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IMDbPro

Suspíria: A Dança do Medo

Título original: Suspiria
  • 2018
  • 16
  • 2 h 32 min
AVALIAÇÃO DA IMDb
6,7/10
101 mil
SUA AVALIAÇÃO
POPULARIDADE
1.865
144
Suspíria: A Dança do Medo (2018)
A darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.
Reproduzir trailer2:25
26 vídeos
99+ fotos
Psychological HorrorSupernatural HorrorWitch HorrorDramaFantasyHorrorMysteryThriller

Uma escuridão gira no centro de uma companhia de dança de renome mundial, e englobará o diretor artístico, uma ambiciosa jovem bailarina e uma psicoterapeuta moribunda. Alguns vão sucumbir a... Ler tudoUma escuridão gira no centro de uma companhia de dança de renome mundial, e englobará o diretor artístico, uma ambiciosa jovem bailarina e uma psicoterapeuta moribunda. Alguns vão sucumbir ao pesadelo. Outros finalmente vão acordar.Uma escuridão gira no centro de uma companhia de dança de renome mundial, e englobará o diretor artístico, uma ambiciosa jovem bailarina e uma psicoterapeuta moribunda. Alguns vão sucumbir ao pesadelo. Outros finalmente vão acordar.

  • Direção
    • Luca Guadagnino
  • Roteiristas
    • Dario Argento
    • Daria Nicolodi
    • David Kajganich
  • Artistas
    • Chloë Grace Moretz
    • Tilda Swinton
    • Doris Hick
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,7/10
    101 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    1.865
    144
    • Direção
      • Luca Guadagnino
    • Roteiristas
      • Dario Argento
      • Daria Nicolodi
      • David Kajganich
    • Artistas
      • Chloë Grace Moretz
      • Tilda Swinton
      • Doris Hick
    • 786Avaliações de usuários
    • 379Avaliações da crítica
    • 64Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 28 vitórias e 75 indicações no total

    Vídeos26

    Official Trailer
    Trailer 2:25
    Official Trailer
    Teaser
    Trailer 1:30
    Teaser
    Teaser
    Trailer 1:30
    Teaser
    All About Mia Goth
    Clip 1:25
    All About Mia Goth
    Director Hanna Bergholm on the Films That Inspired 'Hatching'
    Clip 3:08
    Director Hanna Bergholm on the Films That Inspired 'Hatching'
    "You're in a Company Now"
    Clip 1:22
    "You're in a Company Now"
    A Guide to the Films of Luca Guadagnino
    Clip 5:06
    A Guide to the Films of Luca Guadagnino

    Fotos562

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 557
    Ver pôster

    Elenco principal41

    Editar
    Chloë Grace Moretz
    Chloë Grace Moretz
    • Patricia
    Tilda Swinton
    Tilda Swinton
    • Dr. Klemperer
    • (as Lutz Ebersdorf)
    • …
    Doris Hick
    • Frau Sesame
    Malgorzata Bela
    Malgorzata Bela
    • Susie's Mother
    • (as Malgosia Bela)
    • …
    Dakota Johnson
    Dakota Johnson
    • Susie
    Angela Winkler
    Angela Winkler
    • Miss Tanner
    Vanda Capriolo
    • Alberta
    Alek Wek
    Alek Wek
    • Miss Millius
    Jessica Batut
    • Miss Mandel
    Elena Fokina
    Elena Fokina
    • Olga
    Mia Goth
    Mia Goth
    • Sara
    Clémentine Houdart
    • Miss Boutaher
    • (as Clementine Houdart)
    Ingrid Caven
    Ingrid Caven
    • Miss Vendegast
    Sylvie Testud
    Sylvie Testud
    • Miss Griffith
    Fabrizia Sacchi
    Fabrizia Sacchi
    • Pavla
    Brigitte Cuvelier
    • Miss Kaplitt
    Renée Soutendijk
    Renée Soutendijk
    • Miss Huller
    Christine Leboutte
    • Miss Balfour
    • Direção
      • Luca Guadagnino
    • Roteiristas
      • Dario Argento
      • Daria Nicolodi
      • David Kajganich
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários786

    6,7100.5K
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    Resumo

    Reviewers say 'Suspiria' is a divisive film with strong performances, particularly from Tilda Swinton and Dakota Johnson. Critics praise its ambitious themes, visual style, and haunting score by Thom Yorke. However, some find it overly long, convoluted, and lacking cohesion. The reimagining of the 1977 original is both celebrated and criticized. Modern dance and political contexts in 1970s Berlin are significant departures from the original.
    Gerado por IA a partir do texto das avaliações de usuários

    Avaliações em destaque

    6arcanjl

    Weird as...

    WTF just happened?? I still can't figure out if I hated this movie or loved it. It is strange as hell. I guess it is a remake, never saw the original, so I don't have any incite there. I liked the premise, but hated a lot about it, but freaking loved the ending... but it took 2.5 hours to get there! Way to freaking long, I can say that for sure. Also, NOT a fan of contemporary dance.
    7bvnisarga

    Arthouse Horror

    The original 'Suspiria' by Dario Argento was a treat for the senses. It was a visual masterpiece. This version of 'Suspiria' has no similarities with the original. It is more arthouse with a completely different tone. The atmosphere is sinister and eerie. The elaborately choreographed dance sequences are macabre and invoke a sense of dread. The movie is not outright scary like conventional horror but more along the lines of psychological horror. Also, Dakota Johnson's performance as Susie was quite good. At 2 hours 30 minutes, It is a lengthy movie but it is worth it.
    CinemaClown

    Too Long. Too Slow. And Too Far Up Its Own Ass.

    Gone is the exaggerated colour palette, the elaborate set pieces, the nightmarish soundtrack & the no-nonsense premise of the original. In fact, Luca Guadagnino's Suspiria departs from everything that made Dario Argento's horror classic unique, and is a dull, dismal & divisive remake that's exhausting, frustrating & one hell of a slog.

    Unlike the 1977 original, this one employs muted colours, shrivelled set design, slow-burn approach, hypnotic score & an unnecessarily drawn out narrative that piles one needless segment on top of another, resulting in an overlong flick that exceeds the original's length by a considerable margin, and will test the patience of most viewers.

    Aiming for more than a straightforward supernatural horror, Guadagnino retains the themes of the original but is more interested in exploring the political unrest of the depicted timeline, not because the plot calls for it but because he wants to. While some will admire his choice to not rehash the same story, others will argue that his reach far exceeds his grasp here.

    On the plus side, the eerie mood & foreboding aura never leaves the room, some kills are downright terrifying, the earthy tones do fit its depressing tone, that Volk dance sequence is truly a highlight, Make-up is top-notch, and Thom Yorke's score just fits. As for the performances, Tilda Swinton steals the show by taking the role of not one, not two but three different characters, and she excels at all of them.

    Overall, Suspiria does retain the original's title but everything about it is different. More a homage than a full-fledged remake, it is an abstract re-imagination that attempts to tackle themes & elements that it could've done without, and comes stuffed with an unwarranted subplot that's detrimental to the viewing experience. In short, Luca Guadagnino's Suspiria is too long, too slow & too far up its own ass.
    7kcmsterpce

    I respect that it DID ITS OWN THING as a remake

    Need another remake/reboot/reimagining of a classic horror movie that was effective because of the timing of its release... and deserves to keep its legendary status for the rest of time." Then I saw that it was 2.5 hours, and I was like "OMG, what?!" Then I watched it, and I was like "OMG, what?!" I think I'm going to watch it again, because I wasn't paying attention a lot of the time. However, this is one of those remakes/reboots/reimaginings that I respect. Why? Because it takes the CONCEPT of the original, and spins everything about, swirls and twirls it, then flips it up into itself, turning into a completely faithful representation of the term "REIMAGINING". I respect SUSPIRIA 2018. Granted, some of the makeup effects were pretty bad (especially the "old man", which I don't really think was necessary; and the silly makeup for one of the "old ladies" in the final act, which was worse). It is a little long in the tooth. It tries perhaps a little too hard to be artsy-fartsy... But it grabbed me. It pressed its filthy, dirty fingers on my windpipe in parts, and gently squeezed with wrathful intimacy. I felt dirty, yet couldn't help but feel enthralled in parts.

    I will say, though, that even if this movie was a complete FAILURE of a horror remake, I will gladly praise the fact that it tried to be its own thing. It wasn't a shameless ripoff. It really, truly IS a reimagining. We just don't get enough of those these days.
    8Xstal

    Dancing On Thin Ice...

    A dancing school is not what it presents, swinging back and forth charades with dark pretence, a coven of conspirators, necromancer choreographers, a malevolent and pernicious, dark presence. A young American enrols, and takes the floor, not too long before events suggests theirs more, than a spin, a twist or twirl, as performances unfurl, and disguises make surprises so much more.

    A colourful and vibrant tale of what lies beneath the surface, under the covers and behind closed doors in a German school of dancing, although once you start to peel away the flesh, you may find an abstract and occasionally complex undercurrent of themes that reflect how progressive the world, or at least parts of it, have become. Both Dakota Johnson and especially Tilda Swinton deliver top drawer performances.

    Director's Trademarks: The Films of Luca Guadagnino

    Director's Trademarks: The Films of Luca Guadagnino

    Suspiria director Luca Guadagnino takes IMDb through his approach to filmmaking, from longtime collaborator Tilda Swinton, to why he hopes he doesn't have a "style."
    Watch our guide to Luca's films
    Editorial Image
    5:06

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Dakota Johnson completed 2 years of ballet training in preparation for her role in this film.
    • Erros de gravação
      The film opens in West Berlin in 1977, with protesters chanting, among other things, "Free Meinhof!" However, Ulrike Meinhof was already dead by that point. She was found hanged in her prison cell a year earlier than the film is set, in May 1976.
    • Citações

      Dr. Josef Klemperer: Love and manipulation, they share houses very often. They are frequent bedfellows.

    • Cenas durante ou pós-créditos
      Just before the credits end, Susie reappears and makes a small gesture to the camera.
    • Conexões
      Featured in WatchMojo: Top 10 Best Horror Movies of 2018 (2018)
    • Trilhas sonoras
      Fairest of the Season
      Written by Jackson Browne and Gregory Copeland

      Performed by Chloë Grace Moretz

    Principais escolhas

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    Perguntas frequentes21

    • How long is Suspiria?Fornecido pela Alexa
    • How much of this movie is spoken in English?

    Detalhes

    Editar
    • Data de lançamento
      • 11 de abril de 2019 (Brasil)
    • Países de origem
      • Itália
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • Official Amazon (United States)
      • Official Facebook (Netherlands)
    • Idiomas
      • Inglês
      • Alemão
      • Francês
    • Também conhecido como
      • Suspiria: El maligno
    • Locações de filme
      • Grand Hotel Campo dei Fiori, Varese, Lombardia, Itália(Dance Academy)
    • Empresas de produção
      • Frenesy Film Company
      • Videa
      • First Sun
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 20.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 2.483.472
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 184.037
      • 28 de out. de 2018
    • Faturamento bruto mundial
      • US$ 7.956.877
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 32 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Atmos
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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