Wolke 9

"Wolke 9" German film title for 'Cloud 9'. The subject may not be so novel, it's about love and marriage, or you might say relationship 101 revisited. Yet the aspect of falling in love afresh for a woman at 67, discovering her erogenous zones and feelings with a new beau of 76 and thereafter certainly made us open our eyes and care for the persons involved. What does one do back at home with the husband of 30 years of marriage? What is the husband like? She tries to fight it as social norm expects, but this falling in love again feeling is irresistible. It's enchanting passion. It's an opportunity to take a look at what's really happening to one's stage in life at hand. And is the 76-year old lover worth the 'trouble' - what is he like? And we are also introduced to the daughter - what does she thinks of her mother's secret?

Director Andreas Dresen, who co-wrote the screenplay with three other writers, has given us a natural happenstance of love affairs, exceptional in the sense that the story exclusively revolves around 'older' maturing-age people - a theme seldom seen on screen. It's heartening to be able to appreciate the straightforward approach to the love-making scenes that are intimately explicit, accepting the anatomy of matured bodies, wrinkled or soft. Any nudity scenario is not at all gratuitous but simply befitting to what's happening at the particular moment of the 'storyline'.

Inge, our 67 year old heroine of the story, is portrayed with impressive naturalness and emotional depth by Ursula Werner - best actress awards well-deserved. Karl, the refreshing energy source for Inge, is remarkably played with vitality by Horst Westphal - yes, we want to go cycling, swimming, attend racing events and run in the rain with him. Werner, the husband, is played restrainedly effective by Horst Rehlberg, demonstrating how listless his life has become, in spite of occasional cuddling affection in bed with Inge, spending time with grandchildren, visiting his father at convalescent home, even listening to 'choo-choo' train are just dull routines that raise no smile. He does seem so tired - of life? Inge's affair probably makes his head hurt - does he have to make extra effort to enjoy life?

The story centrally revolves around Inge, hence besides the emotional ups and downs, we get to follow her going about with daily activities, including the added touch of belonging to a women's church choir, participating in rehearsals and singing songs together - comfortable camaraderie detected. (In the press kit - available on Cannes 2008 online under "Cloud 9" page* - director Dresen's comments are included, and he mentioned that it was Ursula Werner who suggested the 'choir' aspect of Inge's life.) 'Cloud 9' is worthwhile viewing and highly recommended.

Films by association: I recall the Brazilian film by Marcos Bernstein, "The Other Side of the Street" 2004, contains a tender exchange scene between two older persons making love (Fernanda Montenegro as Regina and Raul Cortez as Camargo) which was sensitively delivered unabashed. Paul Cox's film "Innocence" 2000, with Julia Blake as Claire and Charles Tingwell as Andreas, also marvelously depicts a married woman falling in love again in her 'later years' - not an impossible or improbable scenario at all.

* Cannes Festival - Festival Archives - 2008 - Selections - 'Un Certain Regard' - Wolke 9

Andreas Dresen has given us the most memorable movie in a long time. Great actors in front of a patient camera that either stands still to let action evolve or focuses on the faces. There is hardly any dialog in the first half of the film, character development occurs through the camera. It's the cinematic language that brings to mind Mike Leigh's films. As to the buzz about "old sex" - it's true, Mr. Dresen has broken into new realms showing elderly people making love good and proper, with lots of detail but never once overstepping limits of good taste. This movie concerns every one of us. Especially those over 60 will come out of the show and not be able to stop talking about it for hours, as it happened in Buenos Aires when strangers started lively discussions while walking out into the bright late afternoon. Don't miss it! It will shake you, but not break you, and certainly stay with you for a long time.

I was disappointed by this movie. The meaning in German Wolke 9 or Cloud nine means that a person is full of happiness through being in love and passion with another person, hence sailing on Cloud 9. I don't argue that this could not happen to a well mature couple, but it was lacking in this movie. From an aesthete point of view it was not necessary to show closes ups of the aged bodies. I remember the movie Cocoon, which had a lot more sense, action and humor, also relating to older couples that enjoy or rediscover love and passion. Even the few spoken dialogs were motionless. I believe that the story had more potential than it showed. Well, just my opinion.

A beautifully acted film that captures intimate feelings between people without unnecessary noise or clutter. Precise in its execution of scenes, the story takes the viewer through intimate moments between people and how aging can strengthen the passions, rather that diminish them as popular culture would have us believe. Whilst on the outside, the characters are "your average pensioners", on the inside they harbor deep, unfulfilled wells of desire which aging can only enhance. As one character Karl says: "I don't how long I have left" and at 76, he's making the most of it. And why not? We see in detail the attachments and separations unfolding between the three main characters in the excellent acting of the cast.

This film gives hope to us all as we age, that we will still be loved and desired, that sex can be in some ways more fulfilling and relationships less angst-ridden. But also that the cost of these things may well be higher as we have to let go of long-term habits and beliefs that have given us security and predictability. And that is the hardest thing to do in the seventh decade of life, an intense dilemma indeed which this film beautifully portrays.

This may be a good film. I have not the faintest idea in terms of how it develops beyond the first half hour, as that is all I could take before I feared that terminal boredom would get me for sure and I put on my recording of "Destry rides again" (James Stewart/Marlene Dietrich) to bring me back to life! I have heard that watching paint dry can be tiresome, but I found this, with its interminable panning shots and mumbled dialogue, the equivalent of listening to someone watching paint dry! No thanks/life's too short (as I presume was "the message" of this rambling cinematic outing????)Why DO so many German films have to be such stodgy, indigestible, s - l - o - w affairs? "Run, Lola, run" proves beyond the slightest doubt that they do not have to be!