Simplesmente Feliz

Having read some critiques to the extent that this was a film about a naive, childish woman who refused to take life seriously, I was hesitant whether I'd be able to bear this movie.

Luckily, it turned out to be one of the most entertaining cinema experiences since quite a long time.

Poppy isn't the person refusing to become an adult which her misanthropic driving instructor Scott accuses her to be. Our time indeed seems to bring about such people but they could hardly be more different than this lovely young woman. The first scene, with the girls drunk and chatting nonsense, is perhaps a bit misleading on this issue. (In fact, several people left the cinema during this scene, seemingly annoyed of all the giggling.) Rather, Poppy is wise and strong, trying to see the positive in everyone and everything. Humour, and sometimes benign derision, are her ways of keeping sulkiness out of her life. But, as everyone with a heart should feel, that is a gift, not a deficit. What damage can it cause to have a nice word or a smile for your fellow humans? On the other hand, she doesn't shut her eyes on the sad sides of life, such as a traumatized homeless man or a boy beaten by his mother's new partner, and one understands that she is deeply sad about not being able to help Scott, even if she would have had every reason to simply hate him for his bad temper, his racism and his stalking.

The director has done a superb job with this production; it is packed with intelligent, witty dialogs and convincingly drawn characters.

Our world needs a lot more people like Poppy, or at least -- if they don't possess her strength and optimism -- people who are sympathetic with her values instead of feeling threatened by humaneness. Yes, life is difficult and often sad, so let's tackle it with a smile!

In this latest movie from Mike Leigh we are introduced to the very sweet Poppy. Poppy is a teacher, a good laugh, a bit of a loon and a really annoying person all rolled into one but try as you might you won't hold that against her. She is an unexpectedly cute cross between Michaela Strachan and Frank Spencer. Thankfully, there's no beret but there are plenty of knockabout gags which, when coupled with Poppy's infectious giggling and quick asides, had the audience laughing along quite genuinely. Characters come and go throughout the movie with an especially good performance from Stanley Townsend, but it's Eddie Marsan who gives the stand out performance in the movie with his darkly obsessive narratives and non sequiturs which expose his sinister persona. The rest of the cast are also splendid, they all fit in just right to make this a very watchable and enjoyable movie. Even the two dimensional characters have good aspects for which they are easily forgiven. I wouldn't hesitate in recommending people to this movie, my only complaint being that it was over too soon. I could have watched how the characters developed for another day or two and I guess that's down to the fascination with the ordinary which Mike Leigh builds into his films.

Dear Readers, please see the movie before voting whether or not a review is helpful.

"Happy-Go-Lucky" (HGL) is being marketed as a lively comedy, in the vain of "Amelie," which is a far superior film that should be rented instead of seeing HGL (a search for Amelie at IMDb will bring up a review). HGL made me and my fiancée sad and annoyed that we had wasted two hours of our lives watching this dreck.

HGL is a film about several sad and miserable people and an annoying, overly-optimistic Poppy who sees the world though rose-colored-glasses no matter the problem or danger. Poppy come across as a lunatic surrounded by boring characters. No one in HGL does anything to endear themselves to any of the other characters or for that matter to the audience. Poppy may be "Happy" but her happiness is not infectious, and she does nothing that brings any joy into the film world or our world.

HGL has few laughs and fails as a comedy; it also fails as a drama about sad and miserable people.

Please consider the environment before printing this review. For more eco-tips, try a Google search for TreeHugger.

Happy-Go-Lucky has been reviewed in the British press as a relatively lightweight Mike Leigh movie, but I'm not so sure. The story revolves around Sally Hawkins' remarkable performance as primary school teacher Poppy Cross, a highly unusual character in that Hawkins and Leigh between them manage to make her consistently cheerful and optimistic without being either naive or irritating. Poppy is presented as both relentlessly cheery and, on another level, remarkably intuitive; throughout the film, she has a series of encounters with troubled male figures (a boy in her class who has started bullying, a very strange homeless Irishman and, above all, her phenomenally uptight driving instructor Scott) and in all of them, Poppy's liveliness and friendly curiosity about other people is seen to be a powerful counter to male self-pity, anger and despair.

Hawkins' character is not someone who is inclined to let life get her down, so it's just as well that she is surrounded by people with a somewhat more sardonic or downbeat take on reality. Her flatmate Zoe (Alexis Zegerman, very good) is a wonderfully dry and sarky counter to Poppy's enthusiasm, although the affection between them is palpable. Poppy's younger sisters Suzy and Helen are also quite different; Suzy is a law student who is more interested in clubbing, drinking and playing with her brother-in-law's Playstation than in criminal justice, while Helen is heavily pregnant, obsessed with acquiring the trappings of a respectable suburban life and unable to understand how her older sister can be so happy living in a rented flat and not stepping onto the property ladder.

The big surprise for me is that I had been led to believe that this is a more or less straightforward feelgood film. It isn't. Scott, Poppy's driving teacher (Eddie Marsan), is the most affecting character in it, and one of the greatest and most unforgettable characters in Leigh's oeuvre. Most of the reviews I've read of the film depict Scott as a hateful, sinister or otherwise despicable character, but although it's true that he is an uptight, judgmental, angry bigot, it is also perfectly clear from his first appearance that he doesn't know what he's talking about and that he is driven by emotional problems that he hasn't even begun to get a handle on. Marsan's extraordinary performance is one of the best things I've seen on film for a long time. Scott has been afflicted with very bad teeth and a mild speech defect (he can't really say the letter 'r') and although his inner anger and bigotry is played for laughs for a lot of the film, in the end it is allowed to blossom forth in a riveting scene where his fury, jealousy and terror of his own darkness spill forth in a heartbreaking and riveting torrent. If part of the point of art is to help us to understand people we would otherwise have little sympathy with, then this film is a work of art. I've never seen Marsan before but he deserves awards for this movie, no question.

Happy-Go-Lucky is a highly enjoyable and often very funny film, but it also carries terrible sadness. I have never been a massive fan of Mike Leigh, but lately I have to admit that I was wrong. He just seems to get better and better.

This film is about a London school teacher who is constantly happy, and even childish.

I was hoping "Happy Go Lucky" would at least be a feel good happy movie. With this expectation, I was devastatingly disappointed by what I saw. Poppy is a person who does not take anything seriously. Instead of being cute and comical, she comes across as being very annoying and even offensively stupid at times. She and her friends engage in tireless and pointless conversations, making the whole film really boring. The driving instructor is unlikeable as he is uptight and rigid, but his scenes are the comparatively most captivating out of the whole film.

I don't see the reason for the rave reviews for this film. It's ever so boring and irritating.