Detetives em Guerra

I dunno cantonese but the meaning of the original title is Detective War which is far better than official english title, Detective VS Sleuth, really? Sleuth? Never heard people use that word.

For this movie, I guess it is too rushing, too many characters, and too chaos. I understand the director dont want to waste any time, he just want us to become breathless all the time watching this movie. Maybe if he give us some drama so we can take our breath. Or maybe I am too old to watch this movie, everything happen so fast...

Not a booring movie so it should be watched atleast once who likes thriller or detective story.

Story is good.

Action is ok.

Actors are good.

Character are in good set.

Just a bit too fast for Viewers who do not know Cantonese language.

The main character has fast thinking and speech is also too fast as per the story. So when you rely or have dependency on Subtitles than you loose some scene or either how the story is connected.

If possible than Viewers are advised to watch atleast in their understanding language i.e. Dubbed version.

I am sure even dubbing artist will face challenges in dubbing for the main character.

The movie sucks, and the characters talk and act like fools.

"We don't want to hurt anybody, we're just here for revenge!" What kind of criminals speak like that to calm the crowd? Maybe he should explain well on how he would like to do the revenge, by serving the enemy a massage maybe?

The movie is full of awkward paradox likewise in talks and actions, on every character, which distracts you from the story itself and make you curse.

The movie makers need to know a simple affair, that if you want to tell a detective story, just don't make it a story of idiots.

The rhythm of the story telling is chaotic too.

And the mixture of Beijing accent against mandarin amongst the actors of Hongkong and mainland makes no sense even in nowadays.

Instead of saying this is a detective story, it would rather be described as a creepy nonsense and full of shet talk.

The story writer focus too much on shaping a physical mad detective but completely ignore the basic reality of crime fiction presentations. For example, you would ask me to believe an female police officer would perform her job in crime scene where she have to chase, gun fight and building climbing when she is nearly at a stage of a childbirth? And you expect me to believe that Li Jun could be allowed to engage official crime investigation when he suffer severe mental health problem and risk all citizens and officers in life danger? Such nonsense just appeared all over the screen time and made people literally wonder what's going on with this movie.

Most of the character's motivations are simple, easy-predicated and some even ridiculous, which made people more easily to find that how unbelievable flat the character is. This is the kind of the story that you whish you never heard of. This is so....exhausted to watch. Once again, a new tip for myself: DO get out of it even in the middle of screening, when you find something funny is in the film. Instead of a crime fiction that you can enjoy, its more like those ridiculous Late talk show meme for spoof.

In 2007, Ka-Fai Wai wrote and co-directed, along with his much more internationally-famous colleague Johnnie To, the absurd crime thriller "Mad Detective", one of my all-time favourite films.

Now, after a 13-year absence from directing, Ka-Fai Wai is back, this time without Johnnie To or To's production company Milky Way, but with a film that seems like a new riff on "Mad Detective", almost a sequel. Ching Lan Wau is back, playing again an insane detective with some apparently supernatural crime-solving abilities lying underneath his madness.

It might sound derivative of the former film, but Detective vs Sleuths has some new tricks up its sleeve, and it honestly feels extremely fresh. Its twisty plot comes together beautifully in the end, the action scenes are some of the best in recent memory, and Ching Lan Wau's performance is bloody brilliant. His antics are crowd-pleasingly hilarious, but it never undermines the film's commitment to its increasingly outrageous narrative.

This film feels like a throw-back, to a level of creativity in Asian cinema that was much more common in the 2000s than what we've seen in the last decade. Certainly, I enjoyed this more than anything Johnnie To has directed since "Mad Detective". That film inspired me to check out more of Johnnie To's work, but now I'm realizing that Ka-Fai Wai deserves equal attention, and I'm very glad he's back after such a long absence.