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IMDbPro

Tales from the Script

  • 2009
  • Not Rated
  • 1 h 45 min
AVALIAÇÃO DA IMDb
7,1/10
1,6 mil
SUA AVALIAÇÃO
Tales from the Script (2009)
Trailer for this documentary about screenwriters
Reproduzir trailer2:24
2 vídeos
4 fotos
Documentário

Adicionar um enredo no seu idiomaWar stories and life lessons from the industry's top writers.War stories and life lessons from the industry's top writers.War stories and life lessons from the industry's top writers.

  • Direção
    • Peter Hanson
  • Roteiristas
    • Peter Hanson
    • Paul Robert Herman
  • Artistas
    • Allison Anders
    • Jane Anderson
    • Doug Atchison
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,1/10
    1,6 mil
    SUA AVALIAÇÃO
    • Direção
      • Peter Hanson
    • Roteiristas
      • Peter Hanson
      • Paul Robert Herman
    • Artistas
      • Allison Anders
      • Jane Anderson
      • Doug Atchison
    • 9Avaliações de usuários
    • 28Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos2

    Tales From The Script
    Trailer 2:24
    Tales From The Script
    Tales from the Script
    Trailer 2:24
    Tales from the Script
    Tales from the Script
    Trailer 2:24
    Tales from the Script

    Fotos3

    Ver pôster
    Ver pôster
    Ver pôster

    Elenco principal46

    Editar
    Allison Anders
    Allison Anders
    • Self
    Jane Anderson
    Jane Anderson
    • Self
    Doug Atchison
    Doug Atchison
    • Self
    John August
    John August
    • Self
    Shane Black
    Shane Black
    • Self
    John Brancato
    • Self
    • (as John D. Brancato)
    John Carpenter
    John Carpenter
    • Self
    Larry Cohen
    Larry Cohen
    • Self
    Frank Darabont
    Frank Darabont
    • Self
    Steven E. de Souza
    Steven E. de Souza
    • Self
    Gerald Di Pego
    Gerald Di Pego
    • Self
    Mark Fergus
    Mark Fergus
    • Self
    Antwone Fisher
    Antwone Fisher
    • Self
    Naomi Foner
    Naomi Foner
    • Self
    Joe Forte
    Joe Forte
    • Self
    Josh Friedman
    • Self
    Mick Garris
    Mick Garris
    • Self
    William Goldman
    William Goldman
    • Self
    • Direção
      • Peter Hanson
    • Roteiristas
      • Peter Hanson
      • Paul Robert Herman
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários9

    7,11.5K
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    Avaliações em destaque

    tedg

    Religion

    I've been very lucky in finding these strangely structured documentaries.

    Here is a film about writing films. We luckily encounter a large number of screenwriters, some of whom I admire a great deal.

    We have a quick shuffle among them, with the assembly being quite a bit more coherent and engaging than staying. This by itself is a remarkable effect. Almost all of these people are master storytellers and they are speaking about something they have examined thoroughly. Each has their own narrative they have created about who they are and how they fit into the machinery of this collaborative art. They assume that what they have honed will be fascinating to us.

    But it isn't. It simply isn't. We learn that writing is hard, the business is brutal. You and your art get no respect. It is often unbearable and some accomplished writers simply graduate out of the role. None of these storytellers do much other than decorate these complaints. It becomes obvious early in the game that this is still interesting to watch because the filmmaker jumps around, composing his own narrative out of these interviews. No one bit is kept longer than a minute or so. It is a masterpiece of composition, editing and just plain deep listening.

    It is a folded story that says in two ways that the writer is the beginning of the adventure, the generator of first ideas, but is not the filmmaker.

    So that's all good. Don't expect a single phrase about writing itself. This is all about the business, the selling and the commerce. There are some people here that I really would like to know better. I did not and this will frustrate you too.

    Ted's Evaluation -- 2 of 3: Has some interesting elements.
    Red_Identity

    Must-see

    I've been interested in screen writing for some time now. I've written a few short scripts and taking a screen writing class, and this film is sort of a combination of all the things you've always heard but non-stop in pace. This means that while none of this is all that new, it hits you full-motion and it kinda puts everything into a larger perspective. This is a tough business after all! It's fun seeing screenwriters of films you've seen talk about their experiences (especially Frank Darabont on the ending to The Mist, and John Carpenter). In a way, it's downbeat but also optimistic by the end. This is definitely recommended for pretty much anyone interested in screen writing
    8planktonrules

    Film critics and aspiring screenwriters need to see this one...

    "Tales From the Script" is a documentary that probably won't excite the average viewer. However, if you have notions of one day becoming a screenwriter or you like to do film criticism, then it's a must-see picture. It is very simple in style and simply consists of a lot of screenwriters talking to the camera--telling their anecdotes, advice and experiences. Much of it is very interesting--again, at least to screenwriters and critics.

    The documentary also gave me a lot to think about as well since I spend an awful lot of my time critiquing movies...and often criticizing the quality of the screenplays (this is often the worst part of a film). What I learned is that so little of what you see on screen is what was in the original script. There are many re-writes (often dozens)--and LOTS of changes insisted upon by practically everyone but the gaffers and grips! First, the producers and directors want their say--and since screenwriters are about as low on the food chain as you can get, these folks get a lot of say. Next, when the actors read through the scripts, they also have tons of suggestions--and if they are very famous and have a lot of star power, these changes WILL be made. But that's not all-- you also have committees of studio execs, junior execs and junior junior execs who also want to make changes. One of the interviewees said that in some of her films, only about 20% of what you see in the final picture was her original script!! So, I certainly will be sure to be a bit kinder--perhaps being sure to criticize the final script not the screenwriter.

    In addition to learning about this process, the film also talks about how tough it is to make a living screen writing, how originality is often frowned upon and, surprisingly, how being famous for a blockbuster or receiving an Oscar does NOT make the writer necessarily that much more marketable. It's all very interesting...and very depressing for young filmmakers. But it's not all depressing--the DVD has tons of extras. Some of these are things that were edited out of the film due to time but some is great material--such as a special extra where they have specific advice for a budding screenwriter. Well worth seeing even if it is NOT especially cinematic or exciting (plus the music really is pretty cheap and awful). For the right audience, this is a brilliantly insightful and satisfying film. And, if you want to see it, it's available through Netflix or Amazon.
    7skepticskeptical

    4000 reasons not to become a professional screenwriter

    Tales from the Script is a long series of short clips from interviews with successful screenwriters who reveal what most every artist already knew: if you want to be true to your vision, you must stick to noncollaborative art, and if you are looking to be paid for your art, you had better be ready to compromise.

    Screenwriters are writers, but they can earn potentially much more money than solo writers. So the price they pay is having to deal with all of the people in the industry whose only reason for being there is to earn money. They also have to deal with the big egos of directors, producers, and actors. Judging by the anecdotes described in this film, screenwriters are a rather masochistic lot, who despite being psychologically abused by people who have no idea how to write, continue on because, on balance, they have decided that the alternative would be worse.

    In addition to all of the interview excerpts with a wide range of screenwriters, short scenes from a variety of films which self-referentially treat the topic are also included. I had no idea that there were so many Hollywood movies with screenwriting as a theme!
    10nrfair

    The MUST-SEE movie for screenwriters.

    Thought this was a great movie and by far the most comprehensive thing i've seen on the subject. For us struggling writers out here in LA, it gives us hope, but also shows us that its not that easy and reminds us that it takes a lot of work and a lot of rejection.

    A great film for any of those out there with an interest in Hollywood, screen writing, the industry, or just people chasing a dream.

    I really enjoyed the amount of personal accounts from so many of the screenwriters, just documenting how the process literally casts a shadow over the writer and gives them very little credit.

    I'm sure it will at least be self-distributed, but I am going to guess that this will be picked up soon. What a gem!

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    Enredo

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    • Citações

      John D. Brancato: 'Always sit on the couch,' that's my advice to wannabe writers when they get in there. Don't take the big chair. Let the producer or the director take that.

    • Conexões
      Features No Silêncio da Noite (1950)

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    Detalhes

    Editar
    • Data de lançamento
      • 10 de janeiro de 2009 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Central de atendimento oficial
      • Official site
    • Idioma
      • Inglês
    • Também conhecido como
      • Pass! Screenwriters on Surviving Hollywood Rejection
    • Locações de filme
      • Los Angeles, Califórnia, EUA
    • Empresas de produção
      • Grand River Films
      • Jade Tiger Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 7.535
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 1.938
      • 14 de mar. de 2010
    • Faturamento bruto mundial
      • US$ 7.535
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 45 min(105 min)
    • Cor
      • Color

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