Atlantique

An enigmatic film that unfolds like a satisfying ghost story.

Set in Dakar, Senegal, the film's main female protagonist is Ada, in love with Suleiman but promised in an arranged marriage to the wealthy Omar. Suleiman goes missing with a bunch of other men who set sail across the Atlantic for Spain and better opportunities, and the film is largely about the women they leave behind to think about them and possibly mourn for them. But the ghost story part comes in when mysterious occurrences suggest that the spirits of the men may be possessing various townspeople and carrying out the men's wishes in their physical absence.

Like many films I've seen this year, a theme in "Atlantics" is the disparity between the haves and the have nots. Omar promises Ada a life of sterile comfort, but Suleiman offers love and affection, if economic hardship. It's also a window into the world of those we hear about in the news but rarely see as people, those who emigrate to other places in an attempt to find something better. And it's also about the few choices available to women living in certain parts of the world. But none of this is communicated to us through preaching or lecturing. The movie is more than anything an ethereal love story.

Grade: A-

This film takes a sad story, makes it personal, then takes it to a whole other place. This film is for the women who are left behind, beautifully filmed and acted, one of the most original films of the year.

A calm, contemplative, unpredictable, immersive & quietly hypnotising love story perforated with supernatural elements yet firmly rooted in Senegal's social reality, Mati Diop's debut feature is a silent meditation on love, loss, migration, mortality & ghostly interventions that expertly balances the real with the spectral to deliver a cinematic experience that's as ethereal as it is enigmatic.

Winner of the Grand Prix at last year's Cannes Film Festival, Atlantics presents its debutant director employing a methodical approach to realise her deftly layered script on screen and her execution is neat & sophisticated. Also, her serene touch adds a soothing quality to the images, while unhurried pace provides the viewers ample time to acquaint themselves with its world & characters.

However, despite the intriguing premise & interesting social commentary, Atlantics is unable to make us invest in the romance that unfolds at its centre. It's supposed to be the main plot yet feels secondary to other things at play, and the characters aren't as compelling as the world they live in. Nevertheless, for a debut effort, it is a polished piece of subdued storytelling that starts Mati Diop's directorial journey on a promising note.

The cinematography is impressive, which confirms in my mind that Claire Mathon was the cinematographer of the year in 2019, with this, "Atlantics," and, better yet, "Portrait of a Lady on Fire." She knows how to compose an image. Unfortunately, there's not much going on otherwise in this critically-overrated picture, but it does benefit from its numerous empty spaces and transitions being filled by lovely imagery. Lots of shots of the sea, along with wind-swept curtains and open windows, mirrors and neon strobe lights. And the eyes of the possessed women are admittedly haunting. The rest of it, however, is a mess, including a narrative that combines a "Ghosts" (1990) like supernatural romance of necrophilia with the problem of arranged marriage, some lackluster drama or social commentary on workers avenging their employer for not being paid and the risks of economically-displaced migration, and, most miserably, a dull detective story investigating a series of arson cases. All of its connected in the slightest and contrived of ways. The plot is best the longer things remain mysterious; once figured out, it's quite disappointing. But, like the central romance, which largely consists of boy telling girl she's beautiful, "Atlantics" is at least nice to look at.

I am too stupid to like this film. It is beautifully shot with wonderful soundscapes however the acting and story line left me out in the cold and bored.