City Homicide

Didn't expect to like it. Now I can't stop watching. Especially good plot lines and strong performances. Why haven't I ever heard of this show???

Hats off to the Aussies...!

When I started watching this show I was very sceptical of what I was going to fine. I haven't watched virtually any Australian shows in recent years, as almost all that are touted as drama are soaps instead (e.g. All Saints, Blue Heelers).

By the end of the first episode I was in love with this show. Having grown up hearing stories about the police force from people who know, this show seems to represent the realism that is sorely lacking in most other cop shows.

The acting is terrific, the humour is spot on and the gore level is just right. The cases are interesting and the way they are presented are sometimes destined to break your heart. This show sticks to drama instead of swaying into melodrama.

This is a must watch.

I'm a big fan of Homicide life on the street and loved Detroit 187 and other shows like them. If you like those too you will live this. The first show almost lost me. It had really dorky music but a good story line so I watched a few more and fell in love.

This is a very real gritty cop drama. They only delve into the characters personal lives as proprietary. Like with Simon's intricate story line that plays out in a most impressive fashion at the end of season three through the begging of season 4.

The few Aussie shows I have watched before sucked. I thought this was British at first. This could have even done fine on USA TV. I've found it addicting.

I've binged my way through many American, British, and a few Australian cop shows and this is one of the best. I'm about halfway through season 2.

If I could describe City Homicide with one word, the word would be "lean." The plots are interesting and the detective work is straightforward. Some of the police work is techie, but most of it is good, old-fashioned research, door-to-door canvassing, and just plain following up leads. And the show avoids injecting unnecessary tension into the process with false leads and red herrings. There's no fat in this show-- just good police work by a capable and compatible ensemble.

There are some character back stories, but they don't shove the crime story to the back burner (as happens in many programs).

Australian television series can be hit or miss but this one is a few grades above the rest. Buoyed by superior scripts and crisp direction, each episode unravels without the drawn-out emotional drama of other such shows. Yes, there are soap opera moments but they are brief and tightly written.

The acting, especially from Shane Bourne, Nadine Garner, Noni Hazlehurst and Marshall Napier, is top notch although the three actors playing the main male detectives tend to guilty of overacting (and bad coiffures), losing some credibility from this otherwise excellent show. Aaron Pedersen is almost almost laughable in his role: he has one expression (rage) and one tone of voice (bellowing).

That the show retains its edge and intelligence throughout is remarkable but the real beauty of this series is the wicked wit that alleviates the tension at the precise moment where it is needed. A wonderfully disciplined show.