Stars at Noon

I get that Claire Denis may have meant well, socio-politically speaking, to have adapted this story, but I'm afraid her adaptation totally falls short of doing justice to the actual text. In my opinion, the author's intention was to portray a revolution taking place via the narrative of an affair between two characters (even unnamed, as they were that insignificant to the whole point of the book) While Denis's version recounts a tryst, with a revolution taking place in the farthest background. Despite Margaret Qualley's strong performance, the magnificent score written by Denis' long-time collaborator Tindersticks, as well as the somewhat documentary-style cinematography, the film failed at convincing me as an audience to care about either the characters or the nation acting as extras.

Seems most of the reviewers missed the point of this film. Or perhaps they've seen/ read the previous material it's based on and had some expectations. I came upon this film without any knowledge of prior material or expectations.

This little film is great as an exploration of how human attraction and bonding works.... when it's put into an accelerating circumstances of life threatening situation. And as a look at sudden intimacy, even codependency, between the "last two people on earth" (well not really, but there's that feel to it) it's actually achieves a lot of depth and freshness, probably because the director is a European woman.

However I can see how some could expect something else from it. The director almost completely disregarded a coherent explanation of what's really going on in the country that puts them in danger. Like yeah the main male character is doing something shady or that's what CIA wants you to think, during tough tumultuous times in a Central American country and gets in trouble for it, but that's practically it. Perhaps she felt it's not important because that's not what she's focusing on, and perhaps if she had focused more on that the film would be more of "casserole" lol and that would not necessarily work or help... But I must agree with some reviewers that the way it's presented now in the film it kind of does give off colonial or even white European/ American colonial vibe. Like, times have changed since the 80s when the original came out (or was it the book that came out then? Not sure), and Americans and Western Europeans are not necessarily seen as the nice guys anymore, and she kind of tried to present too, but it fell flat somehow. Not sure why though... was it the fault of the source material that came out in the 80s or is it the result of Western European sense of elitism, even superiority that they still have? I can't quite put my finger on it yet.

Claire Denis once again delivers a film of nuance, sensuality, secrecy. We are treated to excellent performances by Ms. Qualley, & Mr. Alwyn. Supporting roles by Mr. Romano, Mr. Ramirez, & Mr. Safdie contribute well. This world is one of heat, sweat, ruins.

Our protagonists are desperate people. There is subterfuge. There is danger. There's sex. There are secrets. There's heat, in the air and in their touch.

Qualley is riveting. She's on the move. Desperation emanates from her skin. Her glib retorts belie the fear darting from her wide eyes. She is relentless in her ability to look for allies.

Alwyn is at first slow, measured, calm. Later, there's anxiety building within his edifice of control. He is abandoned. He is left.

These are two people caught up in circumstances beyond their control. Each has lost their moorings. Needing each other, yet hesitant to fully trust. They are in their own singular world for which they are ill equipped & poorly prepared.

Sex brings comfort; momentary perhaps, yet with a sense of intimacy and security. They are thrown together on the run.

Denis creates a milieu of darkness, where one cannot see well. Then there cracks letting streaks of light in. Could it be love?

Unlikeable characters and cast.

Possibly would have been better with different lead actors?

Script seemed poor, and situations unbelievable.

But hey, you may like it? But it wasn't for me.

The talented Claire Denis fails to move the plot or character fast enough to maintain your interest in this languid tale of people thrown together during times of civil conflict in Nicaragua.

This may have worked if a Soderbergh or some suchlike would have gotten hold of the story but this just meanders along.

Why is there so much of Qualley naked? I get it that she is a 'hooker with a heart of gold' but why is an American prostitute in Nicaragua during a civil war?

The problem is the pacing which doesn't drive the story along considering its an actioner about a 2 'lovers' trying to flee a war zone even though US/Nicaraguan forces conspire to stop them.