AVALIAÇÃO DA IMDb
5,7/10
30 mil
SUA AVALIAÇÃO
Depois de um trágico acidente de carro na Grécia, o turista americano Beckett se envolve em uma perigosa conspiração política e precisa lutar para salvar a própria vida.Depois de um trágico acidente de carro na Grécia, o turista americano Beckett se envolve em uma perigosa conspiração política e precisa lutar para salvar a própria vida.Depois de um trágico acidente de carro na Grécia, o turista americano Beckett se envolve em uma perigosa conspiração política e precisa lutar para salvar a própria vida.
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Avaliações em destaque
I thought that the filming was incredible. Great shots and great edits. The story was the typical chase and crime thriller. Compared to other recent films, I thought this story had more depth to it than say Without Remorse. I enjoyed that the plot focused on the character rather than the detailed politics. It kept it more relatable. Really a pleasure to watch and just enough details to keep you interested. There was realistic violence versus the over the top.
I liked the thrill and suspense of this film, but didn't like the unlikely and unconvincing plot.
This movie was not for John David Washington, they should have cast someone else. The acting was generally really bad, I felt nothing for the characters and I also didn't connect with the story. The Characters who are seemingly "in-love" had no chemistry between them. The camera work and editing were the biggest let down, some of the shots were out of focus....not artistically out of focus, like incompetent DP out of focus. Editing department should have cut those out. Some scenes were shot like it was a low budget student film. This movie was hard to watch because the overall quality was really poor.
As a thriller, Beckett is a dull primer on the genre, employing every trope, gimmick, and theme ever, all in one action plot so predictable as to be risible. In addition, it is so indebted to moving the plot favorably for the titular protagonist (John David Washington) that its coincidences exceed logic.
Beckett and April (Alicia Vikander-underused) are blissfully vacationing in Greece ("I think I'm having a love attack," he says-yikes for the dialogue) when their auto plows at dark into a home that just happens to be the hideout for conservatives who have kidnapped a little boy, the son of a prominent politically left candidate. Such an improbability kickstarts the plot that has the thugs tracking Beckett and nothing else.
At several points that Beckett escapes, we can be assured that he will survive because of his extraordinary good luck in doing so. Each set piece of his escapes also seems disjointed enough from the main plot that it could exist outside of this film, albeit some are well executed if not fabulous.
Because of his ability to get out of each tough spot, I have forgotten most of them; all I know is that Beckett cannot be stopped, despite multiple wounds. The people along the way who help him are not as lucky.
Washington is durable if not a bland, a stoic face that accompanied him when he was chased in Tenet as well. Vikander remains one of the best actresses of her time even if she's gone early from Beckett when she is unfortunately delivered by her lover's sleepy driving. Lena (Vicky Krieps) is a rebel who helps him along the way to seeking refuge from his pursuers in the American embassy, another wasted talent.
As for who represents what in the political part of the film, I haven't a clue except that the candidate at the rally seems to be more liberal than the organization pursuing Beckett. Netflix is the home of this disappointing thriller-even during pandemic time, I can't recommend it.
Beckett and April (Alicia Vikander-underused) are blissfully vacationing in Greece ("I think I'm having a love attack," he says-yikes for the dialogue) when their auto plows at dark into a home that just happens to be the hideout for conservatives who have kidnapped a little boy, the son of a prominent politically left candidate. Such an improbability kickstarts the plot that has the thugs tracking Beckett and nothing else.
At several points that Beckett escapes, we can be assured that he will survive because of his extraordinary good luck in doing so. Each set piece of his escapes also seems disjointed enough from the main plot that it could exist outside of this film, albeit some are well executed if not fabulous.
Because of his ability to get out of each tough spot, I have forgotten most of them; all I know is that Beckett cannot be stopped, despite multiple wounds. The people along the way who help him are not as lucky.
Washington is durable if not a bland, a stoic face that accompanied him when he was chased in Tenet as well. Vikander remains one of the best actresses of her time even if she's gone early from Beckett when she is unfortunately delivered by her lover's sleepy driving. Lena (Vicky Krieps) is a rebel who helps him along the way to seeking refuge from his pursuers in the American embassy, another wasted talent.
As for who represents what in the political part of the film, I haven't a clue except that the candidate at the rally seems to be more liberal than the organization pursuing Beckett. Netflix is the home of this disappointing thriller-even during pandemic time, I can't recommend it.
Remember this is a movie. For that there are things that are heightened. I for one thought it is interesting having some villain shadow ... whatever operate in Greece. Also our main character here is no superhero. He won't Bourne his way out of things ... he has to rely on luck (and some shoody writing on the bad guys part too of course).
Having said all that, bonus points for shooting in Greece (evident on many occasions and just a small little detail like the plastic water bottle being used during a car drive almost at the beginning is one testament of that) ... and having many talk in Greek. Which our main character does not understand at all.
You could argue that he puts a lot of lives in danger of the folk who are so willing and eager to help. But there is not time to think about small things like that ... the movie has a pace that seems relentless and never stopping.
Works out pretty fine at the first half of the movie, gets a bit dragging towards the beginning of the second part. And as stated above the villains seem especially ... well light minded? Is that politically correct way of putting it? Whatever the case, this is a rock solid thriller, which is not an indicator how your next vacation (in Greece or elsewhere in Europe) will go down.
Having said all that, bonus points for shooting in Greece (evident on many occasions and just a small little detail like the plastic water bottle being used during a car drive almost at the beginning is one testament of that) ... and having many talk in Greek. Which our main character does not understand at all.
You could argue that he puts a lot of lives in danger of the folk who are so willing and eager to help. But there is not time to think about small things like that ... the movie has a pace that seems relentless and never stopping.
Works out pretty fine at the first half of the movie, gets a bit dragging towards the beginning of the second part. And as stated above the villains seem especially ... well light minded? Is that politically correct way of putting it? Whatever the case, this is a rock solid thriller, which is not an indicator how your next vacation (in Greece or elsewhere in Europe) will go down.
Você sabia?
- CuriosidadesOriginally titled 'Born to be Murdered' and set for traditional theatrical release before the distribution rights were acquired by Netflix and the title changed to 'Beckett'.
- Erros de gravaçãoGreek uniformed police officers are not allowed to have a beard.
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Born to Be Murdered
- Locações de filme
- Atenas, Grécia(location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 50 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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