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Last Chance Harvey (2008)

**** (out of 4)

Dustin Hoffman plays Harvey Shine, a man on his way to London for his daughter's wedding but at home facing problems with his job. When he lands in London he learns that his daughter doesn't want him walking her down the aisle. Hurt, he goes to the airport bar where he meets a woman (Emma Thompson) also facing her own share of problems. The two hit it off and head out for the night hoping they can find comfort in each other. I wasn't sure what to expect walking into this movie but it was certainly very worthwhile and I must admit that this was one of the most memorable movies of 2008. The movie isn't brilliant but I don't think it was trying to be. The movie doesn't have a lot to say about relationships nor is it trying to be deep or thoughtful. The movie just tries to be entertaining and lets two great actors do their thing and the end result is something very moving, touching and at times funny. I was really surprised at how depressing the movie was but the screenplay allows both characters, and for that matter the viewer, to hit rock bottom in depression because the eventual climb up. I give screenwriter/director Hopkins a lot of credit for trying to stay as real as possible without trying to go over the top with any of its subject matter. To me the film felt very real and that's hard to find these days especially for a romantic comedy. Hoffman, one of our greatest character actors, does a masterful job here and really turns in his most memorable performance in several years. It was so much pleasure seeing Hoffman work this character because of the charm and pain he brings to the role. I've always found Hoffman to be a great comic actor and working with charm is a strong suit for him and that's on full display here. That smile of his mixed with his swooning ways were great to watch and he really nails it. The depressing scenes are brilliantly done as well with Hoffman replying a lot on facial gestures and not words. Many of these depressing scenes are done without words so Hoffman must rely on other emotions. Thompson is just as good and keeps up with Hoffman making the two the perfect couple that you really want to see together. Thompson's issues in the film are a lot different than Hoffman's but she too is able to be charming, funny and sad as well. Kathy Baker, James Brolin and Richard Schiff are all very good in their supporting roles. Again, this is the type of film that just lets the actors do their thing and to me it really comes off excellent in the end. I didn't like what happened to Hoffman's character towards the end as I felt the movie should have ended the scene earlier but this is just a minor issue. Seeing Hoffman and Thompson work their magic was great fun even though the more depressing scenes. It's a shame to see this movie not doing so well at the box office but it's true people enjoy more lightweight stuff. Oh well, as it's really their loss.

I am absolutely shocked to see a modern day movie made that's devoid of special effects; explosions; fast cut editing; no foul language; no nudity; no vicious killings; no villains; no CGI. This movie was so refreshing for what it is. Tells a coherent story with no "shock ending", with actors who can ACT and not run around and look stunning with all kinds of make-up and fancy costumes. Also nice to see a movie made for ADULTS and not tweens or kiddies. Of course it was a box office dud, but who cares. Just wish more movies of this ilk are made and if only seen by a few people who love movies the way movies were meant to be made. Story, direction, acting and nice locales. Dustin Hoffman and Emma Thompson make a terrific team and would like to see them in a film again, not in tiny character parts, but as leads such as this.

Harvey Shine (Dustin Hoffman) is a New Yorker in London for his daughter's wedding. He writes advertising music and he's struggling. His ex-wife is long ago remarried, and his daughter is closer to her stepfather. Kate Walker (Emma Thompson) is an aging spinster working at Heathrow forced to endure blind dates. Kate and Harvey strikes up a conversation in an airport bar.

The story starts slow and really needs Harry to meet Kate. The 30 minutes at the start badly needs a good trim. The movie works best when the two veterans are together. Harvey does have a great relationship problem with his daughter. Other than that, the story is fairly thin, but it's still wonderful to see great actors work. If only they could write another 30 minutes of good dialog and have these guys weave their magic. Nevertheless, this is still a joy.

This movie is about a socially awkward American man and British woman who meet in London, get to like one another and may have a future together. The plot has been done a zillion times. I pretty much knew what was going to happen twenty minutes into the film. What saves the film from being one huge predictable snooze fest is that the author is clever enough not to fall into too many clichés so things seem possible if not probable. And there is the excellent casting of Dustin Hoffman and Emma Thompson. Their characters are quirky enough to be believable and both are very sympathetic. And there's no silly Hollywood ending with rockets bursting and doves flying into the sunset. There's a chance they might make it as a couple despite differences in age, culture and countries or they might be in for a huge disappointment and hurt--something both have known in their lives.

If you're expecting a movie that will entertain, be free of gratuitous sex scenes and violence with a charming backdrop of London landmarks, then this film is for you.

At its best, this rather slight 2008 melding of comedy and drama reminds me of Ulu Grosbard's bittersweet "Falling in Love" (1984) in which Robert DeNiro and Meryl Streep stumble into a romantic relationship constantly derailed by guilt and commuter train schedules. At its worst, this film - leisurely directed and written by Joel Hopkins - uses several well-worn cinematic conventions - including a familiar third-act plot device from a classic movie - and forces a predictable ending that is far from satisfying. On the upside, it certainly helps to have actors the caliber of Dustin Hoffman and Emma Thompson in the principal roles, although I have to admit I was not taken in by their characters' halting romance because the actors are simply not meshing in a convincing way. In fact, this movie ironically works better when the actors perform in separate scenes away from each other. The problem is that the elfin Hoffman just tries too hard to overcome Thompson's self-protective demeanor of disappointment.

The story focuses on Harvey Shine, a divorced jingle writer whose career seems to be waning in the face of more youthful talent. At the same time, his daughter Susan is getting married in England, so he is anxious to offset his professional disappointments with a family reunion he really needs. However, their estrangement turns out to be deeper than expected since Susan tells him that she has already asked her rugged, engaging stepfather to give her away at the wedding. When he concludes that it is he who has become the family outsider, he meets Kate Walker, an airport employee who has the thankless task of surveying passengers coming off their flights. She also happens to be a lonely spinster who lives near her paranoid mother and finds the prospect of another failed blind date excruciating. Kate and Harvey meet-cute at a Heathrow lounge at their lowest emotional points, and they start to bond over long walks along London's South Bank. She convinces him to go to Susan's reception, and he agrees only if Kate becomes his date. The rest of the plot follows the story arc you would expect.

In perhaps a conscious move, Hoffman seems to be channeling a bit of Benjamin Braddock's schlubby, obsessive nature in "The Graduate" over forty years later. He is at his best when we feel Harvey's rejection in isolation, but the assertive approach the 71-year-old actor takes in courting Kate is challenging to embrace. Thompson, on the other hand, is a pure joy as Kate because she plays against the grain of what could have been a victim character. She wears Kate's disappointment in such a convincingly objective manner that her moments of heartache attain greater resonance. Eileen Atkins and Kathy Baker have just a few scenes to bring their characters to life, Kate's dotty mother and Harvey's still-resentful ex-wife, respectively. London looks pretty inviting thanks to John de Borman's crisp cinematography, though Dickon Hinchliffe's tinkling music punctuates the proceedings excessively. The 2009 DVD contains a nice audio commentary track with Hoffman (recorded separately), Hopkins and a particularly acerbic Thompson. The sixteen-minute featurette reflects the same personalities in a standard making-of format, although both this and the theatrical trailer give away too much of the plot.