O Voo da Coruja

Mathilda May won a César for her role in this film made by Claude Chabrol in 1987. This is a remake, and it stars Julia Stiles in the role of Jenny. I have been in love with Stiles ever since The Bourne Identity, and, while she will not be as good as May, she is still Julia Stiles, and that's enough for me.

Robert's (Paddy Considine) marriage has failed, and his method of dealing with depression is to stalk Jenny, thinking she has a great relationship with her partner.

The tables get turned, and she begins stalking him. If that is not enough, her boyfriend Greg (James Gilbert) keeps trying to kick his arse. But, then he disappears, and Robert is under suspicion.

Twists and turns abound as Robert tries to figure out who is trying to kill him while everyone thinks he is a killer.

The owl cries a lot in the film. I'm just not impressed with Considine, and the ending was abrupt.

Paddy Considine as Robert Forrester is very good here. He is a man going through an at-fault divorce, Caroline Dhavernas is irritating as ex- wife Nikki. He relocates and changes jobs from New York City to get away from her and start over. He thinks.

The story of a hapless man, he tries to do his best but married to an albatross like Nicki who pokes fun at him at a divorce mediation, he eventually leaves NYC to find a fork in the road...he chooses a Northeast Pennsylvania town, where he works for Lavigne aeronautics and seems to settle.

He sort of stalks Julia Stiles "Jenny Thierault", by watching her for a month at her rural house, she seems happy in life and this gives him a semblance of hope for his own new life. Stiles is very good here as instead of rejecting Robert as unstable, as he is watching her from her backyard, she says "depression can crush you" and invites him for coffee. He takes this as empathy, and is surprised she is interested in him at this point.

As things develop we feel for Robert who is going through divorce and suddenly realizes his minor interest in Jenny, is (to Jenny at least ) a true romance. She appears to be a borderline personality, she understands depression, but also becomes attached too quickly to any man who appears. She dumps her brutish boyfriend (Greg Wyncoop) and begins to pursue Robert more vehemently. At first he hides, then submits to her for the physical benefit. Her girlfriend sees Jenny as needing protection, and warns Robert not to hurt her.

Robert knows, deep down it is wrong, but when he tries to confront Jenny after they spend a night together she starts making blueberry pancakes and telling Robert if she were to be on death row this is her favorite last meal, and she'd want to hear vintage Louis Armstrong.

The photography and foreshadowing is noteworthy here.The cry of the owl resounds one night they are in bed together and Jenny is jolted awake. It's nuanced, which may be why (unfortunately ), it was not as widely distributed. The minor suspense points here are similar to Hitchcock, and very rare in film made in Hollywood today, sadly.

This is an excellent suspense film. Even Julia Styles, who I rememberer from only a few previous performances, is perfect here as Jenny, attractive but lost, a winsome sad smile, and need for ...love or something more. Considine also, despite how he befalls the horrible fate, being wrongfully accused of murder etc., is sympathetic in that he is overcoming a breakdown (from his ex-wife goading him).

There is a twist I will not reveal which will make you want to read all of Patricia Highsmith's short stories. "The Cry of The Owl" is haunting and real. 10/10.

Coming from the viewpoint of a person who had neither heard of this movie or known of the novel, I was pleasantly surprised. The story in itself was cleverly presented by exceptional acting. This is not a Hollywood blockbuster by any means but was effective. The music and cinematography were nothing special but still feel like this complimented a compelling story. After watching I do feel like there were a few psychological undertones to this film that leave you with an uneasy feeling while watching. All of the characters were highly developed and nearing the end you will understand what I mean. For a movie many have never heard of, I would recommend it without a doubt.

THE CRY OF THE OWL is a tense, somewhat disjointed story with Kafkaesque overtones ('marked by surreal distortion and a sense of impending danger'): had the film been distributed with the information that it taken from a 1962 novel by Patricia Highsmith ('Strangers on a Train', 'The Talented Mr. Ripley' and the follow-up novels with that character, etc) it would have likely garnered a larger audience. It is a strange psychological thriller that slowly works its way under the viewer's skin. The screenplay was written by director Jamie Thaves who successfully captures Highsmith's extraordinary story.

Robert Forrester (Paddy Considine) is a troubled, depressed but decent young man who retreats from the big city and his ex-wife for the tranquility of a small town in Pennsylvania. For some not obvious reason he begins to night stalk a young woman Jenny Thierolf (Julia Stiles), gazing in the dark at the apparently happy Jenny alone in her secluded house. Jenny inadvertently befriends Robert despite the fact that Jenny is in a relationship with Greg Wyncoop (James Gilbert): Greg confronts Robert, a fight ensues and Robert flees after saving Greg from drowning in the river. In a twist of circumstances Jenny begins to stalk Robert, admitting that she has fallen in love with him, but Robert avoids her advances as he is still in the process of an ugly divorce with his wife Nickie (Caroline Dhavernas), a strange behaving woman who feeds on Robert's lack of self worth. When Greg goes missing Robert becomes the prime suspect. With the police on his case the 'crime' becomes threatening, and in typical Highsmith fashion, everything twists and turns at the end, creating a claustrophobic and irrational series of events until the story ends with some questions answered and others left hanging.

The actors are excellent and the cinematography by Luc Montpellier adds to the haunting creepiness of the film. Jeff Daniels' minimal music score underlines the tension. Before watching this film, remind your self that you are dealing with Patricia Highsmith's brand of mystery and the film will be more appreciated.

Grady Harp

Withholding in the best sense of the word.

I started watching this movie laying in bed and by the time I was nearing the end all my blankets were twisted one way or another. And I admit, I did not even know this was from the guy who did The Talented Mr. Ripley, which I would probably have given a 6.5/7 after seeing in theaters.

This was an incredibly refreshing approach to a thriller. The settings subdued and passive, set up from the opening scene. The score was never Hitchcock, in that notion of action/suspense/surprise follows ominous cords. The cast all held something back that I couldn't quite place my finger on but by the time the credits rolled, wow... what a job they did.

The only thing I would say to those reading this-- If you like your standard Hollywood movies go ahead and pass on this (nothing is spoon fed). But if you enjoy those parts of a good novel that compel you to keep reading, then this movie will surely please.

I know the review is a bit vague, but watch this movie... If my words mislead you then feel free to come back and thumbs down me 2x.