Suspíria: A Dança do Medo

Large groups of people seem to either be awed by this film or utterly revile it. I, however, am willing to go against the grain and take the middle ground. This is neither a masterpiece, nor is it a disaster.

It's a highly ambitious remake that attempts to weave political and artistic themes together into one cornucopia of fantasy-horror-historical expression, and unfortunately it only succeeds some of the time. Does this film bite off more than it can chew? One could argue that, but sometimes I'd rather a film try to do too much and partially fail than play it safe and thereby come out less memorable.

What tends to give this film more bite is its ferocious dance sequences. I can only imagine how much work went into that aspect of the filmmaking. There is also a wonderful recreation of the sterile bleakness of late 1970s Berlin back when the city was still divided during the Cold War. As far as performances go, there isn't a false note. Dakota Johnson gives a nuanced turn as an aspiring American dancer who comes to Berlin in 1977 to join a world-renowned dance company, which just might be dominated by a host of witches. Tilda Swinton gives an equally disquieting turn as one of the dance instructors. Chloe Moretz Grace turns out to be under-utilized.

Although some scenes don't feel as artistic as they could have been, this is still an arresting cinematic experience overall. Putting its inconsistency in execution aside as well as a seemingly winding conclusion, I recommend this film for those looking for something ambitious and off-the-wall.

Gone is the exaggerated colour palette, the elaborate set pieces, the nightmarish soundtrack & the no-nonsense premise of the original. In fact, Luca Guadagnino's Suspiria departs from everything that made Dario Argento's horror classic unique, and is a dull, dismal & divisive remake that's exhausting, frustrating & one hell of a slog.

Unlike the 1977 original, this one employs muted colours, shrivelled set design, slow-burn approach, hypnotic score & an unnecessarily drawn out narrative that piles one needless segment on top of another, resulting in an overlong flick that exceeds the original's length by a considerable margin, and will test the patience of most viewers.

Aiming for more than a straightforward supernatural horror, Guadagnino retains the themes of the original but is more interested in exploring the political unrest of the depicted timeline, not because the plot calls for it but because he wants to. While some will admire his choice to not rehash the same story, others will argue that his reach far exceeds his grasp here.

On the plus side, the eerie mood & foreboding aura never leaves the room, some kills are downright terrifying, the earthy tones do fit its depressing tone, that Volk dance sequence is truly a highlight, Make-up is top-notch, and Thom Yorke's score just fits. As for the performances, Tilda Swinton steals the show by taking the role of not one, not two but three different characters, and she excels at all of them.

Overall, Suspiria does retain the original's title but everything about it is different. More a homage than a full-fledged remake, it is an abstract re-imagination that attempts to tackle themes & elements that it could've done without, and comes stuffed with an unwarranted subplot that's detrimental to the viewing experience. In short, Luca Guadagnino's Suspiria is too long, too slow & too far up its own ass.

WTF just happened?? I still can't figure out if I hated this movie or loved it. It is strange as hell. I guess it is a remake, never saw the original, so I don't have any incite there. I liked the premise, but hated a lot about it, but freaking loved the ending... but it took 2.5 hours to get there! Way to freaking long, I can say that for sure. Also, NOT a fan of contemporary dance.

I cannot put my finger on it completely, but something is off with this movie and I don't like that I cannot give it a 9 since the acting was great. As always, Swinton can carry any movie single-handedly on her shoulders. And her doubling as the Doctor was unexpectedly good. Simply, I think the casting was great.

The writing, storytelling and maybe the editing seems to be decent but perhaps holding the film back a bit. So I'm unfamiliar with the historical backdrop of the film, but that's ok because I think there is enough gloom and doom feeling that I get the mood it's trying to set. But then all the flashbacks or sharp cuts to all these random pictures and scenes gets muddy. I get that maybe it was supposed to bring this elevated artistic thriller element but it failed because it was overused and just too random at times. The pacing was a bit slow as well or maybe it was the long runtime that made it feel like it was ongoing forever.

In all, I think it's a 6, but it could have been an easy 8 with at least better editing and shorter runtime.

The original 'Suspiria' by Dario Argento was a treat for the senses. It was a visual masterpiece. This version of 'Suspiria' has no similarities with the original. It is more arthouse with a completely different tone. The atmosphere is sinister and eerie. The elaborately choreographed dance sequences are macabre and invoke a sense of dread. The movie is not outright scary like conventional horror but more along the lines of psychological horror. Also, Dakota Johnson's performance as Susie was quite good. At 2 hours 30 minutes, It is a lengthy movie but it is worth it.