Tinha Que Ser Você

What can we say about Dustie Hoffman and Emma Thompson? Here are 2 of the best in the profession laying out roles of two disaffected people who encounter in their disparate desperation and find in themselves something to come to grips with who they are. The interesting thing, is that this is a plot line that could be a stinker if played out wrong. The whole story drips with sentiment wrought by the conflict of aging, adrift in meaningless careers and embellished by the idea of being "losers." The story line has no great leaps, little action and unfolds in a potentially boring setting and what saves it is the performance of these two great veterans who give the yin and yang of two different people who compliment each other. This is a great movie. Go see it.

Last Chance Harvey (2008)

**** (out of 4)

Dustin Hoffman plays Harvey Shine, a man on his way to London for his daughter's wedding but at home facing problems with his job. When he lands in London he learns that his daughter doesn't want him walking her down the aisle. Hurt, he goes to the airport bar where he meets a woman (Emma Thompson) also facing her own share of problems. The two hit it off and head out for the night hoping they can find comfort in each other. I wasn't sure what to expect walking into this movie but it was certainly very worthwhile and I must admit that this was one of the most memorable movies of 2008. The movie isn't brilliant but I don't think it was trying to be. The movie doesn't have a lot to say about relationships nor is it trying to be deep or thoughtful. The movie just tries to be entertaining and lets two great actors do their thing and the end result is something very moving, touching and at times funny. I was really surprised at how depressing the movie was but the screenplay allows both characters, and for that matter the viewer, to hit rock bottom in depression because the eventual climb up. I give screenwriter/director Hopkins a lot of credit for trying to stay as real as possible without trying to go over the top with any of its subject matter. To me the film felt very real and that's hard to find these days especially for a romantic comedy. Hoffman, one of our greatest character actors, does a masterful job here and really turns in his most memorable performance in several years. It was so much pleasure seeing Hoffman work this character because of the charm and pain he brings to the role. I've always found Hoffman to be a great comic actor and working with charm is a strong suit for him and that's on full display here. That smile of his mixed with his swooning ways were great to watch and he really nails it. The depressing scenes are brilliantly done as well with Hoffman replying a lot on facial gestures and not words. Many of these depressing scenes are done without words so Hoffman must rely on other emotions. Thompson is just as good and keeps up with Hoffman making the two the perfect couple that you really want to see together. Thompson's issues in the film are a lot different than Hoffman's but she too is able to be charming, funny and sad as well. Kathy Baker, James Brolin and Richard Schiff are all very good in their supporting roles. Again, this is the type of film that just lets the actors do their thing and to me it really comes off excellent in the end. I didn't like what happened to Hoffman's character towards the end as I felt the movie should have ended the scene earlier but this is just a minor issue. Seeing Hoffman and Thompson work their magic was great fun even though the more depressing scenes. It's a shame to see this movie not doing so well at the box office but it's true people enjoy more lightweight stuff. Oh well, as it's really their loss.

At its best, this rather slight 2008 melding of comedy and drama reminds me of Ulu Grosbard's bittersweet "Falling in Love" (1984) in which Robert DeNiro and Meryl Streep stumble into a romantic relationship constantly derailed by guilt and commuter train schedules. At its worst, this film - leisurely directed and written by Joel Hopkins - uses several well-worn cinematic conventions - including a familiar third-act plot device from a classic movie - and forces a predictable ending that is far from satisfying. On the upside, it certainly helps to have actors the caliber of Dustin Hoffman and Emma Thompson in the principal roles, although I have to admit I was not taken in by their characters' halting romance because the actors are simply not meshing in a convincing way. In fact, this movie ironically works better when the actors perform in separate scenes away from each other. The problem is that the elfin Hoffman just tries too hard to overcome Thompson's self-protective demeanor of disappointment.

The story focuses on Harvey Shine, a divorced jingle writer whose career seems to be waning in the face of more youthful talent. At the same time, his daughter Susan is getting married in England, so he is anxious to offset his professional disappointments with a family reunion he really needs. However, their estrangement turns out to be deeper than expected since Susan tells him that she has already asked her rugged, engaging stepfather to give her away at the wedding. When he concludes that it is he who has become the family outsider, he meets Kate Walker, an airport employee who has the thankless task of surveying passengers coming off their flights. She also happens to be a lonely spinster who lives near her paranoid mother and finds the prospect of another failed blind date excruciating. Kate and Harvey meet-cute at a Heathrow lounge at their lowest emotional points, and they start to bond over long walks along London's South Bank. She convinces him to go to Susan's reception, and he agrees only if Kate becomes his date. The rest of the plot follows the story arc you would expect.

In perhaps a conscious move, Hoffman seems to be channeling a bit of Benjamin Braddock's schlubby, obsessive nature in "The Graduate" over forty years later. He is at his best when we feel Harvey's rejection in isolation, but the assertive approach the 71-year-old actor takes in courting Kate is challenging to embrace. Thompson, on the other hand, is a pure joy as Kate because she plays against the grain of what could have been a victim character. She wears Kate's disappointment in such a convincingly objective manner that her moments of heartache attain greater resonance. Eileen Atkins and Kathy Baker have just a few scenes to bring their characters to life, Kate's dotty mother and Harvey's still-resentful ex-wife, respectively. London looks pretty inviting thanks to John de Borman's crisp cinematography, though Dickon Hinchliffe's tinkling music punctuates the proceedings excessively. The 2009 DVD contains a nice audio commentary track with Hoffman (recorded separately), Hopkins and a particularly acerbic Thompson. The sixteen-minute featurette reflects the same personalities in a standard making-of format, although both this and the theatrical trailer give away too much of the plot.

This is not a terribly memorable movie; the plot has been done a thousand times. It hangs its hat on its stars and they do a nice job. Dustin Hoffman, the Last Chance in this film, puts in a nice performance as a man who has never been happy, even with moderate success. He is a burned out yes man who sees each day as a chore. HIs female counterpart has also given up on life, her youth past her. The thing is that submerged in them are two really interesting people who can have fun if they allow themselves. The first half of the movie is one uncomfortable scene after another as Hoffman tries without enthusiasm to be a positive force in his daughter's life after his wife has pretty much excluded him. It isn't that he doesn't deserve this treatment. He hasn't given much. Anyway, true love doesn't run smooth and when he meets Thompson, getting together requires a great deal of effort because of great baggage carried by the two of them Fate steps in as well and makes things even more difficult. All this said, it's still a charming film and worth a look.

Yes, it's one of those "nice" movies but Emma Thompson's presence alone raises the worthiness of this movie several notches. We believe everything we see in her wonderful complicated face and that's the hook that will carry you along, it certainly did me. Dustin Hoffman, is the unlikely romantic door that opens to Emma, poor girl. But she sees something in him that I, quite honestly, didn't. At the end of the day if it's okay with Emma, it's okay with me. There are a couple of marvelous moments but that's about it. Another element that helps us enormously to escape the predominant flatness is Eileen Atkins as Emma's mother. All in all I would recommend you to see it, preferably on a rainy Sunday afternoon.