Coco Antes de Chanel

I watched this film for two reasons--I like French films and I like Audry Tautou. However, about midway through the movie I realized that I just didn't care all that much about what I was watching. Perhaps you'll have a different reaction.

After being dumped at an orphanage with her sister by their indifferent father, the film jumps ahead 15 years. The two sisters are now singing in a dive--with hopes of getting out and getting a gig at a nicer venue. However, when the sister falls in love with some rich guy, the act falls apart. Soon afterwords, Coco herself moves in with another rich guy and becomes his lover--though why he would want such a dour and indifferent person was a major question that plagued me. In fact, ALL of Tautou's performance confused me, as she almost always seemed depressing to be with--yet, people oddly were drawn to her. It was almost like she was sleepwalking through life. In addition, it was very, very difficult to connect with not only her but anyone in the film--a severe deficit to the film unless there was more action and suspense. Unfortunately, there was almost none. In fact, where there clearly must have been some energy or excitement...there was still none. And, what irritated me most is that although a huge portion of the film took place during WWI, the war was not mentioned or even alluded to even once. You'd think that a war that resulted in at least 11 million deaths and the destruction of a third of France would at get a mention! And, after meeting her second lover (with which she spent nine years), you get the impression that he died only months later. As a result of this style of film making, the context for EVERYTHING is missing--and it's even worse at the end of the film where Coco appears to have aged very little--yet many of the models around her are dressed in clothing from decades in the future.

Unlikable characters and poor/confusing history make this a rather tedious film. Mildly interesting, but not much more...and it certainly SHOULD have been more engaging.

I love Chanel. I can't actually afford the clothes, but that won't stop me from liking them. Just like reading one or two bad reviews didn't stop me from wanting to see 'Coco Avant Chanel'.

The first part of the movie seemed very promising. It didn't take me long to like Coco's character, and everything seemed to have a reasonable pace. Then the movie zooms in on Coco's relationship with 'Boy' and you keep hoping things get interesting, but they don't.

I spent most of the movie admiring the wonderful atmosphere while the lovebirds exchanged meaningful looks. I would have liked this movie more if it paid more attention to things like Coco's hat shop, rather than a relationship of which we all know the ending anyway.

The best thing about this movie is the wonderful atmosphere, but if you don't like slow romance you can skip this one.

It may be a subject that will not automatically appeal to many. However, this movie is certainly worth watching.

Audrey Tautou, complete with all the mannerisms and dark looks of Coco Chanel, plays a magnificent role. We start of at the miserable beginning of Gabrielle Chanel's life, in an orphanage. It quickly becomes clear that this is not the story about some high-society woman who got bored and decided to make clothes in a style that was unheard of at that time, even for people who don't know anything about the life of Coco Chanel. We see her, slowly but surely, clawing her way up in society, using her charm and wit, but most of all: her outspokenness, always telling what she thinks.

Cinematographically, this film is outstanding too. Throughout the film, certain elements of clothing (black and white patterns, stripes, men's shirts) are shown through an unclear lens, to point out that even the most early views of Coco on fashion were incorporated in her style later.

This film is not just a story about Coco's success, it's also about her struggle to fit in in a society that differed so much from her own opinions, about her losses and heartaches. All in all, we get a complete picture of the icon that is still loved and admired today.

What do you want in a foreign period film? Beautiful locations? Check. Class struggle? Check. Subtitles? Check. All that's missing is urgency.

Coco Chanel is a French legend. The designer of the ground-breaking haute couture style, creator of the huge fashion brand Chanel, and a forward-thinker in terms of women's independence. Chanel is a complex and dynamic personality. Makes me want to see a movie called "Coco During Chanel". But "Coco Before Chanel"? Not so much.

Audrey Tautou does a commendable job of playing Chanel in her early years (and looks a lot like Chanel in the movie's later scenes). Adding complications to the idea is the fact that there is little known about Chanel's youth, and what is known often has conflicting stories. But be prepared, what does happen in "Coco Before Chanel", happens slowly. This, in a movie that portrays the French elite as people with crazy money, outlandish parties and a constant desire to quench their boredom. I desired the same.

Although she often denied it, Chanel was brought to an orphanage early in life (this was denied mainly to prevent preconceptions of her as an undesirable). The film sharply cuts to late teens/early twenties Coco (real name, Gabrielle), singing with her sister in clubs to make a buck. It was the plight of women in the 1890s to find a man or fear being lost in society. Coco's sister was beholden to a man for thirty years, and he FINALLY married her after his parents died so he wouldn't have to explain to them that he married an orphan (for shame!). This assnine mentality is certainly worth rebelling against, but Coco remains passive for too much of the movie. She is taken in by a wild playboy named Balsan (expertly played by Benoit Poelvoorde) and is mistreated by him for years. Chanel wants to answer to no man and wants to design clothes that avoid the feathers and corset that alter a woman's natural body. But again, this is done with little dramatic flair and many, many pages of slow-moving script. Coco came off as a little too inert for a little too long.

This movie is the first of the late-year potential Oscar nominees. Tautou's performance is a maybe, but the costume design is a sure thing, and rightfully so. The Chanel style is famous, they have to nail it, and they did, while also building gorgeous period outfits for the rich, end-of-century French culture and a few military outfits as well.

The score by Alexandre Desplat does a lot to enhance a few of the scenes, and the cinematography is lush. I want to give a special nod to Alessandro Nivola, who's very good here and very good in everything, but the guy doesn't appear in enough high-profile stuff. He sits very comfortably in the French language here and smolders in some of his more romantic moments like a poor man's Ralph Fiennes.

A traumatic event late in the film propels Coco to launch into her designing full speed. That moment felt a little rushed and the whole ending follows suit. What I wanted at the end was the "Coco During Chanel" movie to start, so, then, that could be kind of a success for the film? But remember, I wanted "Coco During Chanel" going in, so really, the whole 'before' story just felt like slow filler. Frills, perhaps? Padding?

Overall, I liked this movie. Technically, it is a well made film, and well acted. I enjoyed watching it and recommend it for a good entertaining film.

However, I just want to say that the film is not always that factual, at times. I would recommend reading a biography of Chanel (such as "The Gospel According to Chanel") to get a more realistic idea of her life.

This film has some fact, but also includes some idealized fantasy of her, which makes for good storytelling for a film. The film is good; the factual part, not so much.

The film shows Chanel as very skilled sewing and as a skilled pattern maker - but I believe in real life she was not that skilled; she could sew straight seams, but not necessarily intricate tailoring; she was more the creative genius with the fashion vision; she hired the skilled seamstresses and hired someone to make the patterns from her ideas and her rougher designs.

This film does cover the early part of Coco Chanel's life - up to about the beginning World War I. And in fact, it was because of the start of WWI in 1914-18, that Chanel got her big break in designing fashion - but the film does not include that historical background.

(As an aside, I think that a film would not have been made to cover her whole life, because during World War II, Chanel did live in Paris with a Nazi lover for a few years - and the whole part of her WWII years is usually hushed up. She then later lived in exile in Switzerland after the war with her ex-Nazi lover. So, they would not want to have included this unpopular part of her life in a big budget film, as it would be too controversial.)