Centurião

I never thought about it before, and actually this movie helped me to understand something. When you go to see a movie you want to have some satisfaction, and mostly you get it when you sympathize with the hero, you get emotionally involved in their problems and you worry about them.

Here, you have two sides and I personally can not empathize with any of them.

The Picts, while they have a right to protect their land and families, are shown in quite cruel way and Olga Kirylenko's character is far from being attractive.

On the other side the Centurion and his soldiers are nothing but invaders killing and enslaving the locals just for the sake of glory of the Roman Empire. All in all, it's fair for them to be killed by the people they are oppressing and I can't really worry about the Centurion trying to survive because I feel more like he deserves to die for what he's done. If you are a professional soldier and came to a foreign land to ravage it... well, you get what you get.

This movie looks like a historical documentary, which shows you some facts and reasons/motives of both sides to do what they do or have to.

It's done fairly well, but for me it defeats the main purpose of movie - it's not entertaining. There is no point of attraction in it, there is no one to feel for, and I expect quite the opposite when I'm paying for the ticket.

I recently picked this movie up cheap after watching the Spartacus TV show. I guess i am going through a Roman phase! This movie although not what i was expecting was actually very good.

If you are expecting large scale battles then look elsewhere as ultimately this becomes a chase movie as a small band of surviving Romans are being chased across Scotland by the savage Pict led by Olga Kurylenko.

Kurylenko is fantastic in this, frightening without saying a word. Fassbender is ok, seeming to grow into the role as the movie progresses. He is supported by a band of mainly British actors including David Morrissey. Dominic West steals every scene he is in, in an all too brief appearance.

I was pleasantly surprised with this movie and it just goes to show you don't have to have a huge budget or mammoth running time to create a good movie.

This movie was relatively unheard of when a friend of mine gave a copy of it. I was skeptical since it was not from Hollywood, no big stars etc. However, it proved I was wrong. This is not a masterpiece indeed; but it was able to get me a thrilling ride from beginning to end. To make it short, I would say this is a combination of "BEHIND ENEMY LINES" scenario at the pace and editing of "BOURNE ULTIMATUM" set at the backdrop of "KING ARTHUR". It's true that script does not focus much on character development but it does not cause any trouble in enjoying this action-adventure. As one reviewer has mentioned, I agree that portrayal of a female warrior by Olga Kurylenko is much more realistic and successful than the similar role played by Keira knightly in "King Arthur". It is really sad that movies like this are not given adequate publicity since this is much better than most big budget Hollywood movies that are being hyped inappropriately.

A group of Roman soldiers who survived an ambush are chased relentlessly by a hunting party of Picts. As with every other movie by Neil Marshall (The Descent, Doomsday) this big screen epic attempts to mix the grittiness of European filmmaking with the entertainment values of Hollywood movie-making. And as is becoming signature with this director, Centurion pursues his tradition to feature very strong and memorable female characters.

While it is Centurion Quintus Dias (Michael Fassbender) who is the protagonist as the somewhat reluctant leader of our heroes, the most memorable character on screen is Etain, a Brigantian tracker played by Olga Kurylenko. Etain's tribe was massacred by the Romans and she took refuge with the Picts. Her backstory is a powerful device that explains all the hatred she has for Romans and the length she will go to exact revenge. Neil Marshall makes great use of actress Kurylenko and she literally eats the screen in almost every scene she is in, despite her character being mute. Etain reaches iconic status as far as I'm concerned, much like Karl Vreski (Die Hard).

The actual plot, despite its historical context, is less Gladiator and more Apocalypto. Several battles are extremely gritty, entering gory territory as blood flows. There are a lot of CGI sequences mixed with traditional effects but they do not detract from the experience too much. Quintus' bunch of survivors are portrayed by a group of effective actors but the movie's short length prevents much characterization. Where Marshall is more effective is in the portrayal of the Picts. In very few words, several characters stand out throughout the movie.

Everything is fairly entertaining but the movie never quite reaches classic epic status due to its short length and several incongruities. For instance, I still don't understand why two healthy and armed soldiers would run away from wolves, nor why wolves would pursue them (that simply flies in the face of anything we know about the behavior of wolves). Etain is also ordered to severe the heads of the men she is chasing but conveniently omits certain characters so that they survive their injuries, which makes no sense and is transparent bad writing. Likewise, when the Romans have a chance to steal or kill the Picts' horses, they simply ignore this opportunity. These plot holes add up pretty fast and detract from our experience, turning what could have been a classic into just a great pop corn flick.

But an entertaining pop corn flick it is, despite its faults! I wish Marshall would be slightly less ambitious, as it seems he is at his best working on smaller scale movies but he still has a knack to shoot fun films and create engaging characters. Special kudos for not glorifying the Roman empire and especially, for not portraying the Picts as clear-cut villains. Although the structure of the film firmly puts the Picts in the "baddies" slot, there are several hints and a lot of subtext that, on the contrary, showcases the Roman empire as bloodthirsty invaders, plotting backstabbers and savages themselves.

Every amateur of sword epic will want to see this one at least once, possibly several times.

When the final credits were rolling my regular cinema-going counterpart observed "that was one of the most outwardly violent films I've seen since Kill Bill". That's not far from the truth. Limbs are hacked clean off, stomachs are regularly impaled and the claret fluid sprays endlessly. Though the major difference is where Tarantino's homage to the old chop-socky movies from Eastern cinema is cartoonish in its bloody visuals, Centurion is anything but tongue-in-cheek; here the blood, sweat and tears seep into the muddy vistas and bucolic rivers of Great Britain to intensify the atmosphere.

Director Neil Marshall (The Descent) has crafted a gritty movie that at its core is a simple 'cat and mouse' tale – and a highly entertaining one at that – but becomes much more thanks to the efficacious work from all the cast and crew. Marshall himself executes a few impressive sequences, the most outstanding being the initial ambush on the Ninth Legion, showing once again he knows how to stretch a small budget with minimalistic techniques and a passionate approach. Director of photography Sam McCurdy provides a suitably grimy and grainy look that, although at times is too dim, sets the ideal tone for the film. Perhaps Marshall should have monitored the editing closer though, Chris Gill's frenetic cutting very nearly ruins a couple of the fight scenes.

Major Hollywood star in the waiting Michael Fassbender (played the German-impersonating British Lieutentant in Inglourious Basterds) is undoubtedly the standout among the acting contingent. As the titular soldier, Fassbender makes for a charismatic leading man that convinces in both the physical and dramatic elements of the role. I eagerly wait to see what he does as the young Magneto in the upcoming X-Men prequel. Elsewhere The Wire alumni Dominic West is rough around the edges as the gruff General Virilus, Olga Kurylenko is positively bad-ass as the mute, monomaniacal warrior hell-bent on revenge and BBC favourite David Morrisey adds clout in his supporting role of Bothos.

A grubby, gory delight.

4 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)