A Banda

I liked this movie. As a viewer, I was subjected to a wide range of emotions during this film: joy, frustration, embarrassment, delight and so on.

One must understand that Israel and Egypt had been long time enemies (until the peace agreement in 1979) and that Israeli Jews and Arabs have very different views on so many matters. Within this context the humanity of the film really shines. People of such different backgrounds are basically the same; Same hopes and aspirations, same fears and frustrations etc. The same things make all of us tick.

This film is also about strangers and others. And how we can help one another. The scene with Haled and the Israeli boy and girl in the skating rink is, my opinion, classic.

enjoy

A movie that should be getting lot more press.

Enjoyable and bit quirky to see the kinds of situations people get into, that are much like we may experience anywhere else in the world.

Others have laid out the plot well and nothing more needs to be said about how the story develops.

I found two scene in this movie the kind that one must remember, rather like the many one may recall from Bogart in Casablanca.

The exchange at the phone and the scenes at the skating rink are precious and very well acted.

This is a movie I recommend seeing and then putting into memory to come back and see again and again just for the pure pleasure of a well developed comedy.

Eran Kolirin is a name to watch out for. This film maker is simply brilliant. In the band's visit he tells a quite simple story, but not without pulling a trick here and there and believe me, he's not a one trick pony. Actor performances are subdued and very truthful making the movie a story of unpersued dreams that goes straight to the heart. It's warm melancholy mood never gets heavy or painful cause it's countered so wittily with scenes that make you smile from ear to ear. To top it all off there's well chosen music, honest photography and clever camera direction. The Band's visit tells of a classic mix-up, but without ever being cheap.

The band, an group of eight Egyptians looking slightly stilted and uncomfortable but always professional, are dropped off at the Israeli airport, but there is no bus to drive them. They eventually get one, but it drops them off in the middle of nowhere. They walk to a local restaurant/dive that's about as empty as the rest of the small town - it's the wrong town, of course, as one letter was off in the name of the town of the band-mates inquired about. So it's time to stay overnight in this sleepy little desert town before things get straightened out to their destination.

With that simple premise, Eran Kolirin creates an atmosphere that seems like the awkward, piercingly funny but "low-key" (in other words not overly dramatic) characters in a Jarmusch film, and despite the 'small' nature of the story, that there isn't very much to go in its 80 minute running time, a lot can be explored through interaction. This is probably not a 'great' film, but it is a great example for those skeptical that an Israeli film has to have some political context or subtext or whatever. The only scene that has the hint of unease between Israel and Arab is an already warm, strange scene at a dinner table where an Israeli man recollects singing "Summertime" as everyone at the table joins in. There are looks exchanged here and there, but nothing to suggest unrest of the expected sort. This story could take place in just about anywhere.

By aiming things towards the little details of people relating on terms of friendly interaction, of the light dances of affection like between the boy who "hears the sea" and the "gloomy girl" at the skating rink (probably the single funniest scene without a word spoken, all movement), the first-time director creates a little play on people who live and/or work in a marginalized part of the world. That doesn't mean they're poor or ignorant, far from it. But it's a sweet view into people we otherwise wouldn't know much about (after all, who makes light, wise comedies on the misadventures of a police band from Egypt?) The performances are endearing, the music has the ring of not taking much too seriously, and melodrama is kept at a low (if not, in the underlying sense, melancholy). Only a few scenes (like the running story strand of the officer and the other guy waiting at the pay phone) fall sort of flat based on the tone already sent.

Greetings again from the darkness. Stellar film from rising star, Israeli filmmaker Eran Kolirin. This film offers the beautifully delivered message that regardless of our culture, we all want to be connected to another person. Other than the language we speak, we really aren't so dissimilar.

The Egyptian Police Orchestra is stranded on their way to play at the opening of an Arab Culture Center. The language barrier causes them to be stuck in a one-horse town with a similar type name. What follows is a touching story and terrific film-making. So much is communicated with so few words.

There are three of four amazing scenes. My favorite is probably the funniest in the film. At the roller rink, one of the band members assists an awkward local with the proper technique in consoling a girl whose feelings he has hurt. It is funny and touching and moving and insightful all at once. The band leader's scenes with Dena, the beautiful and lonely restaurateur who takes the band in for the evening, are so emotional and sincere that I kept wanting to scream at them both! Just great stuff.

I look forward to more from Eran Kolirin and it is very sad that this film was disqualified in the Foreign Language category due to the determination that too much English was used. Still, it doesn't change the fact that this is a terrific movie and story.