A Banda

Eran Kolirin is a name to watch out for. This film maker is simply brilliant. In the band's visit he tells a quite simple story, but not without pulling a trick here and there and believe me, he's not a one trick pony. Actor performances are subdued and very truthful making the movie a story of unpersued dreams that goes straight to the heart. It's warm melancholy mood never gets heavy or painful cause it's countered so wittily with scenes that make you smile from ear to ear. To top it all off there's well chosen music, honest photography and clever camera direction. The Band's visit tells of a classic mix-up, but without ever being cheap.

As a dedicated husband of a BAFTA voting member, we trawl through 100+ DVD's at this time of year. The Hollywood movies all blur into muchness, but then this film comes along without any fancy marketing blurb, no fancy box, just a DVD in a plastic sleeve. We put it in and said we would give it 10 minutes, and spent the next 100 minutes or so spellbound and laughing our socks off! The acting was simply wonderful, the comic situations and timing were redolent of "The Office", and the political analogies were intriguing, The soundtrack was the best of any 2007 movie imho. It gets our nomination for Best Film, Best Direction, Best Editing, Best Soundtrack, with further nominations for the "Dina" and "Tewfiq" actors plus a vote for others in the band in the supporting actor category.

Try to see it if you can!

In an ocean of predictable movies, "The Band's Visit" is an island of bliss. When you see the advertising about the story of an Egyptian police band getting lost in Israel, you're likely to roll the film instantly in your mind - conflict, hatred, perhaps some awkward humor, and a forced bit or two of vague optimism about the future.

Forget all that, it's some other movie. This one is free and clear of anything set, routine, obvious, predictable. "The Band's Visit" is about people - mostly awkward, all real, well- and ill-behaved in turn - and not about agenda, ideology, politics. It's an unsentimental "people movie" (remember when Hollywood used to churn those out?), enormously likable, a treasurehouse of humanism.

"Visit" is also a film you have to work with. It's not dumped on the audience in its fullness by its writer and (first-time) director, Eran Kolirin. Action is slow or nonexistent, dialogue is halting, silences are rampant. And yet it all works so well: even if you have never heard Egyptian music, when the band finally plays (as the end-credits roll), you're guaranteed to groove on it.

Kolirin is a writer and director of great economy. The characters of and relationships between the eight band members - in their powder blue, Sgt. Pepper-wannabe, uniforms are revealed through a word here, an expression there, and pretty soon, you really know them... except that later you realize you didn't.

The head of the band, Tewfig, is an officious, prissy, downcast, silent figure, and yet as the camera stays on him a great deal of the time, slowly you are getting used to him, and when he finally puts together a couple of full sentences, you may feel acceptance and even appreciation.

It is at this point, far into the movie, that you understand why Dina is pursuing him. Dina is the attractive - if blowsy - owner of a small cafe in the Israeli desert town where the band is stranded. There is much, much more to "Visit," but just watching the Tewfig-Dina story, and reveling in the performances of the two actors, is well worth the price of admission.

The band leader is Sasson Gabal, and I must admit being incredulous finding out after seeing the movie that he is a famous Israeli actor. Not only does he appear authentically Egyptian, but when starts singing an Arabic song - oy! Dina is Ronit Elkabetz, an actor so fine that you'd never suspect her of being one; what you see on the screen is the character, totally believable.

"Visit" is a rare film, one that keeps running in your mind long after the band strikes up.

Greetings again from the darkness. Stellar film from rising star, Israeli filmmaker Eran Kolirin. This film offers the beautifully delivered message that regardless of our culture, we all want to be connected to another person. Other than the language we speak, we really aren't so dissimilar.

The Egyptian Police Orchestra is stranded on their way to play at the opening of an Arab Culture Center. The language barrier causes them to be stuck in a one-horse town with a similar type name. What follows is a touching story and terrific film-making. So much is communicated with so few words.

There are three of four amazing scenes. My favorite is probably the funniest in the film. At the roller rink, one of the band members assists an awkward local with the proper technique in consoling a girl whose feelings he has hurt. It is funny and touching and moving and insightful all at once. The band leader's scenes with Dena, the beautiful and lonely restaurateur who takes the band in for the evening, are so emotional and sincere that I kept wanting to scream at them both! Just great stuff.

I look forward to more from Eran Kolirin and it is very sad that this film was disqualified in the Foreign Language category due to the determination that too much English was used. Still, it doesn't change the fact that this is a terrific movie and story.

I liked this movie. As a viewer, I was subjected to a wide range of emotions during this film: joy, frustration, embarrassment, delight and so on.

One must understand that Israel and Egypt had been long time enemies (until the peace agreement in 1979) and that Israeli Jews and Arabs have very different views on so many matters. Within this context the humanity of the film really shines. People of such different backgrounds are basically the same; Same hopes and aspirations, same fears and frustrations etc. The same things make all of us tick.

This film is also about strangers and others. And how we can help one another. The scene with Haled and the Israeli boy and girl in the skating rink is, my opinion, classic.

enjoy