AVALIAÇÃO DA IMDb
5,1/10
21 mil
SUA AVALIAÇÃO
Tendo as suas mulheres sido escravizadas pela matilha local de vampiras lésbicas graças a uma antiga maldição, os restantes homens de uma aldeia rural enviam dois rapazes infelizes para os p... Ler tudoTendo as suas mulheres sido escravizadas pela matilha local de vampiras lésbicas graças a uma antiga maldição, os restantes homens de uma aldeia rural enviam dois rapazes infelizes para os pântanos como sacrifício.Tendo as suas mulheres sido escravizadas pela matilha local de vampiras lésbicas graças a uma antiga maldição, os restantes homens de uma aldeia rural enviam dois rapazes infelizes para os pântanos como sacrifício.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 1 indicação no total
John Pierce Jones
- Landlord
- (as John Pierce-Jones)
Vera Graziadei
- Eva
- (as Vera Filatova)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
So I can't understand the poor rating for this film, except to think it was marketed to the wrong people (by accident).
What this film is not... 1) A horror film. There are no scares, it's not a fright fest. It's not even really what I would term "gory". 2) This is not Evil Dead, or Shawn or the Dead, but more like Army of Darkness. 3) This is not a porn film, there is little nudity, but if you like to see hot ladies, barely clothed, then...
What this film is... 1) Pure camp and all out laughs 2) lots of action and hilarious special effects. 3) An amazing soundtrack even for a high budget A movie. 4) Non stop memorable scenes and one liners. Based on a lot of reviews from IMDb, critics, and other sites, it seems many who watched this film expected something quite different. To me it's a modern day comic masterpiece Cordon as Fletch and McGann as the Vicar were my favorite characters. The beautiful lead vampires played by Silvia and Vera were amazing and right there as well. The rest of the cast (Mathew and Myanna especially) were also great and did just what they needed to do.
This movie is fun sober or wasted. Enjoy either way just take things a little less seriously...
What this film is not... 1) A horror film. There are no scares, it's not a fright fest. It's not even really what I would term "gory". 2) This is not Evil Dead, or Shawn or the Dead, but more like Army of Darkness. 3) This is not a porn film, there is little nudity, but if you like to see hot ladies, barely clothed, then...
What this film is... 1) Pure camp and all out laughs 2) lots of action and hilarious special effects. 3) An amazing soundtrack even for a high budget A movie. 4) Non stop memorable scenes and one liners. Based on a lot of reviews from IMDb, critics, and other sites, it seems many who watched this film expected something quite different. To me it's a modern day comic masterpiece Cordon as Fletch and McGann as the Vicar were my favorite characters. The beautiful lead vampires played by Silvia and Vera were amazing and right there as well. The rest of the cast (Mathew and Myanna especially) were also great and did just what they needed to do.
This movie is fun sober or wasted. Enjoy either way just take things a little less seriously...
This is for everyone who didn't like this movie. What did you expect. Really, what did you expect? You went to see a movie called Lesbian Vampire Killers. It had the lesbians, it had the vampires and oh yes, there were killings. Okay, it wasn't the best movie ever. The style was kind of like heroes meets sean of the dead. But it was as funny as other good comedies, it kept me entertained from start to finish mostly because of the lesbians but that's neither here nor there and although the plot was simple it was a nice idea. Essentially unless you like lesbians vampires and killings, and unless you one of those people who sees Matthew Horne throwing a sword at the bad guy who is in the middle of his two friends and think 'that doesn't make any sense he could have missed and hit James Corden, why didn't he just stab the sword' instead of thinking 'wow that was kick ass' then don't go and see this movie because you won't enjoy it.
This is one of those titles that make you expect the worst, but make you have to watch it. So I took some time on a weary afternoon, and I gave it a shot.
The first minutes I was happily surprised. Settings and costumes chosen with care, good camera-work and effects (none of the vague stuff that surrounds low-budget flicks), and some witty dialogues. Typical British, yes, but that's a positive remark. The main characters, and their main philosophy, was much to my liking. What follows is more of the same, and I never felt the need to fast-forward or to hide my face and ears in shame. My eyes definitely could appreciate the displayed beauty, whereas in England, these girls should actually be harder to find.
Okay, so the critics will bash on the plot (no sh*t, Sherlock) and the overacting in some cases (again, it's not a candidate for the Oscars). True, no need to expect the best either, but if that's what you're going for, then why choose this movie.
A good time, with true laughs ... I got what I came for.
The first minutes I was happily surprised. Settings and costumes chosen with care, good camera-work and effects (none of the vague stuff that surrounds low-budget flicks), and some witty dialogues. Typical British, yes, but that's a positive remark. The main characters, and their main philosophy, was much to my liking. What follows is more of the same, and I never felt the need to fast-forward or to hide my face and ears in shame. My eyes definitely could appreciate the displayed beauty, whereas in England, these girls should actually be harder to find.
Okay, so the critics will bash on the plot (no sh*t, Sherlock) and the overacting in some cases (again, it's not a candidate for the Oscars). True, no need to expect the best either, but if that's what you're going for, then why choose this movie.
A good time, with true laughs ... I got what I came for.
The film is a continuous quote: Dracula, American Werewolf in London, Withnail and I, Ed Wood's films, Roger Corman's horror movies with Vincent Price (Paul McGann's excellent vicar's tone is very reminiscent of Price's in Corman's interpretations of Poe) and all the Hammer horrors with lesbian undertones.
More than just a spoof the film is in a genre of its own being a "spoof-of-a-spoof" like few others before. This can make it difficult to understand just what the film sets out to do if one is expecting a horror, it certainly is not a horror or an action movie. The comparisons to Shaun of the Dead are also a big red herring and not very helpful, as this is a much more Post-Modern citation exercise with references far wider and in many more genres; it's not simply a case of an attempt in emulating for vampires what the Romero zombie movies did for Shaun of the Dead, but altogether a much more varied and inclusive exercise. L.V.K also takes itself less seriously to a degree than one would not believe in a feature length film, but it manages to do so in a way that is very entertaining if one is prepared to fore-go most of the expectations of what a film should be about.
The writing could have been polished up further, it could have done with a final re-write to tie it all together, and this is the film's main weakness, but there is enough comedy in it to laugh every few minutes if one is prepared to embark on this journey of quotation spotting. Some of the lines are so outrageously camp that with different actors it certainly would not have worked, but the film has been brilliantly cast and even the most improbable lines are recited and acted with just the right level of irony.
The sound effects are one of the strongest elements, together with the lesbian vampires' epic hair-dos which are highly imaginative and an exercise in quotations in itself, a strong effort by the art directors in what is a low-budget movie that makes no apologies for it. Phil Claydon's directing is full of enjoyment, he is constantly joking with the cameras and choices of shots that are commentaries on a commentary, further spoofing Hitchcock in the shower sequence for example.
This is a film might require a specific understanding of the Post-Modern culture we are living in to be appreciated, or it can simply be enjoyed for what it is. It is neither violent nor scary, but this is not necessarily a bad thing and it might be here that lies its charm, those who will let go of politically correct preoccupations of what a film or a title of a film should be about will inevitably enjoy this light hearted comedy as it has plenty of opportunities to laugh out loud, if you are not too worried what the person next to you or the eminent critics will think of you and you just join in the fun!
More than just a spoof the film is in a genre of its own being a "spoof-of-a-spoof" like few others before. This can make it difficult to understand just what the film sets out to do if one is expecting a horror, it certainly is not a horror or an action movie. The comparisons to Shaun of the Dead are also a big red herring and not very helpful, as this is a much more Post-Modern citation exercise with references far wider and in many more genres; it's not simply a case of an attempt in emulating for vampires what the Romero zombie movies did for Shaun of the Dead, but altogether a much more varied and inclusive exercise. L.V.K also takes itself less seriously to a degree than one would not believe in a feature length film, but it manages to do so in a way that is very entertaining if one is prepared to fore-go most of the expectations of what a film should be about.
The writing could have been polished up further, it could have done with a final re-write to tie it all together, and this is the film's main weakness, but there is enough comedy in it to laugh every few minutes if one is prepared to embark on this journey of quotation spotting. Some of the lines are so outrageously camp that with different actors it certainly would not have worked, but the film has been brilliantly cast and even the most improbable lines are recited and acted with just the right level of irony.
The sound effects are one of the strongest elements, together with the lesbian vampires' epic hair-dos which are highly imaginative and an exercise in quotations in itself, a strong effort by the art directors in what is a low-budget movie that makes no apologies for it. Phil Claydon's directing is full of enjoyment, he is constantly joking with the cameras and choices of shots that are commentaries on a commentary, further spoofing Hitchcock in the shower sequence for example.
This is a film might require a specific understanding of the Post-Modern culture we are living in to be appreciated, or it can simply be enjoyed for what it is. It is neither violent nor scary, but this is not necessarily a bad thing and it might be here that lies its charm, those who will let go of politically correct preoccupations of what a film or a title of a film should be about will inevitably enjoy this light hearted comedy as it has plenty of opportunities to laugh out loud, if you are not too worried what the person next to you or the eminent critics will think of you and you just join in the fun!
Centuries ago, Baron Wolfgang MacLaren vanquished the Vampire Queen Carmilla (Silvia Colloca) in the remote Cragwich; however, before decapitating the evil vampire, she curses the locals and descendants of the baron, swearing that every woman would turn into a lesbian vampire on the eighteenth birthday. On the present days, the clumsy and naive cuckold Jimmy (Mathew Horne) is dumped again by his girlfriend Judy (Lucy Gaskell) and misses her. His best friend Fletch (James Corden) is fired in his job of clown after hitting an annoying boy. The two friends are broken and decide to camp in the countryside to forget their problems, and Jimmy throws a dart in a map in a pub to decide where they should go. They head to Cragwich and when they arrive in the bar Baron's Rest, they see four hot girls leaving the place in a Kombi. The innkeeper offers the old Mircalla cottage in the woods for them, the same place the girls will lodge. Meanwhile, Lotte (MyAnna Buring), Heide (Tiffany Mulheron), Anke (Louise Dylan) and Trudi (Ashley Mulheron) have trouble with their van and Jimmy and Fletch reach them in the forest and they offer a ride to the guys to the cottage. They introduce themselves as students of folklore and they are researching the Vampire Queen Carmilla. When Fletch believes that he will have a night of beer and sex with three sexy girls and Jimmy and Lotte have a crush on each other, the cottage is surrounded by a group of lesbian vampires that vampires intend to use Jimmy and Lotte's blood to bring Carmilla back to life. They are abducted by the vampires, but Fletch escapes and meets Reverend Vicar (Paul McGann) that tells him that Jimmy is a descendant of the baron and only hope to stop the evil curse of Cragwich.
The B-movie "Lesbian Vampire Killers" is indeed an entertaining silliness with a funny story, supported by a stylish cinematography, very sexy women and two imbeciles in the lead roles. There are many good moments, and I particularly liked when Jimmy invites by chance the lesbian vampires to enter in the cottage; or the reference to a gay werewolf inclusive in the very last scene; or when Judy meets her lover at his home. This movie will certainly never be nominated to an Oscar and is not recommended to intellectuals or fans of art movie; however, for an average viewer like me that knows what might expect from a movie with the title "Lesbian Vampire Killers", he or she will not be disappointed and will certainly laugh a lot. The beautiful and sexy actresses have been very well cast by the producers. My vote is six.
Title (Brazil): Not Available (only on 30 October 2009)
Note: On 29 January 2021, I saw this film again on Blu-Ray. Title (Brazil): "Matadores de Vampiras Lésbicas" ("Lesbian Vampire Killers")
The B-movie "Lesbian Vampire Killers" is indeed an entertaining silliness with a funny story, supported by a stylish cinematography, very sexy women and two imbeciles in the lead roles. There are many good moments, and I particularly liked when Jimmy invites by chance the lesbian vampires to enter in the cottage; or the reference to a gay werewolf inclusive in the very last scene; or when Judy meets her lover at his home. This movie will certainly never be nominated to an Oscar and is not recommended to intellectuals or fans of art movie; however, for an average viewer like me that knows what might expect from a movie with the title "Lesbian Vampire Killers", he or she will not be disappointed and will certainly laugh a lot. The beautiful and sexy actresses have been very well cast by the producers. My vote is six.
Title (Brazil): Not Available (only on 30 October 2009)
Note: On 29 January 2021, I saw this film again on Blu-Ray. Title (Brazil): "Matadores de Vampiras Lésbicas" ("Lesbian Vampire Killers")
Você sabia?
- CuriosidadesWriters Stewart Williams and Paul Hupfield were challenged to think of the dumbest and yet most commercial title possible for a film, Lesbian Vampire Killers was the answer. They then went away and wrote the script.
- Trilhas sonorasCrying Blood
(V.V. Brown (as V V Brown))
Published by EMI Music Publishing
Performed by V.V. Brown (as V V Brown)
Licensed courtesy of Universal-Island Records Ltd
Under license from Universal Music Operations
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- How long is Vampire Killers?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Vampire Killers
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 3.276.702
- Tempo de duração
- 1 h 26 min(86 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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