AVALIAÇÃO DA IMDb
6,4/10
35 mil
SUA AVALIAÇÃO
Um vigarista viciado em sexo paga as contas do hospital de sua mãe brincando com a simpatia daqueles que o salvaram de um sufocamento até a morte.Um vigarista viciado em sexo paga as contas do hospital de sua mãe brincando com a simpatia daqueles que o salvaram de um sufocamento até a morte.Um vigarista viciado em sexo paga as contas do hospital de sua mãe brincando com a simpatia daqueles que o salvaram de um sufocamento até a morte.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 7 indicações no total
Willi Burke
- Deranged Socialite
- (as Wilma 'Willi' Burke)
Paz de la Huerta
- Nico
- (as Paz De La Huerta)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The only Chuck P. book I own. It's a very funny book, about lust and salvation, and here it is on screen in...pretty good form. That is to say I was a little disappointed, with the ending in particular, which strikes a very different tone (not terrible, just different)....but that's neither here nor there.
Choke is the story of Victor, med-school dropout who takes care of his 70's radical mom now suffering from dementia and dying after years of drug use and mental instability. In order to pay for her upkeep, Victor pulls double duty at his two jobs, one as an employee at a Colonial American theme park, and two, choking on food in restaurant, so that those who save his life, will feel obligated to help him out with cash from time to time. Who would save someone's life, only to let them die, once you know their sad penniless (over exaggerated) story? Victor targets the wealthy and affluent, "You don't wanna get saved by some waiter", he says in one of many direct addresses to the audience. The broken 4th wall, reminiscent of Fight Club, is taken directly from the book, and one of the films stronger techniques.
In the hospital he meets, a young doctor, who assists him in translating his mother's diary, which leads to shocking questions about Victor's origins, and his father or lack there of.
Victor goes to sex addict meetings usually just to have sex in the bathroom with fellow addicts. While his best friend Denny, a chronic masturbator, begins taking his first shaky steps to recover, which involves romancing a Stripper and collecting rocks for each day his sobriety, "idle hands are the devils playground". The sex addiction and the need to save his mom, are the twin turbines that propel this film, and by the end they are both so clearly intertwined it escapes being exploitative.
I enjoyed this version of Choke, which was kinda of like Choke-Light, but still very funny, if only slightly missing the aim of the novel; the heady and vulgar mix of the sacred and the profane. That is to say, important sub-plots, and main-plot points get muted; we know why Victor chokes, there are more reasons than I stated above, but we don't get to see the people who fund his faints here, as we do in the book, and so that aspect of the story, seems a little disconnected. As do Denny and the rocks, another vital story element for me, got put on the back-burner here. Denny replaces one fetish with another, and most of the rooms of his house are filled with rocks.
(Actually they shot this ending, you can see pictures online, but decided against it, before release.) Okay, but everyone always says the book is better than the movie, I know, I know, I just had to get that out.
What's left of Choke though is commanded by Sam Rockwell, who is only improving as an actor, and Angelica Houston who needs no intro. While it's not as conceptually taught as I would have liked, its still really, really funny, and at a few moments, a bit moving (Ive got a personal soft spot for movies with visits to the demented in hospitals; The Savages is especially hard to watch), at least for me.
It's an allegorical sex comedy, but it's also a very accessible one, considering the weirdness of the material. It's a more personal story than "Fight Club", and almost an opposite ideology, "building anything", versus "tearing down everything", but told in the same sardonic writerly tone, weave come to expect from Palahniuk.
In the end, I just wanted more, but it was fun, and the story was brought to life, mostly just as I had imagined it when reading.
Also it's got the funniest and perhaps the only funny, "rape" scene, ever filmed (it is and it's not what it sounds like).
Choke is the story of Victor, med-school dropout who takes care of his 70's radical mom now suffering from dementia and dying after years of drug use and mental instability. In order to pay for her upkeep, Victor pulls double duty at his two jobs, one as an employee at a Colonial American theme park, and two, choking on food in restaurant, so that those who save his life, will feel obligated to help him out with cash from time to time. Who would save someone's life, only to let them die, once you know their sad penniless (over exaggerated) story? Victor targets the wealthy and affluent, "You don't wanna get saved by some waiter", he says in one of many direct addresses to the audience. The broken 4th wall, reminiscent of Fight Club, is taken directly from the book, and one of the films stronger techniques.
In the hospital he meets, a young doctor, who assists him in translating his mother's diary, which leads to shocking questions about Victor's origins, and his father or lack there of.
Victor goes to sex addict meetings usually just to have sex in the bathroom with fellow addicts. While his best friend Denny, a chronic masturbator, begins taking his first shaky steps to recover, which involves romancing a Stripper and collecting rocks for each day his sobriety, "idle hands are the devils playground". The sex addiction and the need to save his mom, are the twin turbines that propel this film, and by the end they are both so clearly intertwined it escapes being exploitative.
I enjoyed this version of Choke, which was kinda of like Choke-Light, but still very funny, if only slightly missing the aim of the novel; the heady and vulgar mix of the sacred and the profane. That is to say, important sub-plots, and main-plot points get muted; we know why Victor chokes, there are more reasons than I stated above, but we don't get to see the people who fund his faints here, as we do in the book, and so that aspect of the story, seems a little disconnected. As do Denny and the rocks, another vital story element for me, got put on the back-burner here. Denny replaces one fetish with another, and most of the rooms of his house are filled with rocks.
(Actually they shot this ending, you can see pictures online, but decided against it, before release.) Okay, but everyone always says the book is better than the movie, I know, I know, I just had to get that out.
What's left of Choke though is commanded by Sam Rockwell, who is only improving as an actor, and Angelica Houston who needs no intro. While it's not as conceptually taught as I would have liked, its still really, really funny, and at a few moments, a bit moving (Ive got a personal soft spot for movies with visits to the demented in hospitals; The Savages is especially hard to watch), at least for me.
It's an allegorical sex comedy, but it's also a very accessible one, considering the weirdness of the material. It's a more personal story than "Fight Club", and almost an opposite ideology, "building anything", versus "tearing down everything", but told in the same sardonic writerly tone, weave come to expect from Palahniuk.
In the end, I just wanted more, but it was fun, and the story was brought to life, mostly just as I had imagined it when reading.
Also it's got the funniest and perhaps the only funny, "rape" scene, ever filmed (it is and it's not what it sounds like).
Bringing a story like 'Choke' on screen is tricky business and really does require a competent director, like Clark Gregg (who also wrote the screenplay and acted). I haven't read Palahniuk's novel but the humour and world in Gregg's 'Choke' feels very much like one that Palahniuk would create. 'Choke' is a dark comedy. It's hilarious but underneath the surface there are layers of darkness. The film also touches plenty of complex themes such as trauma, dementia, sexual addiction, emotional numbness, desire, love and redemption which are smoothly included within the story. Yet, it is above all a comedy and while the characters appear as hideous losers on the surface, we gradually get to like them. Sam Rockwell is terrific as the messed-up troubled Victor. Only Rockwell could play such a character so naturally. In addition, he is supported by a fantastic Angelica Huston, a quirky Kelly MacDonald and a chronically horny turned romantic Brad William Henke. There's a hilarious 'rape' sequence with Heather Burns. I never thought I would describe that word to describe rape but one just has to watch that scene to get what I mean. The film is packed in a tight 90 minutes but I wish it was longer as I found myself wanting more. 'Choke' is clearly not for everybody but it is certainly worthwhile for those interested in adult humour and psychology.
Chuck Palahniuk appeals to a younger audience? I thought this movie was very well written, very well acted and dark and disturbing. I will add this book to my must read.
I guess I'm a Sam Rockwell fan, and the reason I desperately wanted to watch this movie and it was only after watching it did I realize this was based on a book. The movie stands alone very well. I just can't stop thinking about it. I never believed Victor (Sam Rockwell) to be a disgusting human being, I saw him as flawed, horribly flawed, misunderstood, imperfect and what else can you expect when your mother was completely insane.
I thought Choke was a phenomenal movie, with amazing depth of character and insight about mental illness. Victor is a sex addict, so there is an awful lot of sex in the movie - if this bothers you, then do not bother. You will need an open mind to enjoy this movie.
The comments here on IMDb are extremely disappointing, so please do not bother reading them.
I guess I'm a Sam Rockwell fan, and the reason I desperately wanted to watch this movie and it was only after watching it did I realize this was based on a book. The movie stands alone very well. I just can't stop thinking about it. I never believed Victor (Sam Rockwell) to be a disgusting human being, I saw him as flawed, horribly flawed, misunderstood, imperfect and what else can you expect when your mother was completely insane.
I thought Choke was a phenomenal movie, with amazing depth of character and insight about mental illness. Victor is a sex addict, so there is an awful lot of sex in the movie - if this bothers you, then do not bother. You will need an open mind to enjoy this movie.
The comments here on IMDb are extremely disappointing, so please do not bother reading them.
As of writing, Choke has not yet been given official distribution, and will not get it for about another month and a half at least (depending on your location). However, I managed to see it at the annual local film festival. I'll bring this review up when the film gets a wider release, but for now here is my initial opinion.
Choke is the story of sex-addicted loser Victor Mancini (Sam Rockwell). Victor's main concern in life is to keep his demented mother (Anjelica Huston) alive and in hospital. He does this in the hope of finding out the truth about his strangely absent father. To pay the bills, he pretends to choke on his dinner in fancy restaurants and plays off his saviour's heroism for financial gain.
I think the majority of readers here are at the very least aware of the existence of Fight Club, the only other major movie aside from Choke to be based off a Chuck Palahniuk novel. Most of the people who will seek out Choke will do it mainly because of the connection to either Fight Club or the Choke novel (or both, as the case may be). Of course, I'll have to play the comparison game here, but it has to be said - Choke is a very different beast to both its source novel and its spiritual predecessor, Fight Club.
Anyone who's read Palahniuk's writing will know that his books are frequently dark, very twisted and somewhat humorous. Words like "diseased" and "cancerous" come to mind. It's this same feeling that infected both the Fight Club and Choke novels and made them perverse joys to read. Palahniuk's touch even translated perfectly in David Fincher's adaptation. With Clark Gregg's adaptation of Choke, the stylish darkness is traded for a far more conventional "quasi-independent comic" approach. Strangely enough, this seems to suit Choke even better.
After all, Choke is first and foremost a comedy. At a guess, I'd say it's roughly 80 per cent faithful to the original novel (more on that later) with a large number of jokes lifted from the novel. The laugh factor was a strange thing. On one hand, the laughs managed to stay more or less consistent, with none of the jokes falling flat. On the other hand, I personally didn't feel like anything was too funny. Everything raised a genuine chuckle but as for anything approaching "struggling-to-breathe" humour, there wasn't much there. It makes me wonder what's better, a comedy with consistent chuckling or sporadic bursts of hilarious moments. Not too sure.
Regardless, the film manages to be an enjoyable experience. First-timer Gregg manages to handle his duties (which include writing, directing and even one very amusing bit part) with confidence, balancing comedy with drama effectively. The acting is impressive to say the least. Rockwell manages to nail Victor perfectly, yet it's Brad William Henke that manages to steal several scenes as Victor's friend Denny. Another treat is the score, which is an interesting blend of different styles.
Choke not only manages to be an entertaining comedy, it also becomes a very good example of how to streamline a 300-page novel into a movie that's just shy of the 90-minute mark. The only problem with it depends on whether or not your sense of humour agrees with the film's, but if this film was already on your "to-see" list, that shouldn't be too much of a problem.
Choke is the story of sex-addicted loser Victor Mancini (Sam Rockwell). Victor's main concern in life is to keep his demented mother (Anjelica Huston) alive and in hospital. He does this in the hope of finding out the truth about his strangely absent father. To pay the bills, he pretends to choke on his dinner in fancy restaurants and plays off his saviour's heroism for financial gain.
I think the majority of readers here are at the very least aware of the existence of Fight Club, the only other major movie aside from Choke to be based off a Chuck Palahniuk novel. Most of the people who will seek out Choke will do it mainly because of the connection to either Fight Club or the Choke novel (or both, as the case may be). Of course, I'll have to play the comparison game here, but it has to be said - Choke is a very different beast to both its source novel and its spiritual predecessor, Fight Club.
Anyone who's read Palahniuk's writing will know that his books are frequently dark, very twisted and somewhat humorous. Words like "diseased" and "cancerous" come to mind. It's this same feeling that infected both the Fight Club and Choke novels and made them perverse joys to read. Palahniuk's touch even translated perfectly in David Fincher's adaptation. With Clark Gregg's adaptation of Choke, the stylish darkness is traded for a far more conventional "quasi-independent comic" approach. Strangely enough, this seems to suit Choke even better.
After all, Choke is first and foremost a comedy. At a guess, I'd say it's roughly 80 per cent faithful to the original novel (more on that later) with a large number of jokes lifted from the novel. The laugh factor was a strange thing. On one hand, the laughs managed to stay more or less consistent, with none of the jokes falling flat. On the other hand, I personally didn't feel like anything was too funny. Everything raised a genuine chuckle but as for anything approaching "struggling-to-breathe" humour, there wasn't much there. It makes me wonder what's better, a comedy with consistent chuckling or sporadic bursts of hilarious moments. Not too sure.
Regardless, the film manages to be an enjoyable experience. First-timer Gregg manages to handle his duties (which include writing, directing and even one very amusing bit part) with confidence, balancing comedy with drama effectively. The acting is impressive to say the least. Rockwell manages to nail Victor perfectly, yet it's Brad William Henke that manages to steal several scenes as Victor's friend Denny. Another treat is the score, which is an interesting blend of different styles.
Choke not only manages to be an entertaining comedy, it also becomes a very good example of how to streamline a 300-page novel into a movie that's just shy of the 90-minute mark. The only problem with it depends on whether or not your sense of humour agrees with the film's, but if this film was already on your "to-see" list, that shouldn't be too much of a problem.
I had the opportunity to view the film Choke at Columbia College Chicago for a screening which held a Q&A with the main actor of the film, Sam Rockwell; so being that I read the novel before as well, I would like to share my take on the film.
No synopsis here; read the one that IMDb's.
If you have read the Palahniuk novel Choke, then you should expect that this 90 minute film cannot hold all of the sexual intensity (and comical vulgarity) that the novel had the space to provide for. Do not get me wrong--this film is very funny and Sam Rockwell is, as usual, superb in the anti-hero role that he's played so well in other films.
My one (and major) problem with the film is the fact that it was 90 minutes and wasn't pushed to be a 2 hour piece. I felt that there was so much more to delve into psychologically that Choke the novel did with sex addiction and the story and idea (will not spoil here) of who the character Victor Mancini was or thinks he is. Rockwell's great acting did a lot to pick up this slag, I do have to mention.
One thing I did like, which was also done with the ending of Fight Club (another Palahniuk novel) is that (again, will not spoil here) the finish to the Choke film was more satisfying then the deus ex machina endings that Palahniuk sometimes (well, many times) does with his stories.
Kelly Macdonald, who is wonderful in anything that she is in, as well as the other supporting actors and actresses kept the story alive and in a wonderful way.
The pacing of the film as well as the narrative was very much "Palahniuk" and this is a pace and narrative that is one of a kind and most interesting to view; which is aside from the usually predictable flow of the other films of today.
I did give this movie a 7/10 but I still believe that it is a movie that should be seen by anyone who likes to laugh, especially at things they don't think they would laugh at. Also, because the overall story is hilarious and is satisfyingly unique and the acting makes the film whole, too.
And did I mention Sam Rockwell was great?
No synopsis here; read the one that IMDb's.
If you have read the Palahniuk novel Choke, then you should expect that this 90 minute film cannot hold all of the sexual intensity (and comical vulgarity) that the novel had the space to provide for. Do not get me wrong--this film is very funny and Sam Rockwell is, as usual, superb in the anti-hero role that he's played so well in other films.
My one (and major) problem with the film is the fact that it was 90 minutes and wasn't pushed to be a 2 hour piece. I felt that there was so much more to delve into psychologically that Choke the novel did with sex addiction and the story and idea (will not spoil here) of who the character Victor Mancini was or thinks he is. Rockwell's great acting did a lot to pick up this slag, I do have to mention.
One thing I did like, which was also done with the ending of Fight Club (another Palahniuk novel) is that (again, will not spoil here) the finish to the Choke film was more satisfying then the deus ex machina endings that Palahniuk sometimes (well, many times) does with his stories.
Kelly Macdonald, who is wonderful in anything that she is in, as well as the other supporting actors and actresses kept the story alive and in a wonderful way.
The pacing of the film as well as the narrative was very much "Palahniuk" and this is a pace and narrative that is one of a kind and most interesting to view; which is aside from the usually predictable flow of the other films of today.
I did give this movie a 7/10 but I still believe that it is a movie that should be seen by anyone who likes to laugh, especially at things they don't think they would laugh at. Also, because the overall story is hilarious and is satisfyingly unique and the acting makes the film whole, too.
And did I mention Sam Rockwell was great?
Você sabia?
- CuriosidadesChuck Palahniuk: the author of the book, is the man sitting next to Victor on the plane at the end of the movie.
- Erros de gravaçãoWhen Victor is attempting to feed his mother cannelloni in their first meeting scene, the camera changes angle and she is not wearing the napkins he previously placed under her chin. When the camera moves back to another angle the napkins have miraculously returned.
- Citações
Victor Mancini: We are not born equal sinners, or perfect knock-offs of God. The world tells us whether we're heroes or victims. But, we can decide for ourselves.
- ConexõesReferenced in Film Junk Podcast: Episode 187: Choke and Junk Mail (2008)
- Trilhas sonorasReckoner
Written by Thom Yorke (as Thomas Yorke), Jonny Greenwood (as Jonathan Greenwood),
Colin Greenwood, Ed O'Brien (as Edward O'Brien) and Phil Selway (as Philip Selway)
Performed by Radiohead
Under license from Warner/Chappell Music LTD
Principais escolhas
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- How long is Choke?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 3.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 2.926.565
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.319.286
- 28 de set. de 2008
- Faturamento bruto mundial
- US$ 3.982.459
- Tempo de duração
- 1 h 32 min(92 min)
- Mixagem de som
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