Best Sellers

Best Sellers won't disappoint much people. There's a captivating story, sometimes sentimental, sometimes funny, and some good actors. For the funny parts it was mostly due to the character of Ellen Wong, for the sentimental parts the difficult relarionship between Michael Caine and Aubrey Plaza. Ellen Wong had a smaller part but was funny. Michael Caine (already 88 years old) still has it. Audrey Plaza in a slightly different role that we're normally used of did okay. I can't say I was bored by this movie, on the contrary it's an engaging story easy to follow. Best Sellers isn't a fast paced action movie, it's rather slow, a lot of conversations, but they all add something to the emotional story.

Best Sellers is a great feel-good movie and a fitting ending to a legendary career. The film follows Aubrey Plaza, who is a young struggling publisher. In order to save her company, she seeks outs Michael Caine, a cranky, retired author who is still under contract. Supposedly this is going to be Sr. Michael Caine's final film, and while anything is possible, it certainly feels likes the end of an era. And while this probably won't go down as his greatest movie, he still gives an amazing and emotional performance. Aubrey Plaza, who I feel like you never know what you are going to get from her, also does a fantastic job with what she is given to work with. ITs not a perfect film, but the two main actors have great chemistry, and they really make you care about the characters. I would give it a watch for Michael Caine alone.

A struggling publisher accompanies a cranky old author on his final book tour. Stars Michael Caine and Aubrey Plaza.

Decent performances in this comedy drama but the plot is not strong enough to make this more than a mediocre film.

There are a couple interesting plot twists but overall it's not that moving or indeed that entertaining.

Agency rights are truly a personal perspective and market gamble. When a publishing house releases a book and markets it, it's essentially endorsing the author's values. This mirrors the world of agency rights in the marketplace, where you're betting on the value and impact of a product and how well it aligns with consumers through the supply chain. In the movie, there isn't much emphasis on why Lucy Stanbridge took such a gamble on Harris Shaw or if she was simply left with no choice but to trust the contract her father left behind. However, as depicted in the trailer, it becomes evident that it's only through experiencing the ups and downs together that partners can build trust and have unwavering faith that Harris Shaw can indeed write a good book. The film, in essence, is a light-hearted take on the subject.

Lucy Stanbridge (Aubrey Plaza) is struggling to maintain her book publishing father's legacy. Her books are being skewered by critics and Jack Sinclair (Scott Speedman) is trying to buy her out. She and her assistant Rachel Spence (Ellen Wong) discover an old contract with legendary writer Harris Shaw (Michael Caine). Harris wrote a groundbreaking blockbuster with her father but nothing more. In the contract, he owes the company one more book and she forces the sickly drunken writer to do a book tour.

The first half is trying to be a slightly comedic road trip with Plaza doing Plaza. It's a bit uneven and clunky. It's not until Aubrey throws up into the bowl that the movie finds its heart. The second half is much better for it. I'm not sure if this is a realistic book publishing world but at least, the movie is trying. One does need to stick with this movie for awhile before it gets good.