Um Menino Chamado Natal

A very good tale, great music, great acting and visually beautiful! I haven't read this book but the director an excellent job telling the story and keeping the surprises to the very end!

Well worth the time to watch and enjoy!

Whenever you have maggie smith in a movie, made in the latter years ,it will be a success. Its a christmas treat to us all from netflix to make the time of advent and waiting feel a bit shorter. Yes... even for a grumpy old man that physically hasnt bought a x-mas present for 10 years ( not due to scrooginess, rather 100% lack of fantasy, and that may spoucy right hand loves to do it.).

Its a story about the making of sankt nokolas in the cold deep winterwoods of suomian lappland, or finland, a story told in a dreamy fashionable mix of ms.smiths narrative, bold special effects, and studio decors, loads of sharp colours and light, even the darkness has its charm, put in some animatronix, alosg with a durable, well known angloamerican acting talent and long time traders on the silver screen then youll have a hit.

This is the julefilm for everybody that believes in hope, and to everybody that knows that a home is more than a home, cause its also a feeling, and if you loose your feeling of home then you may have to reignite your way of life and just to retain hope, and if youre there not hoping and disbelieving, do put this flick on for yourself and everybody around you...

loads of nice music too, but the primrose is dear maggie after all. So a recommend to this one.

This is a slightly 'Klaus' (2019), slightly 'Santa & Pete' (1999) and slightly 'Santa Claus The Movie' (1985) type film with hints of 'How The Grinch Stole Christmas' (2000) production and sets. It's an origin story, so it's easy to compare it to these films of a similar vein, but it's still different enough to enjoy it in its own right.

The writer has created a charming story, that kids will love and be able to watch with their families without the adults getting bored.

Matt Haig's usual style of books might possibly be classed as self help, so it was interesting to find that the writer of a book that literally (excuse the pun) saved my life, had also created this enchanting tale, but not a shock to find that I enjoyed it.

It has a large cast of famous faces and they all deliver without anyone stealing focus or performing badly.

It is the type of film that has a fairytale feel to it, so there are some characters that are played with a more stage show styling. Some of the characters would definitely be booed if they were in a pantomime.

I was even surprised that I liked Stephen Merchant's role, he usually winds me up, but he works very well as Miika.

It has a slightly old fashioned feel to it, but yet still has a certain something that keeps it relevant today. There's probably some sort of moral in there too, but I need to watch it again to find it, as I wasn't looking for it, but I'm sure I will watch it again next year, if not again this year.

775.05/1000.

What a great way to tell it like this. Beautiful scenery. I love the mountains and the snow. So it was a really feast for me. Its a reall must see. And it was not that scary, so the kids can see it to.

Just charming . It is the fair definition of this film about roots of Christmas gifts tradition.

It is charming, first, for Maggie Smith and Jim Broadbet and for Toby Jones.

It is charming for the truths and for the flavor of old fairy tales, so fresh, so soft, so bitter and wise.

It is charming for the adorable end.

Bad points - easy to say the political correctness not elegant deep traces. Or the ignore, again, of the simple, real significance of feast of Nativity . Or to ignore Saint Hierarch Nicholas.

But... .

The young Henry Lawfull is just good worker for a nice Nicholas. And the film is not , exactly , for children but more for inner child of parents. The cultural references is the basic proof.

Yes, I like it.

For actors, humor, inspired portrait of sacrifice for loved one and lost of parent.

And, not doubts, for Maggie Smith. Her presence in cast was, I admitt, the first and powerful kick to see this film.