Up: Altas Aventuras

Carl Fredricksen (Ed Asner) as a young quiet kid idolized explorer Charles Muntz (Christopher Plummer) and his discovery of Paradise Falls. Ellie is much more animated and also a great fan of Muntz. Together they would marry and live their lives together until the day she dies. Now Carl is hounded by a property developer and forced to go to a retirement home. Instead he ties a sea of helium balloons to his home and float away to Paradise Falls. Wilderness Explorer scout Russell who's trying to get an Assisting the Elderly badge gets dragged along on the adventure.

The first part of this movie is a real tear jerker. When Carl and Ellie's lives flash through the years, all the heart breaks and all the love just jump off the screen. Then there is comedy as the journey to Paradise Falls starts. The movie gets very surreal with dog translators, and a very colorful bird. The villain is a bit too villainy. The story gets too serious at times. But it ends almost as emotionally as it starts. It is one of the best of Pixar.

This is another film in which it really helps to know in advance what it is, or more specifically, what it isn't. Then, you go from there. I enjoyed the animated film very much but, some of that was due to the fact a friend clued me in first, saying "this isn't really a comedy or a film for little kids. Don't expect a ton of laughs." So, instead of seeking laughs (although I still got them here and there), I just enjoyed the adventure story and marveled at the amazing artwork.

Seen on Blu-Ray, this is yet another example in which you shake your head and wonder, "How does the artwork get any better than this?" Then, about six months from now, another will come along and I'll say the same thing. Overall movies may not be better today than "in the old days," but there is no dispute there are two areas in which films keep getting better and better: special-effects and animation. This is another example of that.

The colors and the detail in here are almost beyond description. The artwork ranges from bold to subdued, but always stunning. I lost track how many times I wanted to just pause and admire the picture for a few minutes. From super-sharp closeups of the old man's face to lush jungle scenery, this high-definition disc is worth every penny/

Back to the story, I found it a combination adventure-fantasy-comedy-suspense-sentimental story, about in that order, too. Generally-speaking, I would think adults would like this more than kids, but I may be wrong. Everyone - regardless of age - will have their jaw drop more than once viewing the incredible-looking scenes. It's really a feast for the eyes. Finally, if you like extras, there are tons of them in the four-disc DVD set.

Honestly, I found the DVD of this film in my house and decided to give it a watch as I had nothing better to do. Truth is I really should have made the time before.

Although I enjoy all the other Disney/pixar movies, I am at that teenage age where I mainly seek Violence, sex and gore. Thankfully my teenage boredom did me a big favour in helping what this fantastic masterpiece. This film was so fantastically deep, meaningful and moving beyond relief, as soon as I switched it off I rang my grandparents to tell them I love them.

It should be made necessary that everyone everywhere should see this film and I think the world would be a much better place - it really is that good.

100/10

This lovely film tells the story of Carl Fredrickson, a little friendly widower who lives alone in a house restored along with his late wife, Ellie, whose memory he cherishes constantly. Forced to leave his home, threatened by real-estate interests, to live in a nursing home where he didn't want to go, Carl decides to go on a long journey that always wanted to do with his wife but that life never allowed... and departs with your home through a system that he created and that makes it fly. But the journey is bound to change radically when he meets the scout Russell, eight-year-old, grabbed on his porch, an unwitting passenger on that trip.

Directed by Pete Docter and Bob Peterson, two brilliant directors of Pixar Animation Studio behind hits like "Wall-e", "Monsters Inc." or "Finding Nemo", this film has a number of experienced voices and a touching soundtrack, which earned the Academy Award that year for Best Original Score. A curious fact: the place represented as a destination point for Carl's trip - the fictional Paradise Falls - exists on the real life, in the border between Venezuela and Brazil: its Mount Roraima.

The most touching on this film is to see the love of Carl and Ellie, alive even after her death and visible in the way he keeps her memory alive and ever present. Russell's goodness also move us, especially when he is confronted with the harsh ways of stubborn Carl, who sees in Russell a problem. Another deeply moving character is Dough, a friendly and affectionate dog who speaks through a device placed on his leash.

For all these things, "Up" is a film for the whole family, is a film that touches us, moves us and thrills. It proves that, if love cannot move mountains can still move homes, and that no one is too old to live an adventure or fulfill a dream.

I was lucky enough to get a ticket to a special pre-release screening of Up at Pixar studios in Emeryville, organized by the San Francisco Film Society. After a hour-long reception in the atrium of their beautiful main building we went through some rigorous security (metal detectors!) and were treated to an hilarious short (Partly Cloudy) and Pixar's new high water mark, Up.

My favorites to date have definitely been Wall-E and the Incredibles, and Up is another slightly-left-of-center masterpiece. The emotional impact of the beautiful, wordless summation of Carl's life that opens the movie is the bass note that resonates through the whole film and is at least as affecting as the scene in Wall-E when he holds his own hands while watching Hello Dolly. The rest of the movie, of course, is breathtaking on just about every level, especially the tactile quality of all the characters and textures and the completely realized weather effects and action scenes. With no "new" technical milestones (fur in Monsters, Inc., water in Finding Nemo, realistic camera effects in Wall- E), the design is the main focus, from the hilariously stylized characters to the amazing setting of the tepui.

As the associate producer who participated in the Q&A following the movie pointed out, the past three Pixar movies have not been easy sells to their parent company Disney (they'll be back in familiar territory with Toy Story 3 and Cars 2), but Pixar's commitment to inventive, story-driven films continues to pay off here. All of the good press is true, and I can't wait to see it again. Thanks for staying true to yourselves Pixar!