Ano Um

When Year One came out, I missed it in the theater. It didn't seem to last long. People didn't seem to receive it all that well either. Considering I'm not fond of either of the actors in the two main roles, I really wanted to see this film. When I finally got around to watching it, I now understand why it struck a chord with me.

Without ever claiming to be a tribute to Mel Brooks, that's exactly what it ended up as. If you liked History of the World Part One you will like Year One as our two cave men progress up through the early years of human civilization and culture, encountering various biblical figures and getting themselves in and out of various tight spots.

It was really a fun little film that I think most all fans of Mel Brooks would appreciate. It is as much a nod to JudeoChristian history as it also pans it. It is a nod to Mel Brooks without being a complete copy cat of Mr. Brooks. It is meant to be a romp and not a serious film.

People who brushed it off should give it a second chance and not try to over analyze or read to deep into it and just have a little fun. I gave it an 8, which is saying a lot from a person who doesn't like either lead.

OK first let's take a quick paragraph to analyze the history of successful comedy duos. There's Abbot & Costello: a simple-minded clown (Costello) and his more-intelligent, straitlaced keeper (Abbott). Then there's Martin & Lewis: another simple-minded clown (Lewis) and his more intelligent, suave keeper (Martin). Laurel & Hardy: same formula. Mork & Mindy, Laverne & Shirley, Ren & Stimpy, the list goes on. This successful pattern, with minor variations, repeats itself through the years. The clown is always kept in line by his/her more intelligent & responsible keeper.

Here we have a switcheroo. With Black & Cera, the idiot (Jack Black) is in charge, while the smart one (Cera) is taking orders. The dynamic, especially with the extreme opposite personalities of Black & Cera (outgoing vs. introverted), is a riot. Both are equally hilarious, and when they play off each other, it can be downright asphyxiating. I can't believe that this is the only film that features the two of them together like this, but that alone makes "Year One" worth running out to see.

Apparently critics haven't been kind to this movie. I've read the reviews on Rotten Tomatoes and almost all of the negatives harp on how this doesn't stand up to writer/director Harold Ramis's past hits like Caddyshack, Vacation, Ghostbusters, etc. So what? Beethoven's 9th symphony may not have been as powerful as his 5th but we still like it.

"Year One" delivers some great laughs, period. Beginning in what seems to be caveman times but quickly shifting into Old Testament Biblical times, it takes us on a wild romp through episodes of Cain & Abel, Abraham & Isaac, Sodom & Gomorrah, and a particularly boy-hungry high priest played by Oliver Platt (you will NEVER recognize him). Irreverent, yes. Funny, yes. Offensive, I doubt it. Not any more than "History of the World Part 1" or "Monty Python's Holy Grail". Definitely less biting than "Life of Brian". But it does pack some bite.

The story isn't particularly new, but it serves its purpose to serve as a vehicle for some witty gags. And again I must harp on the Black-Cera delivery that makes it work. Jack Black plays an inept, loud-mouthed hunter who is constantly coming up with stupid ideas that get them in big trouble. Cera plays a meek gatherer who follows along with everything, quietly trying to explain the idiocy of it all while being ignored. The comedy flows so naturally you'd think it was all improvised like in a Christopher Guest film. But I read in an interview that there wasn't much improv at all. Just a carefully planned script and excellent delivery.

The comedy is mostly family-friendly, but there are some adult innuendos and suggestive gags that may cross the line on occasion. If you & your family feel comfortable laughing about circumcisions, then hey no problem.

Although similar in theme, I would never compare "Year One" to "History of the World" or "Holy Grail". Instead, the comedy reminds me more of "The Rocker" (with Rainn Wilson playing a washed-up 80s metal drummer trying to survive in a band today) or maybe even "Men in Black", odd as that may seem.

There are rumors that Black & Cera may have parts in Ramis's upcoming "Ghostbusters III", and if so I'll definitely run out and see it. Until then, "Year One" remains your only chance to experience this one-of-a-kind matchup. Don't miss out.

I don't understand why some people dismiss this movie as stupid. Isn't that what comedy is usually about. Aristotle himself says that comedy should deal with the "ridiculous". The part where Black's character Zed eats the forbidden fruit of the tree of knowledge and within seconds feels himself "more intelligenter", is hilarious. He starts ruminating like a philosopher and comes to the conclusion that "everything is just so weeeird". Of course, all this is for comic purpose. So who are more stupid? The makers of the movie who make such scenes in a comedy, which being low brow is not really to be taken seriously, just enjoyed. Or the ones in real life who actually read about such a tree and believe it to be true. It's a comedy. Just enjoy it for laughs.

This is nowhere as bad as some are making out - it has touches of Python and a lot of Mel Brooks - it is pretty lazy in places with too much adlibbing - at least I hope it was adlibbing...

But this is pretty good entertainment - and it's not really about cavemen - it's about the Old Testament set mainly in Sodom - and it is kind of like Life of Brian - though clearly not in the same class.

One can understand why marketers don't want problems with an upset congregation, but at the end of the day this works pretty well as both broad comedy and a gentle satire.

Considering that I was expecting a total donkey with a side order of turkey this was pretty much a fun film - and no where near as bad as I'd heard. Can be watched without loss of brain cells...

"Just wait right there. I'll be right back to cut your pen*ses"

Harold Ramis' final film before he passed away in 2014. May his soul rest in peace. His works will continue to inspire and make people happy.