Ovo

Being a film school graduate sometimes blinds my perception. i try to shut the negative part of my brain. but if the first 10 minutes is empty i start catching the bad. Even though the opening scene was a hint of a bad movie I forced my self to finish Yumurta. the second scene in the bookshop was a mystery. i guess there was a story. but the long shots are so boring you get disconected. i read the synopsis after watching it. Even then the movie didn't make any sense. you cant expect us to understand you story if you don't tell it. It looked like there was no script just minutes of still photos. So, don't waste your time with this one. Don't let the awards trick you. This is part of a trilogy. the next one is Sut (Milk). i haven't seen it yet but i heard it tops this one.

Egg is one of those films which can be called either boring or meditative, depending on which end of the spectrum you are at. The first scene itself should separate these two disparate groups. A woman walks past a murky landscape in towards the camera and then walks out. It is a terribly slow scene. As the film moves forward you get a clearer understanding of that scene and it appears as a very important part of the experience.

The story follows a man who returns to his village after his mother dies. He has been so long away that he doesn't know the girl who looked after his mother. He is eager to get away from the village and its many associated memories. He wants to keep his distance, but cannot.

This is a very poignant little film. Depending on the sort of viewer it has, it demands varying levels of patience.

It's too complicated to capture the simplicity as it is !

Film : Yumurta Director : Semih Kaplanoglu Cinematography : Ozgur Eken Cast : @saadetisilaksoy Nejat Isler

As I said it is hard to showcase the surrealism !

#semihkaplanoglu work reflects #tarkovsky #satyajitray #kiarostami Any how he impressed with his surrealistic command on writing and making ( framing camera movements aspect ratio ).

#ozgureken emblematic long shots are painterly eye for landscapes and nearly impressive his usage of colours domestic lighting !

When it comes to the situations he created was genuine and organic.A struggling Istanbul poet returning to his hometown attending the funeral of his mother, who hasn't been back several years. He surprised to see the presence of a young woman ( his relative ) who has been serving to his mother last 5 Year's. Rest of the film goes through what is the consequences happened between them.

I was quite surprised to know their intro Scene, she's calling the plant's by their family names who are dead.( That is aunt Zahra, this is your father...later he replies oh good to see my father was blossom )

I was fallen love with #saadetisilaksoy pristine and graceful act. She is the one who stole Complete show with her silence moods and expressions !

#yumurta #Turkish

The problem with Egg is not that it is rotten. It is not. It is just that it does not feel organic. The director's own admission that he is interested in film-making as an exercise in philosophy is evident in every scene. However, those that need a lesson in elementary existentialism will be bored by the film and those that would not mind a bit of thinking for thinking's sake will be bored by it, too – for different reasons. The lonely poet that left his roots but couldn't grow new ones goes back home because mom dies… Then, he looks at the young woman that never left and smiles to himself knowingly. Then, he looks at the confused young man that looks at the same young woman and he smiles to himself knowingly, again… Then he faints, then he is stopped by a big dog from leaving the village and then…

Nothing. See, it is all about the post-Sartre, tainted with Camus but no need for violence thingy. The universe, like, has no innate meaning other than the one we give to it – like, egg, get it? When I grow up, I will become a nihilist, but for now I believe in nothing much…

It is still watchable. For one thing, it has Nejat Isler, the actor that is fast proving himself as one of the best thespians of his generation in Turkey. In the flawed but much more meaningful film, Barda, he was a mesmerising presence, doing a lot with some that was written for him. Here, he does a lot with nothing. The issue is that doing a lot with nothing still comes to nothing. We feel for him when he cries, but also feel like slapping him in the face: Get over it, buddy, this wasn't all that interesting even when Antonioni made Marcello do it…

My two pennies for the director – you got the cinematography right, you got the actors under control, sound is above average… How about some story for the next one?

Yusuf was selling old books in a city. He learned that his mother living in a small town was dead and he returned to his hometown to join the funeral. After the funeral he was planning to return city but with unexpected events, he stayed in the village 2 days more.

Scenorio is boring and suffering from lack of communications. Cinematography (composition-light-sountrack) is not successful. I watched the film till end, for the sake of my movie love.

I couldn't realize the reasons that juries gave the national and international awards to this film.

In summary there very successful films from Turkey, gaining awards all over the world and are really joyful.