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4 Meses, 3 Semanas e 2 Dias

Título original: 4 luni, 3 saptamâni si 2 zile
  • 2007
  • 14
  • 1 h 53 min
AVALIAÇÃO DA IMDb
7,9/10
65 mil
SUA AVALIAÇÃO
Anamaria Marinca and Laura Vasiliu in 4 Meses, 3 Semanas e 2 Dias (2007)
4 Months, 3 Weeks & 2 Days Trailer
Reproduzir trailer1:49
1 vídeo
90 fotos
Period DramaPsychological DramaTragedyDrama

Uma mulher ajuda sua amiga a organizar um aborto ilegal na década de 1980 na Romênia.Uma mulher ajuda sua amiga a organizar um aborto ilegal na década de 1980 na Romênia.Uma mulher ajuda sua amiga a organizar um aborto ilegal na década de 1980 na Romênia.

  • Direção
    • Cristian Mungiu
  • Roteirista
    • Cristian Mungiu
  • Artistas
    • Anamaria Marinca
    • Laura Vasiliu
    • Vlad Ivanov
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,9/10
    65 mil
    SUA AVALIAÇÃO
    • Direção
      • Cristian Mungiu
    • Roteirista
      • Cristian Mungiu
    • Artistas
      • Anamaria Marinca
      • Laura Vasiliu
      • Vlad Ivanov
    • 203Avaliações de usuários
    • 121Avaliações da crítica
    • 97Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 41 vitórias e 59 indicações no total

    Vídeos1

    4 Months, 3 Weeks & 2 Days
    Trailer 1:49
    4 Months, 3 Weeks & 2 Days

    Fotos90

    Ver pôster
    Ver pôster
    Ver pôster
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    + 85
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    Elenco principal36

    Editar
    Anamaria Marinca
    Anamaria Marinca
    • Otilia Mihartescu
    Laura Vasiliu
    Laura Vasiliu
    • Gabita Dragut
    Vlad Ivanov
    Vlad Ivanov
    • Viorel Bebe
    Alexandru Potocean
    Alexandru Potocean
    • Adi Radu
    • (as Alex Potocean)
    Luminita Gheorghiu
    Luminita Gheorghiu
    • Gina Radu
    Adi Carauleanu
    • Dr. Radu
    Liliana Mocanu
    • Unireal Hotel Receptionist
    Tania Popa
    • Night Receptionist
    Teodor Corban
    Teodor Corban
    • Unireal Hotel Receptionist
    • (as Teo Corban)
    Cerasela Iosifescu
    • Tineretului Hotel Receptionist
    Doru Ana
    Doru Ana
    • Benzanirul
    Eugenia Bosânceanu
    • Viorel Bebe's Mother
    Ion Sapdaru
    • Dr. Rusu
    • (as Ioan Sapdaru)
    Cristina Burbuz
    • Marie-Jeanne Rusu
    • (as Cristina Buburuz)
    Marioara Sterian
    • Adela Racoviceanu
    Emil Coseru
    • Dr. Racoviceanu
    Georgeta Paduraru Burdujan
    • Mrs. Aldea
    Geo Dobre
    • Dr. Aldea
    • Direção
      • Cristian Mungiu
    • Roteirista
      • Cristian Mungiu
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários203

    7,964.8K
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    Avaliações em destaque

    9loco_73

    Less is sometimes better...

    A visceral and emotionally draining experience. Those are not typical superlatives one usually conjures while commenting on a movie, yet in this case I dare use such a characterization as a positive rendering of what I felt when watching this film.

    The spartan and minimalist style of the movie only adds to its potency. Though many might find it jarring to sit through, I can only hope that people will have the patience and resolve to watch this brilliant example of movie making. If you invest your time and emotions in this one, you will not be disappointed.

    The acting, camera work, cinematography are of the highest quality, especially given the budgetary restrictions and scarcity of available resources.This movie is yet more ample proof that one does not necessarily need a 200 million dollar budget to make a great film. Creativity and originality can add untold dimensions to any physical limitations and barriers.

    All in all a great "little" movie about a forgotten slice of history, a little known place and, a time of horrifying brutality and oppression i.e. the so-called Golden Age (epoca de aur), Romania and Nicolae Ceausescu. This movie, "4 luni, 3 saptamani si 2 zile/4 Months, 3 Weeks and 2 Days" is the first installment in a proposed trilogy entitled "Amintiri din epoca de aur/Tales From The Golden Age".

    I'm looking forward to the next chapters...
    8gsygsy

    don't miss it

    Excellent, engrossing movie. Shot, as far as I could tell, with one skillfully deployed camera, every composition had to have that camera perfectly placed. It's no mean achievement to have risen to this challenge so well. There's one scene in particular, set at a birthday dinner, which is breathtakingly well done with the camera static and the actors brilliantly positioned around it, managing in spite of this limitation to not only give all the necessary information, but also to do so with the maximum emotional intensity.

    The subject matter doesn't make for comfortable viewing. But it is essential to engage with it. This film tackles it head on. Don't miss it.
    8come2whereimfrom

    Brutal but brilliant film-making.

    Winner of last years Palme d'Or this Romanian film set in the eighties and is a cross between Richard Linklater's 2001 film 'Tape', in that the majority of the action takes place in one room between three central characters and Mike Leigh's 2004 film 'Vera Drake' in that its central theme is illegal abortion. It is a film about the human condition, trust, betrayal, the extremes people have to go to sometimes and the consequences that follow certain actions. It has two great performances from the college roommates Otilia and Gabita from their introduction to us as they make plans for a trip through to the grizzly outcome that concludes the film. The setting is grim and the bleached out film stock adds to the jittery camera work and gives an uneasy feeling throughout, instantly you are transported to a time where people barter with tic tacs, cigarettes and powdered milk and the promise of sugar is a dream to many and a reality to only a few. Gabita's predicament and subsequent journey both physically and mentally are what drives the film but its shown mainly through the eyes of her friend and roommate Otilia who as well as making and carrying out the arrangements has to make some startling sacrifices and ones that she will have memory of forever, as will you the audience long after the film has finished. Although not an easy watch and considering the subject matter not something you can say you 'enjoyed' it is none the less a brilliant piece of film-making, subtle and emotive with very real character studies. A brutal in your face look at a bleak time in history, how a leader destroyed the economy of a country and what that did to everyday life and a reminder of how far behind the rest of us Eastern Europe was before the fall of the Iron curtain and particularly Romania before the Revolution of 1989.
    9dromasca

    the end of the transition for Romanian cinema

    Cristian Mungiu's film is the most successful in what is called the Romanian Cinama New Wave, although it's not the very best in my opinion. I liked more 'The Death of Dante Lazarescu', and even 'California Dreamin' (Nesfarsit') had better chances from start. And yet '4-3-2' succeeded better than other because it vibrates different chords in the viewers souls and on different planes. Women will resonate with the story of the imposed tragedy at a personal and national level resulted from the anti-abortion policies in Communist Romania, and one cannot say it's only a pro-choice movie, it's a real indictment. If one is interested in recent European history he may see the results of what communist propaganda named the Golden Age, an apocalyptic landscape of cold, dark and loneliness. If you are Romanian and lived these times you may feel you returned in time and the end of the movie may seem the awakening from a recurring nightmare.

    And if you are a fan of good cinema you will admire the virtuosity of a director who learned perfectly the lessons of Jim Jarmusch and DOGMA and transfered them in the East European space. You need the hand of a master to create those those long shots in which every detail is in place, camera, actors, lights and voices. I see from time to time older Romanian movies where I observe not that much the lack of technical means in the 70s or 80s, but more the lack of capacity of the directors to compensate this disadvantages with simplicity of concept and turn them into quality as other directors from less privileged schools of cinema have done. Well, the last films of directors like Mungiu or the late Nemescu I could see a jump ahead in quality of expression that takes many generations for other film schools.

    There are many memorable scenes in this film. One of them describes a family dinner, where the principal character, a student from a lesser means family arrives invited by her boyfriend. It's his mother's birthday, and they have as guests two couples of friends from the local mid-upper class. The scene is a nine minute shot with fixed camera, focusing on four characters sited at the head of the table, with a few others voices being heard from out of the screen space. She is in the middle, and obliged to listen and participate, but she wants to be some other place, near her friend who just underwent an illegal abortion. Every minute may be fatal for the life of her friend. The dialog is not meaningless, it is a short novella on its own about the art of compromise necessary for survival in a dictatorship. And yet, she is there and is not there - all looks like a Da Vinci painting, with Jesus sited among the apostles, but already in a different spiritual reality. Magnificent to follow as its character has its own life, its like a concatenation of first plans one near the other.

    In another memorable scene Otilia runs in the night to get rid of the aborted child. It's one of these long and cold nights into which Romania was plunged at these times because of electricity savings. She runs on the streets scared, scared not that much by the shades of the night but by the proof of the 'crime' she is carrying and which can incriminate her for many years of jail if she is caught. Best horror scene of the year in my view.

    Anamaria Marinca is superb in the role of Otilia. No mannerism, no melodrama, no make-up - the actress is just living the character of a girl ready to sacrifice everything to help her naive and maybe a little dumb friend. It is by this humanity of the simple people that dictatorship can be survived at the human level the film seems to say.

    '4-3-2' is a candidate for the best foreign film at the Oscars, but I am afraid it will not get the prize. The film starts slowly and needs patience to get the sense, and many jurors may not get over the first third. The interest for East-European cinema is decreasing, it's not such a new thing any longer, and Romanian cinema is little known out of Europe. Anyway, Oscar or not, this film is simply good, and it demonstrates that the Romanian cinema passed the period of transition and it's time for maturity. It's now even harder, as Romanian directors will need to find the inspiration to make films that do not look that much into the past but still can catch the interest of the local and international audiences. It will be interesting to follow.
    9Michael Fargo

    Splendid performances in a taut, harrowing film

    Chritian Mungiu delivers one of the finer suspense films in the past few years. Set in Ceausescu's grim murderous police state, I was reminded of Polanski's shocker "Repulsion" albeit without the Gothic thrills. It's a loaded subject matter of abortion that sets the scene, but we aren't asked to take sides in someones polemic. The nightmare that unfolds is probably played out often, and that's the movie's genius. We identify quickly with the dilemma even though the bureaucratic maze the characters have to bribe and finagle there way through is in extreme.

    The smallest details are accurate and riveting, from the possibly dire consequences of not paying a bus fare to eavesdropping on a conversation between a mother and her son that's suddenly interrupted by the sound of gun shot, the protagonist here (and what a courageous beauty she turns out to be) has nerves of steel that any action hero would envy.

    It's our loss that this may be the only time we get to see Anamarie Marinca perform. She's nearly in every shot in the film and her unsteady conviction to her friend who is seeking an abortion is mesmerizing to watch. Her foil, Laura Vasiliu, is maddeningly dense and just as effective as the girl who's so lost in her dilemma that you can't tell if her judgment is impaired by her predicament or she's simple-minded. It's a touching performance that's also infuriating because of the dangers she sets in motion all around her.

    The mise en scene here is one of a master. Midway through the film, there's a stunning set piece where Marinca and her boyfriend are full screen at a party, the camera never moves and they don't speak a word while adults chatter all around them while only occasionally hands enter the frame. The tension that results is almost unbearable when a telephone rings off in the distance, and Marinca is unable to move to find out if it's a desperate call for help...or simply someone calling to wish Happy Birthday.

    There are many, many such fine moments in this movie. It shows that horror isn't necessarily the boogie man or a creature from outer space. It can be of our own making, both individually and by the government that rules us.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      At the beginning of the film, the students buy cigarettes, soap, and birth control pills on the black market. In 1967, in an effort to increase the dwindling population, the Romanian government issued Decree 770, which banned contraceptives as well as abortion.
    • Erros de gravação
      When at the dinner table, Adi's mother claims to have gotten blue Easter eggs by mixing yellow dye with green dye. Blue is a primary color and cannot be obtained from mixing any other colors. (Green, however, can be obtained by mixing blue and yellow.)
    • Citações

      Otilia: [subtitled version] We're never going to talk about this, okay?

    • Conexões
      Featured in Siskel & Ebert & the Movies: The Best of 2007 (2007)
    • Trilhas sonoras
      Fata din vis
      Music and lyrics by Paul Ciuci

      Performed by Compact

    Principais escolhas

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    Perguntas frequentes31

    • How long is 4 Months, 3 Weeks and 2 Days?Fornecido pela Alexa
    • What is "4 Months, 3 Weeks and 2 Days" about?
    • Is "4 Months, 3 Weeks and 2 Days" based on a book?
    • In what year is this movie set?

    Detalhes

    Editar
    • Data de lançamento
      • 25 de janeiro de 2008 (Brasil)
    • Países de origem
      • Romênia
      • Países Baixos
    • Idioma
      • Romeno
    • Também conhecido como
      • 4 Months, 3 Weeks and 2 Days
    • Locações de filme
      • Ploiesti, Romênia
    • Empresas de produção
      • Mobra Films
      • Centrul National al Cinematografiei (CNC)
      • Mindshare Media
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • € 590.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 1.198.208
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 51.712
      • 27 de jan. de 2008
    • Faturamento bruto mundial
      • US$ 10.174.839
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 53 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 2.35 : 1

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