacular and the manner in which the story is related is full of passion and compassion. The entire cast (including Juliet Stevenson, Meera Syal, and Craig Parkinson) is pitch perfect. But it is Liya Kebede who fills the screen not only with her beauty but also with a powerful performance of the main character. A very fine film with a heavy message.
Grady Harp
10KexUK
In life (I'm 68) there are only a few films that really 'cut into your soul and plant themselves'. Most of the ones that do this to me are real-life stories.Gandhi,Lawrence of Arabia, one of the early Titanic films (I was about 9 years old I think). Desert Flower,for all it's minor failings as a film (I stress minor) planted itself firmly in my heart and will not depart. It shames my manhood (in a good way). It demands of me a greater tolerance of others and a resistance to methodologies/traditions that limit the full potential of another human being.. It tells an incredible story of an incredible woman with an incredible spirit. . Unimaginably important viewing.
"Desert Flower" is based on the life of Waris Dirie (Liya Kebede) who was born into a Somalian desert tribe, then ran away from an arranged marriage as a young teen and made her way to London, where she became a world-famous supermodel. As a child, she was circumcised, as is the custom in many African countries. An old woman in the desert cut away those parts that could someday allow her to feel sexual pleasure.
When Waris was sold as a young teenager to an old man who already had three wives, she simply left one day, walking hundreds of miles across desert and scrub land to seek her grandmother in Mogadishu. Amazingly, she found her — and was hired by an aunt in London to work as a maid. The film cuts between her experiences as a young girl and what happened in London, where she ran away, lived on the streets and were befriended by a ditz shop girl named Marylin (Sally Hawkins).
It is while sweeping floors and cleaning slop at a McDonalds that she's spotted by fashion photographer Terry Donaldson (Timoty Spell). Donaldson saw something in the bone structure of the cleaning lady that convinced him to give her his card. Waris was all worried trying to be model, but thankfully Marylin knows her fashion and persuades her, several months later, to pop round and see him. She's soon on her way.
"Desert Flower" is an important movie, and a great one for all African women to see. Dirie's life-story is inspiring for me, her experiences as young girl are tragic, and her ability to speak out against a custom that has long been hidden is impressive. The film certainly has an important message. The scenes that will remain in the memory long after the film concludes are those dealing with Waris' circumcision, particularly an excruciating sequence in which I watch her three year old face as the procedure is performed. It's an angry, damning indictment of a barbaric process. Which I wish it will stop.
When Waris was sold as a young teenager to an old man who already had three wives, she simply left one day, walking hundreds of miles across desert and scrub land to seek her grandmother in Mogadishu. Amazingly, she found her — and was hired by an aunt in London to work as a maid. The film cuts between her experiences as a young girl and what happened in London, where she ran away, lived on the streets and were befriended by a ditz shop girl named Marylin (Sally Hawkins).
It is while sweeping floors and cleaning slop at a McDonalds that she's spotted by fashion photographer Terry Donaldson (Timoty Spell). Donaldson saw something in the bone structure of the cleaning lady that convinced him to give her his card. Waris was all worried trying to be model, but thankfully Marylin knows her fashion and persuades her, several months later, to pop round and see him. She's soon on her way.
"Desert Flower" is an important movie, and a great one for all African women to see. Dirie's life-story is inspiring for me, her experiences as young girl are tragic, and her ability to speak out against a custom that has long been hidden is impressive. The film certainly has an important message. The scenes that will remain in the memory long after the film concludes are those dealing with Waris' circumcision, particularly an excruciating sequence in which I watch her three year old face as the procedure is performed. It's an angry, damning indictment of a barbaric process. Which I wish it will stop.
My mother kept insisting that I watch this movie but I avoided it because of the subject matter. Even in the hospital, the week before she died, she asked, "Did you see DESERT FLOWER yet? You will like it." She died last week on the Eve of Easter and last night I decided to watch it before it deleted from my DVR. I was completely enthralled and every scene drew me in moving me to a deep compassion for these mutilated women. The London fashion model scenes were a pleasant comic respite from the atrocities and it was interesting to see how Waris integrated these two worlds. Although the film has some loose ends and flaws, nothing will make you appreciate your life as a free woman until you see this film. At the very least, you might be inspired to never complain about such trivial matters as the economy, not having a boyfriend or husband or how badly you thought you were treated as a child. At the best, you will be inspired to use the fire in your life to help those who suffer needlessly in the world.
This film is an emotionally powerful film with memorable scenes that are extremely moving. It has the same elements that most Oscar winning movies have in that you feel real joy and pain. It's a shame this film didn't make more money than it did. It appears that it was basically set aside and not distributed like it should have been.
The character development of Waris is spot on. The back story in Africa is also effective in getting a glimpse of the complexity of issues and various injustices a young refugee girl like Waris deals with. The scenes in Africa are also beautiful cinematically.
There are a couple technical moments that could have been better that just reflect the budget it had to work with. IE the obvious green screen in front of the United Nations General Assembly and the ads of Waris on the sides of the buildings in Central London.
Somalia has faced unspeakable challenges in the last 25 years. The result of this is the suffering of regular people who have been caught in the crossfire. There are countless stories from Somalia that need to be told on the screen to bring awareness to this part of the world.
Matt Erickson Poet Nation
The character development of Waris is spot on. The back story in Africa is also effective in getting a glimpse of the complexity of issues and various injustices a young refugee girl like Waris deals with. The scenes in Africa are also beautiful cinematically.
There are a couple technical moments that could have been better that just reflect the budget it had to work with. IE the obvious green screen in front of the United Nations General Assembly and the ads of Waris on the sides of the buildings in Central London.
Somalia has faced unspeakable challenges in the last 25 years. The result of this is the suffering of regular people who have been caught in the crossfire. There are countless stories from Somalia that need to be told on the screen to bring awareness to this part of the world.
Matt Erickson Poet Nation
Você sabia?
- CuriosidadesThe girl who was chosen to play the young Dirie as she undergoes FGM is Safa Idriss Nour and was picked on condition that her parents sign a contract agreeing never to perform the same ritualistic operation on her. Dirie's new book begins in 2011, four years after the contract with Nour's parents had been signed, when she received a letter from the girl that suggested her parents were having second thoughts. "I was shocked and I was very angry," Dirie, 48, said. "I decided I had to fly to Djibouti immediately to save my little girl from this brutal crime."
Once in Djibouti, she realised that the family were being ostracised and Nour's fear of being forced to undergo FGM, rather than diminishing, had grown. Then seven, Nour told her: "Grandmother carried out lots of circumcisions in our house. The girls screamed so loudly, just like I did in the film."
Nour's parents confirmed that pressure from neighbours and others for Nour to undergo FGM was weighing heavily on them. They told Dirie that her daughter and the family were being treated as outsiders and neighbours were jealous of the financial and medical support they were receiving from Dirie's FGM campaigning charity, Desert Flower Foundation, in return for upholding the contract. "Safa's family is surrounded by others struggling every day to survive. Even though the families have very little money, they save what money they have to cut their daughters, because otherwise they will not get a bride price from the future husband," Dirie said. "Because of our support, Safa's family is completely independent and the first family in the area to stop the vicious circle. This is a breach of their tradition, and people have big problems with this." Dirie spent time with the family and took some of them to Europe to show them campaigning work and talk about the corrective surgery carried out by the Desert Flower Foundation. The experience was a turning point, particularly for the father, who once argued strongly with Dirie over cutting Nour. He now works as an activist for the charity. "Safa's father has even invited neighbours to participate in our programme and the reactions were positive," Dirie said, demonstrating the difference that can be made when campaigns are led from within the communities they are trying to change. Although the case of Nour's father was a success, trying to encourage broader behaviour change through education is not easy. "Educating communities is very difficult as people are very stubborn and not willing to change their habits even if it is against humanity," says Dirie.
- Erros de gravaçãoLucinda (from the modeling agency) says to Waris she would be without broadband in Africa. Broadband didn't exist in the early to mid 80s when this story took place.
- ConexõesReferenced in RTL Boulevard: Episode #11.70 (2010)
- Trilhas sonorasWithout You (Glenn Morrison Remix)
Music by Craig Armstrong and Scott Fraser
Vocals by Lucy Pullin
French spoken words by Laurence Ashley
Remix and additional production by Glenn Morrison and Byron Wong
© by Chester Music Ltd. by the courtesy of Bosworth Music GmbH, Berlin
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- How long is Desert Flower?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Flor del desierto
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 44.348
- Fim de semana de estreia nos EUA e Canadá
- US$ 7.657
- 20 de mar. de 2011
- Faturamento bruto mundial
- US$ 14.682.943
- Tempo de duração
- 2 h(120 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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